Book Reviews by Genre: Humor

A short history of tractors in Ukrainian is a very entertaining tale of the vastly different experiences and perspectives of Ukrainian immigrants post-WWII to post-Cold War in Great Britain. It's a story that also explores the challenges of caring for aging family members. Well worth the read - it'll completely broaden your horizons. Also, it's very funny.

Pretty darn good! Light urban fantasy/paranormal with some romance, good pacing & character development, good grammar & proofreading (unlike this review), good action scenes. Really liked the reader for the audiobook. Not the depth of story of Briggs, Butcher, or Huff, but not just fluff waiting for the next romantic scene either. So glad our library is awesome and constantly offering new and interesting things.

This book contains a captivating world in which angels and demons exist, and there are two in particular we follow who roam the Earth. Their goal: to stop the apocalypse. Their respective sides endeavor for the apocalypse to occur, but the angel Aziraphale and the demon Crowley have grown very fond of Earth.
The story follows several humans as well, including the Witchfinder Newton Pulsifer, the witch Anathema Device, and the Them. It also follows the story of the Antichrist, and the four horsemen. It is an absolutely spellbinding read.

Written creatively through letters, emails, and memos to and from characters, Where’d You Go, Bernadette by Maria Semple is the story of a woman struggling with her past. Bernadette Fox is a former architect whose claim to fame was also her downfall. Now vanished from the architecture world, she lives in Seattle with her successful husband and tenacious daughter, Bee, and does all she can to avoid social interaction. While Bernadette is preparing for the family trip to Antarctica that Bee has been anxiously awaiting, a confrontation with another parent sends her spiraling out of control, resulting in Bernadette’s sudden disappearance. This book explores the difficulties of mental illness and how our actions affect one another, told through many different perspectives. Bernadette’s opinionated personality will have readers laughing, and her insights are truly relatable. A rollercoaster ride of emotions, this novel is beautifully and creatively written to portray a woman’s imperfections and a daughter’s determination to find her mother. Teen and adult readers alike will connect with Semple’s characters and appreciate her sense of humor in Where’d You Go, Bernadette.

As I’ve been working my way through Ian Doescher’s Shakespearean adaptations of pop culture movies, I think I’ve hit the point where the novelty has worn off. For whatever reason, I didn’t feel like The Force Doth Awaken had the same charm as other entries in this quirky mash-up series. I have a sneaking suspicion that this may be due to one of two factors: 1. The newer movies have more “modern” dialogue that seemed as if it was directly plopped into the Shakespearean format, or 2. The original trilogy had more time to be ingrained in my psyche, and the translation to Shakespearean felt appropriate.

I don’t want to downplay the novelty of this adaptation, though. The voice acting is still superb, and the sound effects add a little something extra that immersed me as I listened to this audiobook. Plus, it’s not like these books are that lengthy anyway. If anything, I’m out a little over an hour of my time to listen to it (since I listen at 2x speed). I did appreciate that Chewie finally received the internal monologue that R2-D2 originally had since these un-translatable individuals still have something to add. I was, however, disappointed that BB-8 didn’t have the same treatment.

One of the other factors with this “translation” that I wasn’t too keen on was the meta aspect that kept winking at the reader and saying, “See? Do you get that reference?” I understand that everything exists in the Star Wars universe, but I think most people who will pick up this book will already know those references anyway and don’t need the coy allusions to other parts of the series. Of course, I’ll still end up listening to the rest of these when I can get them from my library, but The Force Doth Awaken felt like a low point (at least until I get into the prequels).

An almost too modern and meta Shakespearean adaptation, I give The Force Doth Awaken 3.5 stars out of 5.

Having already listened to the audiobooks for the Shakespearean versions of the original Star Wars trilogy, I was curious to see how another beloved pop culture film would fare with the treatment. Get Thee…Back to the Future! had a bit more of a challenge when compared to the Star Wars stories. First, as the plot is set in (relatively) modern times, much of our technology had to be “explained” in Shakespearean format (e.g., a car is “a horseless carriage born on fumes of gas and flame”). At least the Star Wars stories seemed to fit in the Shakespearean timeframe a little better.

Despite this clash of modern and medieval, the transformation into Shakespearean form does end up working. I’d probably compare this to some of his comedies like The Taming of the Shrew , Twelfth Night , and Much Ado About Nothing , if for no other reason than the comedy of errors involved with Marty being hit on by his mother. I did appreciate some of the more heady references that were thrown in to make it seem more akin to something from Shakespeare’s era (the constant oedipal references were foremost among them).

One thing that seemed to be missing from the audiobook version of this was the sound effects and music that helped accentuate the Star Wars stories. Granted, Back to the Future didn’t have much in terms of sound effects. However, the music is iconic enough that it would have made a welcome addition. And by music, I mean Alan Silvestri’s score, since all the “pop songs” were addressed in the narrative and motif. Either way, it’s a short read and a fun little experiment to see how the “father of modern drama” can enhance (or ruin, depending on your tastes) our modern favorite films.

The Shakespearean comedy I didn’t know I needed, I give Get Thee…Back to the Future! 4.0 stars out of 5.

Before I got into reading the Dark Tower series, I saw the movie adaptation. It’s honestly what inspired me to get into the books. While I was a little disappointed with The Gunslinger , The Drawing of the Three showed me the series’ true potential. Moving on from my favorite book in the series, we have The Waste Lands. It's sort of a mash-up of the two earlier books in terms of characters and plot points. However, it's ultimately less than the sum of their parts (and that’s mostly due to the ending). What strikes me with The Waste Lands is how it could have been better than it was.

Those who have seen the movie version of The Dark Tower will recognize a lot of scenes, if not a huge chunk of them. I can see why they cut the two most interesting characters from the film, especially since everyone ends up splitting off to go on their own journeys almost as soon as everyone finally comes together. And while I did appreciate the weird “robot animals” and the riddle motif, I was ultimately frustrated that this core group of four characters didn’t have more time to show what their inter-personal dynamic would evolve into.

At the very least, the strength of the overall series and the thorough and vivid descriptions of this fantasy world were enough to overcome my misgivings about this book. It’s still well done on a technical level, even if some of its better moments are likely to be explored in future volumes. The cliffhanger ending was a bit of a bummer, though, especially since it might be a while before I can get the next book in the series from my library any time soon. I’ll still read it eventually, though, if for no other reason than to see how these characters fare in their travels.

A great book with some wasted potential, I give The Waste Lands 4.0 stars out of 5.

Of the original Star Wars trilogy, Return of the Jedi has been my favorite for as long as I can remember. I enjoyed how there was some finality to the stories started back in A New Hope, and Empire Strikes Back. Plus, there were a ton of neat creatures (like the Rancor and Sarlacc) and machines (like the Speeder bikes and AT-STs) that grabbed my attention from a young age. Sure, I can understand the depth of Empire Strikes Back now that I’m an adult, but Return of the Jedi always holds that element of nostalgia for me.

So, how does the Shakespearean version of my favorite Star Wars story stack up? If anything, Shakespeare’s The Jedi Doth Return is consistent with its predecessors, Verily, a New Hope and The Empire Striketh Back . I enjoyed the voice acting and the little changes that made the audiobook more than just a Shakespearean reading of the screenplay. Of course, having listened to three books of this fantastic mashup, it has almost overstayed its welcome. Almost. I still think it’s a genius fusion of two pop culture masterpieces, but at what point does it lose its originality?

Sure, The Jedi Doth Return adds some new bits like songs (which land just about as well as the “added” songs in the 1997 Special Edition re-release). Overall, though, I was a little taken aback at how little dialogue there was in it. Most of the action was described either in chorus or soliloquy, which merely highlighted how much action was present in the original movie. This is great for an action-packed conclusion on the big screen, but it doesn’t land quite as well on the printed page (or audiobook). Despite this, I still think fans of either Star Wars or Shakespeare (or both) should give it a read.

Another consistently funny mash-up of archaic speech and futuristic sci-fi, I give Shakespeare’s The Jedi Doth Return 4.5 stars out of 5.

You might be shocked to learn that some men do read the instructions. There have been numerous products that I have purchased over the years which necessitated a read-through of the instructions provided. Usually, these were items of extreme complexity or of thorough interest to me to require fully understanding the items before beginning to use them. The Baby Owner’s Manual might seem like a humorous fusion of a parenting book with a repair manual for a vehicle, but somehow the fusion of these two works better than I would have ever expected.

Published by Quirk Books (who have created other genius mash-ups like Pride and Prejudice and Zombies and Shakespeare’s Star Wars ), The Baby Owner’s Manual takes the complicated and frightening task of keeping a newborn alive and presents the necessary information in a format that any guy can understand. In fact, aside from a few choice substitutions that make a baby seem more like a car than a human, I’d probably keep this book as a useful reference any time something I don’t know how to handle comes up. This will likely be often considering my first child is due near the end of the year.

The only qualm I might have with this book is that some studies have come out since 2003 that have changed a few suggestions the book gives these new parents. Of course, any well-prepared parents will probably be able to pick these inconsistencies out and follow the more current recommendations. In the
end, though, the direct and straightforward method this book uses to convey its information makes it far more useful than just as a gag gift (I’m looking at you, How to Traumatize Your Children).

An instruction manual every man should read, I give The Baby Owner’s Manual 4.5 stars out of 5.

I said it for my review of Shakespeare’s Star Wars , and I’ll say it again: this combination of old verbiage and meter with popular science fiction is a match made in heaven. The follow-up to the first part of the original trilogy, Shakespeare’s The Empire Striketh Back continues to be an amusing exercise that anyone who loves Shakespeare and/or Star Wars will enjoy. Some consider Empire to be the best part of the original trilogy, and its adherence to the plot won’t disappoint. Additionally, the audiobook version continues to use music, sound effects, and voice acting to recreate an experience as close to the source material as possible.

While the audiobook did provide a robust experience of the text (especially the voice actors who recreated Han Solo and C-3PO’s speech patterns), the author’s explanation at the end made me realize there were some aspects that weren’t quite as clear as they would have been if I had just read the book normally. For instance, Yoda’s typically backward speech wasn’t as backward as I would have thought—mostly because the Shakespearean cadence sounds a little backward. Instead, Yoda spoke in haiku, which I’m sure would have been more evident if I was reading the words on the page.

As I mentioned above, Empire is the favorite of many Star Wars fans. However, I’m one of the rare few (like the author) who find Return of the Jedi to be their favorite of these first three films. Consequently, since this book held close to the original plot, it seemed to sag a little between the opening act on Hoth and the third act in Cloud City. At least the added soliloquies from ancillary characters like the AT-AT walkers, random Stormtroopers, and the dangerous creatures of the universe added in some humorous elements to the narrative that weren’t strictly canon.

A fantastic audiobook that still might require a read-through, I give Shakespeare’s The Empire Striketh Back 4.5 stars out of 5.

Sweetie Nair is fat. She doesn’t care, but her mom cares. Like, a lot. A lot a lot. Definitely too much. So much that so when Ashish, a hot local boy from a good (and crazy rich!) Indian family tries to date Sweetie, Sweetie’s mom shuts it down. But Sweetie won’t give up without a fight, and so she, Ashish and Ashish’s parents hatch a plan in which the kids will go on four dates. If it works out, they’ll tell Sweetie’s parents. If not, no harm done. Plus, what can happen in four dates? Turns out, a lot.

If you’ve read any of Menon’s other books, this one is completely on brand. I’ve read her other two books, and this one might be my favorite? It’s up there with Dimple, for sure. It’s a funny romantic comedy with endearing, mostly believable characters from a culture that’s different from mine. In addition to reading an adorable book, I get to learn a little bit about Indian Americans. This one has an added element of pointing out our society’s horrible ways of treating fat people. The way a folks react to Sweetie will have you seeing red – but you know it’s unfortunately totally realistic. Luckily, Sweetie is a self-confident young lady, and it was a joy to see her grow throughout the book. Ashish isn’t too bad himself! He has a very believable journey through the course of the book, and was a male lead you could root for even as he made a few terrible decisions.

TLDR: If you’re looking for a light, funny and very swoony read, this one will do it for you. I know it put a smile on my face.

Sandhya Menon is coming to PPLD to be the keynote speaker for Mountain of Authors! Meet her, listen to her give a talk and get a book signed on 27 April at 21c. More information about the event can be found here: https://research.ppld.org/mountainofauthors

Thanks to Netgalley and Simon Pulse for the advance copy, which I received in exchange for an unbiased review. There’s Something About Sweetie will be available for purchase on 14 May – don’t forget to put your copy on hold!

Over the years, I have been assigned to read a multitude of books and plays for English classes - some of those writing pieces I have never committed to and read thoroughly. This year in AP Literature, The Importance of Being Earnest was assigned and was not amongst those writing pieces. In many of the English classes I have enrolled in, there are numerous books or plays - especially Shakespeare - that I have read which might be interesting but the diction is archaic. The words and phrases are not used modernly and therefore, what is written is difficult to understand in the absence of translations or SparkNotes. Despite being published in 1895, The Importance of Being Earnest was an easy read because the play is easily humourous.

The play pursues wealthy and bored protagonists, Jack Worthing and Algernon Moncrieff, as they court two women, Gwendolen Fairfax and Cecily Cardew, pretending to be men named Ernest. Their “Bunburying” depicts the theme that idle hands indulge in mischief. Jack, who resides in the country, introduces a devious and unruly brother named Ernest who resides in the city so that he can be reckless in one place while also being arguably mature in another. Algernon pretends to have to check in on a pale and sickly fellow named Bunbury when he is introduced to responsibilities or events he does not desire to participate in. Eventually, upon hearing of Cecily Cardew, Jack’s ward, from Jack, he pretends to be Ernest as well. The two characters utilize their separate versions of "Bunburying" for their own pleasure rather than for being productive, depicting their own values of dishonesty and deceit.

The characters are self-concerned which is unfortunate because during the 1890s, the time in which this play is set, the Victorian Era endured multiple widespread conflicts including overpopulation, poor sanitary conditions, child labor, and religious insecurity - none of which are mentioned by any of the four characters.
Ultimately, the theme of the play may be applied to the modern era which permits The Importance of Being Earnest to be more relevant when you compare the Victorian upper class to, for example, the Kardashians or other celebrities.
The humorous aspect of the play was Oscar Wilde’s use of epigrams, or clever and paradoxical expressions. Predominantly delivered by Algernon, my favorite of the epigrams was “The amount of women who flirt with their own husbands is scandalous. It is simply washing one’s clean linen in public.”

Additionally, this play is a short read with only about 75 pages.

Good Omens is humorous take on Armageddon and the final battle between Heaven and Hell. Complete with an angel and a demon, who get along better with each other than with their immortal counterparts, two witch-finders, Satanic Nuns of the Chattering Order of St. Beryl, aliens, and an eleven year old Antichrist, Good Omens takes a completely different take on the Apocalypse. All predicted by a witch that lived 300 years ago, Good Omens is full of sarcasm, humor, fun, and adventure along with a moral that tells us to look for the good in everyone, even demons. I highly recommend this book for any high schooler or adult looking for a little bit of humor in life.

If I could condense this book down to a single phrase, it would be “What?” It’s not that I didn’t understand this book, it’s more that this single word/question was used for every third line of dialogue. Not only was this incredibly annoying to read—as every character seemed to have hearing problems that required the other speaker to repeat themselves—but it just seemed to pad out an already weak plot. I have no idea how this book became so famous that it led to a much superior film adaptation, but now I know that nobody should bother reading this book because of its inspiration for the movie.

Let’s talk about character motivations next. Nothing ever made any sense. Sure, there’s a bit of existential ennui involved with finishing something you excel in (school, in this case), but the actions of the main character only make sense up until a point. Once we hit the third act, there’s just a series of random actions that aren’t grounded in reality. This is also not to mention that the characters around him, especially the primary love interest, also make illogical decisions that aren’t founded in any sort of reality. At least this book is short enough that you’re not going to waste much time reading it.

Maybe I’m just missing the point of this book. Perhaps it’s an examination of the consequences and realizations that come from living a life that seems to have no meaning. I mean, I get the counter-play between the newly-disillusioned Benjamin and the almost permanently-disillusioned Mrs. Robinson; butwhenthe entire thing is filled with awkward and nervous dialogue that constantly repeats itself, I can’t help but think that there isn’t anything significant there. Even the ending was so abrupt and unfulfilling that I had to thank the movie version for its subtleness in revealing the characters’ realization of what they’ve done.

A truly sub-par story that was made into an above average movie, I give The Graduate 2.0 stars out of 5.

When I got into this book, the only things I knew about it were that it was about wine and it was made into a movie of the same name by Alexander Payne. Unfortunately, unlike a good wine, this book doesn’t seem to have aged well. Maybe people were able to put up with buddy comedy sex romps back in the early2000’s, but the social climate has changed considerably since then. I doubt a book like this would be written today, at least without some outcry from people who find the women in it to be inherently objectified.

Most of my issue with this book comes down to the characters. I’ll give the author credit for creating individuals that made me react to them so vehemently. The problem is that I hated these characters. I hated Jack for being so sex-crazed that he felt obligated to satiate his urges mere days before his wedding. Ihated Miles for being the stereotypical alcoholic failing author. If you wanted a template for poor life decisions, I think these two characters would fit the bill. There wasn’t much (if any) redemption in either of their story arcs, and both of them just seemed to enable their worse selves.

In the end, this book is supposed to be a comedy. At least, it’s a comedy in the sense that it ended with a wedding (as most comedic plays and musicals usually do). Sure, it’s filled with witty banter and some good stretches of natural dialogue, but there was hardly any vulnerability of the characters to give them any grounding. One moment near the end briefly pulled away to let Miles reminisce, but I would have liked some more consequences that would have forced both men to change for the better. And maybe that’s the point: real life doesn’t work that way, and I hate that there are real men out there who have these very same faults.

Terrible people in somewhat amusing situations, I give Sideways 2.5 stars out
of 5.

It took me a while to review this book because I couldn’t figure out exactly how to rate it. This novel is a pun filled fantasy adventure that pokes fun at the traditional fantasy quest. It involves magic, elves, a dark lord name Toby, sleeping maidens, a sand witch named Grinda, a talking goat named Gustave, fairies, a bunny bard named Argabella, a female warrior named Fia, a rogue name Poltro, and a harrowing danger filled quest to cure the dead-ness of a farm boy name Worstley, killed at the beginning of this book, that was destined to fulfill a great destiny …. or so we thought.

While at times this book was funny, I particularly enjoyed the details of how the world was described, for example when the enchanted castle and the maids were being described at the beginning of the book, particularly the last line. “There was also an abundance of portent swaddled about the place. Oodles of it. A surfeit, even. Something would go down there soon. But for now, the lady slept. And drooled a little, probably.” Or the dark lord’s constant obsession with cheese and crackers throughout the book.
Other times, I think the humor went over the top, which was not a particularly big selling point for me and leaves a somewhat sour taste in my mouth. For example, when our heroes arrive at the hut of the healer and Agrabella first wakes up after being healed. “In this case with her eyes shut, Argabella had to assume she was being licked across the face by a troll with gingivitis who’d recently partaken of fresh garlic and sardines and possibly eaten another, even sicker troll for breakfast. Her eyes burst open… She soon realized that this was because she was staring into someone’s extremely furry armpit” Or maybe it was the fact that books with tropes and puns are just not the type of books I am particularly drawn too or like. However, I do appreciate and like each of the character’s own inner dialogue as they wrestle with their feelings and other issues throughout their journey together. For example, when the warrior realizes she love’s the bunny bard, “She realized that even more than roses, even more than a proper set of armor, she wanted to be kind and generous and the whole range of happy adjectives to this truly unique woman for a long, long time.”

Overall I think this books was well written, and at times funny, it takes a traditional subject, fantasy quests, and turns it into something new entirely. While this book wasn’t for me particularly, I would recommend it for anyone who loves, Monty Python and the Holy Grail, The Princess Bride.
the movie Space Balls, or anything with wacky humor. This book comes out today so put a copy on your holds list! Thank you to Negalley and the publisher Del Rey for a free e-arc of this book in exchange for an honest review.

Normally, I’d start off my review with a synopsis, but plot wasn’t exactly the point of this book, so I’m going to skip it. What you need to know is this: Kill the Farm boy is a satirical fantasy novel that skewers the “chosen one” white male narrative. Tonally, it’s as if Deadpool were your dungeon master and he had recently swallowed a thesaurus. If that appeals to you, you will love this book. If not, pass on it.

I had fairly mixed feelings – humor is subjective, and while I sometimes found it funny, I also found it grating at times. For example, there was a chapter about trolls that had me in stitches. But there was also an entire chapter about the group entering the Morningwood that had me rolling my eyes. A certain type of audience will absolutely love this one. I was not that audience, but I still, for the most part, appreciated it for what it was as I generally found the writing quality to be very high. There’s little character development, and the plot is just a vehicle for jokes, but again, those things aren’t the point.

This is definitely one of those books that will be very hit-or-miss for people, and while it was mostly a miss for me, it’s one that I think I’ll be recommending to a lot of patrons, particularly teens. If you like Mel Brooks or Monty Python, you’ll probably like this too (it would make a pretty funny movie).

Thanks to Del Rey and Netgalley for the eARC, which I received in exchange for an unbiased review. Kill the Farm Boy will be released on 24 July, but you can put your copy on hold today!

Having now read one of Terry Pratchett's books, I thought it might be interesting to go back and read his very first work. Many authors don't manage to become famous with their very first book, and I think Terry Pratchett is no exception here. The Carpet People is an amusing book with his standard British charm, but I think it never goes far enough in its exploration of the idea. After all, I was expecting this book to be more along the lines of The Borrowers instead of just a straight-up fantasy with a few references to the fact that these creatures lived in the carpet.

Part of the problem I seemed to have with this book was the incessant need for fantasy books to create new names for objects and creatures that already (mostly) exist. If you took away the carpet setting, I think this book could be practically indistinguishable from any other fantasy book. This is what disappointed me the most. I believe there are plenty of potential moments to highlight the size disparity between creatures that live in the carpet, and the rest of the world we're familiar with (a la Honey, I Shrunk the Kids (1989)).

Granted, I will give this book some grace considering that Terry Pratchett originally wrote it when he was a teenager. For this reason alone, I do have to say that it should be an inspiration for young writers, just to show that it can be done. Pratchett clearly improved his writing skills over time to become a bestselling author, but it's important to recognize and realize that he didn't start out that way. Ironically enough, though, I almost preferred the serialized version of this story that he originally wrote over the more "standard" version that aligns with his later styles.

An amusing book and impressive first novel for a teenage Terry Pratchett, I give The Carpet People 3.0 stars out of 5.

I can honestly say, this is the worst book I have read in 2018. I couldn't believe it was written by Janet Evanovich. It lacked her usual wit and laugh out loud moments. I actually thought I would love it since I enjoyed the graphic novel. But no. I didn't care about any of the characters.
I thought the story line plodded along and at the end, I just didn't care. I was hoping a canister of nerve gas would just destroy every copy of this book so no one else who's thinking of reading will suffer.

I listened to this book, most of which was read in a nasally, whiny voice. The initial stories about working as an elf at Christmas-time had tears of laughter pouring out of my eyes, Unfortunately, the book rapidly went downhill. This satire started out funny, but it kept going too long as if the author didn't know when to end the story. There were also some disturbing images that added absolutely nothing. The stories were sarcastic, but the bitterness in them really turned me off. Can't recommend it.