The Portrait by Nikolai Gogol is one of his best short stories centering around a penniless artist, Chartkov, struggling to make his name in the art world and finds himself entranced by a portrait he buys at a merchant shop. With a steely face, build of a giant, and eyes that seem to pierce the soul, the portrait that he buys on an impulse at a run-down shop carries a mystery with it that haunts Chartkov both in his waking hours and in his sleep. As he is overcome by his financial difficulty, the strange portrait that he stashed away for fear of its gaze changes his life forever. With flowing imagery and an intrinsic description of human nature and its afflictions, The Portrait latches onto the reader’s heart and presents them with a fascinating account of Chartkov and his peculiar encounter with the portrait with uncanny realism and blended fantasy.

Nikolai Gogol's "The Overcoat" is a simple yet intriguing story of a man set upon buying a new overcoat despite his poverty-stricken life. Enamored with his job of copying documents at the office, Akaky never takes notice of the world around him, even when all the other workers around him gibe at his love for something so mundane as replicating documents and the intense manner of which he regards this dull job. However, he is sharply brought into reality when winter brings frigid weather, and he realizes his threadbare and tattered overcoat simply will not sustain Russia's winter. He begins his speculations into buying a new overcoat with as much zeal as he puts into his office work, yet he hardly expects what the future holds both for him and his overcoat. Both amusing and thought-provoking, Nikolai gives the reader insight into the life of an eccentric office worker laboring during the harsh winter and successfully blends farce comedy with blunt realism to create a short story that stirs the emotions and leaves the reader satisfied.

I began this book because I was interested in the author, Osamu Dazai, as some of his life and feelings were reflected in this work of literature. Overall, I enjoyed the perspective that Yozo brings on both life and humanity.

No Longer Human by Osamu Dazai is a fictional story that follows the main character, Oba Yozo, throughout his tumultuous life as he feels estranged from humanity and those around him. Yozo as a child yearns for something in life which he cannot find in the untruthful and utilitarian way that the people he is surrounded by choose to live. As he searches for what it is to be an authentic human being while battling his own disconnect from society, his view on life as a whole changes. As time progresses Yozo’s life takes a bold path, highlighted by his erratic behavior in order to “qualify as a human” as he enters college, still struggling with his fear of exposure and masking his true nature under a comedic facade. The way that Yozo is characterized brings forth a layer of depth and instills a deeper understanding of both him and human nature through his perspective. The book touches on many themes that are prevalent even in our modern-day world such as alienation from society and individual struggle of expression as well as fear of being ostracized. The story of Yozo and his wayward life is intriguing, and I think that one of the reasons that it is still widely read and appreciated both in the West and in Japanese literature is because Yozo brings out the things in people which often are hidden away, revealing some of what it is to be human. His account as he goes through life also adds a refreshing take to things often perceived as mundane, inviting the reader to muse upon them and form their own opinion themselves. However, I was not able to fully enjoy the book because of the overly cynical view it took on life especially towards the end of the story which I believe is a reflection of the author’s similarly deteriorating life.

A thriller that takes an already scary concept - the systemically racist practice in real estate known as red-lining - and makes it into a more tangible threat. In an historically black neighborhood, Sydney is still grieving the loss of her mother when her neighbors start disappearing one by one. Can she figure out who is behind the accelerated changes of her neighborhood before it's too late?
This book has some genuinely terrifying moments, particularly when the narrative is breaking down the historical practices of red-lining, gentrification, systemic racism, slavery, and the shifts of old practices into new formats. It brings these concepts forward in an approachable way (unlike my review, probably).
This book is a thriller-romance with a John-Wick-esque style by the end. So if you're into social commentary with the just-right amount flair of romance, this is for you! My only frustration is the ending felt a tad bit rushed...but overall, it was satisfying.

Scythe is the start of the Arc of a Scythe trilogy, set in the far future, humanity has overcome any and all problems. Except one, death, humans no longer keel over to illness, accidents, or war, but the Earth's population must be kept in check, thus humans must die. And so only the most humble and moral are put to the task. But of course humanity is fallible and the words humble and moral start to become rare words to describe the dealers of death. This book kept me constantly reading and wanting more (also had me checking my holds for the next in the trilogy), by far one of my best and most entertaining reads.

This time-travelling story of love and genocide centers on two rival agents battling to secure the best possible future for their warring factions. It opens with a blood-covered Red, the last woman standing on a battlefield heaped with corpses. She finds a letter that starts with “Burn Before Reading” from Blue, her rival whom she has spent lifetimes trying to thwart. So it starts with a taunt followed by a challenge scratched in a lava flow and a message woven into the DNA of a tree cut down by marauding armies. These spies never meet but these compromising letters – certain death if discovered by their superiors – build upon a mutual understanding that evolves into love. Who better to understand someone weary and confused by merciless, contradictory orders than their rival? Or is this an attempt to turn the other into a double agent? Or lay a deadly trap? This novella deftly avoids the confusion that spoils average time-travel yarns by making each of the chapters into a vignette, told from either Red or Blue’s perspective, until a satisfying, meaningful conclusion.
Awards: 2020 Nebula Award for Best Novella, 2020 Hugo Award for Best Novella

Yusef Salaam is one of the "Central Park Five", young men of color who were incorrectly accused of raping and beating a woman jogging in Central Park in the late 80s. After the five had served their sentences of 5-15 years, they were exonerated when the real culprit came forward. This book is clearly heavily inspired by Yusef's story as it tells the story of Amal, a teen in prison for a similar crime that he did not commit. It starts with the conviction and then moves into Amal's experiences in a juvenile detention center.

Every year, there's a book that I promote really heavily in classrooms. This will definitely be that book. It's so good. So sad. So spare in that way that only books in verse can be. It takes a while to read, because sometimes you just kind of have to sit with it for a while to process it. It does such a great job of illustrating just how deeply flawed and racist our "justice" systems are. I dare you not to empathize with Amal. I can't wait to share this important book with everyone I know! Also, like, that cover y'all. So pretty. And it's relevant to the story! Anyway, consider this required reading, especially for all the folks trying to "read woke". 5 stars.

Thanks to Edelweiss and Balzer + Bray for the eARC which I received in exchange for an unbiased review. Punching the Air is out 01 September - put your copy on hold today!

Cinderella is dead is about a girl in a society where women are expected to behave like Cinderella in the beloved (well, they're forced to love it) fairy-tale: wait until you're somethingth birthday and then you must go to a ball to be chosen by a boy/man/grandpa who you will be forced to obey for the rest of your life. Those who refuse are executed. When our main character falls in love with another girl instead of waiting to be chosen at the ball, she decides it's time for a change.

I saw this book ages ago on Netgalley and while I love the cover (and don't be afraid to chose a book by it's cover, kids!), I'm pretty over anything to do with Cinderella as I feel as though I've read around 8 million re-tellings in the last five years or so. Then, I heard some folks from Bloomsbury talk about this book at a recent conference, and I was sold! Unfortunately, though, there was way too much Cinderella in it for me to truly enjoy it. The worldbuilding and plot waffled between being creative and a bit silly. The characters were one-dimensional and the romance unearned. That said, I think the book's audience, younger teens, will enjoy it, so I'll definitely be recommending it.

This is the perfect book for younger teens who just can't get enough of Cinderella or who are looking to make the jump from middle grade to young adult fiction. For this older reader, the coolness of the author's innovation with the Cinderella fairytale was outweighed by bland characters and forced romance. 2 stars - it was ok.

Thanks to Bloomsbury YA and Netgalley for the eARC which I received for an unbiased review. You can put Cinderella is Dead on hold today!