Staff Book Reviews by Genre: Fantasy

I started off in love with this book. However, as it progressed I lost a little bit of interest in it. I guess Miggory Sow and Roscuru didn't appeal to me as much. But it finished strong. Great narrative voice and well paced. Well done overall.

“The Very Persistent Gappers of Frip” is a mere 82 pages, and features the witty lyricism of George Saunders, National Book Award finalist, and the whimsical illustrations of Lane Smith. One might call the story an adult fairy-tale, but I believe both young and old will find it humorous and intriguing.

The story introduces the reader to round, baseball-sized creatures called gappers. They are bright orange, not particularly intelligent, and simply love goats. Saunders explains that, “when a gapper gets near a goat it gives off a continual high-pitched happy shriek of pleasure that makes it impossible for the goat to sleep” (2). For the three families that make up the town of Frip, this is bad news. Goats are their livelihood and so the children of these families must brush gappers off their goats eight times a day to keep their goats happily producing milk. The gapper trouble increases for Capable and her father when a slightly more intelligent gapper takes charge of the goat-loving critters. He decides that the whole lot should gang up on a single house rather than splitting themselves between the three houses of Frip. The other two families rejoice in their gapper-less good fortune, but poor Capable and her goats are quickly overrun by the united forces of gappers.

This story is funny, very creative, and poignant in its understanding of human nature. It expresses the importance of community and kindness, and in a way that sounds only a little preachy. Overall, “The Very Persistent Gappers of Frip,” is definitely worth a read. It requires a single sitting to finish, and rewards the reader with plenty of laughs and a renewed sense of what it means to be a neighbor.

Cute cute cute! This is a fun book that is chock full of imagination. I liked that is was inscribed as Harry Potter's copy but Ron Weasley had amusing handwritten notes in it. I think this book may be best enjoyed by devoted Harry Potter fans. If you've seen the Fantastic Beasts movie, you may enjoy trying to pick out the beasts featured in it. Fun!

Sierra Santiago is looking forward to the perfect summer. Class is finally out, she has a close group of friends to hang out and party with, and best of all she has the perfect summer gig: painting murals on the walls of old buildings in Brooklyn. But when she starts work on her first mural, she notices something strange going on with the other paintings around her. For one thing, they’re fading way faster than normal, and for another – well, it almost seems like they’re moving. Most confusing of all, when she gets home her grandfather – who hasn’t spoken since his stroke – suddenly wakes up and starts speaking directly to her: she HAS to finish the mural she’s painting, he says, and she needs to do it as fast as possible – before it’s too late. Sierra is thrown. What could a giant picture of a dragon have to with anything? And what does her grandfather mean about time running out? He leaves her with a riddle about a missing woman and more questions than answers.

Most infuriating of all, everyone in her family seems to know exactly what’s going on – but no one will tell her. Her mother even gets angry with her when she tries to ask about the connection between her grandfather and the murals. Something about the subject is just too dangerous to discuss. At first this seems ridiculous to her, but when she goes to a party with a group of her friends suddenly the danger is all too real. A zombie crashes the party and heads straight for her. Sierra is in shock, but Robbie, the quiet, artistic boy from her class that she’s been chatting with, knows what it is – and knows Sierra’s grandfather, too. Sierra escapes, but it’s a close call, and her problems are only just beginning.

Afraid and more confused than ever, she decides to go to the best place for research: the library. While she’s there, she discovers that an anthropologist, the mysterious Dr. Wick, was studying her grandfather and his group of friends just before he had a stroke and everything went wrong. Dr. Wick was researching a power called shadowshaping: the ability to imbue ancestral spirits into their artwork, whether it’s storytelling, music, or, you guessed it, painting murals. Sierra’s starting to put together the pieces, but time is running out – the murals are fading faster than ever and her grandfather’s group of friends, the shadowshapers, are dying one by one. Sure, they’re elderly men, and there’s not a mark on their bodies, but it can’t just be a coincidence, can it? And what about Dr. Wick – he went missing at the same time as her grandfather's a stroke, but is he a victim or a killer? Sierra sets out with Robbie and her group of friends in search of answers. Along the way, she’ll face the walking dead, living paintings, and her family’s tangled past.

I love fantasy, and this had such a unique premise that I had to pick it up, but sadly it fell far short of my expectations. First, the good: the magic system is very original and a lot of fun to read about; the idea of imbuing artwork with ancestral spirits is already interesting, but having murals and chalk drawings come to life to dance and fight and interact with the world made for great reading and some really cool action scenes. In addition, the cast is very diverse in terms of both race and sexuality, and Sierra’s budding relationship with Robbie felt natural rather than forced (and I say that as someone who usually hates romance in YA, but it was very subtle and actually rather sweet). Unfortunately, none of this could save the book from its biggest problem: the pacing. Usually I’m complaining about books that are bloated with filler, but this one had the opposite problem: way too many ideas, not enough space. In just 280 pages, there wasn’t enough room to develop all of the world-building and plot and character development that could have made this book great. As a result, it’s very uneven, and there’s no room for the plot to breathe; the book jumps around a lot from plot point to plot point, and most of the interactions between characters are, quite frankly, bizarre. Older forces awkward conversations that seemed designed to cram in as much background detail as possible before ending abruptly mid-stream so that Sierra can get to the next scene. It’s as if he’s written a check list of everything Sierra needs to do and he’s decided to follow it doggedly regardless of whether or not it flows. Details are introduced but then never followed up on or resolved in any way.

This is compounded by a second problem: the writing just isn’t very good. Part of that is just the book being aimed at a younger audience, and that aspect doesn’t bother me, but another part is awkward transitions between scenes, ham-fisted dialogue, and way too many editing errors for such a short read. These problems together made it honestly quite painful to get through, especially in the rushed beginning chapters when you can see Older trying to get to the main plot as quickly as possible at the expense of everything else. Basically, good idea, poor execution. I would give it 2.5 stars. I still think this has appeal for teens who love urban fantasy or who are looking for something different and original to read, but I wouldn’t call it good by any stretch of the imagination.

This series is really a must-read for fans of modern fantasy, mythology and pop culture. The Wicked + the Divine takes place in a world where a phenomenon called the Recurrence occurs every 90 years, causing a Pantheon of twelve deities from across human cultures to awaken within the bodies of young adults, granting them tremendous superhuman abilities. They will be loved, they will be hated, but two years after awakening, they will all be dead. The year is 2014 and the Recurrence has come again, and this new crop of gods blurs the line between the way deities were worshipped in ancient times and the way humankind worships its popular icons in the modern day. Though they are reincarnations of figures from antiquity- Lucifer, Woden, and Minerva, for example- their personas and appearances invoke modern musical icons like Daft Punk, David Bowie and Prince, and their worshippers stalk their instagram feeds and attend sold-out concert-like performances of their miracles.

However, all is not divine within the ranks of the Pantheon. Skeptics dismiss their claims of "godhood" and "miracles" as delusions, hallucinations or special effects, and point to the last Recurrence - which took place during the 1920s - as the product of the same sort of hoax as those performed under the umbrella of Spiritualism during that era. And, these new gods have all the hormones, the petty selfishness and the capriciousness of the teenagers and young adults they used to be, only now they have superhuman powers at their fingertips, and the weight of the knowledge that for all their strength they will all die before two years have passed. The mysterious goddess Ananke, who exists outside the cycle of the Pantheon, is the only being who seems to understand the forces at work behind the Recurrence, and she acts as something of a guiding light for the gods, though a cryptic and guarded one, at best. Into this tumultuous mix enters Laura, our narrator, a god-obsessed superfan who idolizes the Pantheon to the point of distraction. Though Laura wants nothing more in this life than to be a god herself, she settles for attending their tours, buying their merchandise and following them obsessively on social media, getting as close to them as she possibly can. That is, until she unexpectedly befriends the young Lucifer at a concert and finds herself suddenly drawn into the beautiful, deadly and miraculous world of intrigue that surrounds the members of the Pantheon.

This comic is incredible, both in terms of its writing and worldbuilding, and its art, which is both stunning and incredibly consistent. It is also a wonderful example of diversity and inclusiveness in what is, essentially, a superhero comic - Laura is part of a loving biracial family, Lucifer is a polyamorous, genderfluid woman who is a dead ringer for Bowie, and representation of queer characters, women and people of color abound. I collect this comic religiously (hah!) in both its individual issues and its trades, and I really cannot recommend it enough. However, when our rating says M/Mature, we MEAN it. While there isn't much in the way of graphic sexual content, there is some gore, frequent adult language, and a whole lot of adult situations.

Rainbow Rowell's "Carry On" had me laughing and tearing up and cheering along the protagonists like a crazy person, which -- as I listened to the audiobook in my car -- I'm hoping didn't concern my fellow drivers. This book is not only a clever love letter to the Harry Potter universe/the concept of a "chosen one" narrative, it's one of the cutest teen fiction romances I've read in a long time. I'm going to try not to spoil anything, which is why this review is so very, very short, but... Awww. What a simultaneously goofy and emotional book.

As you may or may not know, "Carry On" takes place in the universe Cath is fangirl-ing over in Rowell's other novel, "Fangirl," but I'd say it works very well as its own independent story. You could read it as a set with "Fangirl," or just read it for its own sake, I imagine both ways are fun and interesting for different reasons.

Categories: Teen Fantasy, Just Plain (?) Fantasy (if you love the Harry Potter books, this is kind of intended for you, I think, regardless of age), GLBTQ Fiction, Humor (?), Romance, Satire/Reinterpretation

I've yet to read something by Catherynne M. Valente that isn't absolutely gorgeous -- admittedly I may be a little bit biased, as I definitely think folkloric stories are the best, and folkloric stories with lovely playful twists are the BEST best... But when it comes to evocative and clever prose, as far as I'm concerned Valente is on a level all her own. At the moment, I happen to be reading her "Fairyland" series, and so... Behold, the first book -- "The Girl who Circumnavigated Fairyland in a Ship of her Own Making!" It's just as whimsical as it sounds.

So there's this little girl named September, living in a lonely house and washing a bunch of lonely teacups all the time and feeling very trapped. A quirky and talkative Green Wind -- apparently a defiant and spirited sort of wind -- riding a leopard shows up to spirit her away to Fairyland if she likes. This book is very much like "Alice's Adventures in Wonderland" for the modern age: September has loads more authority over herself and her destiny, for one, and she grows dramatically as a human being over the course of the series. Fairyland helps that along of course, despite being a wild and alien place, complete with folkloric and/or mythological figures both eternal and re-imagined, petulant tyrants with very impressive hats, and interesting twists and turns aplenty that I can say I definitely didn't see coming. Valente's world is simultaneously familiar and wonderfully fresh, like she's composed words to go along to the tune of a well-beloved song, shifting its meaning in unexpected ways while still keeping true to the soul of something timeless.

Oh my goodness, Apollo, you strange and beautiful basket case. I was laughing all through this book, marking pages to shove at my friends... You know the drill. The Greek-mythology-centric Percy Jackson series as a whole helped me through some dark times when I was younger, and this first book of Rick Riordan's new "Trials of Apollo" series is delightful, just as I remember "The Lightning Thief" to have been back when I really, really needed it. (It's only missing Mr. D -- I've always especially liked Mr. D. Maybe he'll show up in the next one?)

Anyway. You know how in Greek folklore, Apollo gets stripped of his powers sometimes when he gets his king/dad, Zeus, angry? That's happened again in this series, only now it's all happening in modern day New York... Where the rules to everything are way different than what Apollo's used to... Annnnd he's not used to acne or helplessness, either, both of which he has to deal with as an awkward teen apparently named "Lester." It's the sparkly god of the sun/music/so many things's turn to go on actual quests again instead of waving demigods off on them... And he's very, very sad about it.

Some familiar faces from the Percy Jackson series have appeared so far in "The Hidden Oracle," but I would say it's definitely its own series with unique sources of pathos. Something I always loved about the Percy Jackson books is their empathy, the way people can redeem themselves, the way characters can still be heroic despite/because of their flaws... And that is STILL HERE, operating now through the protagonist, given the centuries worth of mistakes a now-human Apollo has to grapple with. I definitely liked "Magnus Chase and the Gods of Asgard: The Sword of Summer" -- the Riordan book that came out a bit before this one -- but it didn't click with me in nearly the same way as Apollo's shenanigans. "The Hidden Oracle" felt like a fresh and self-aware remix of old ideas and settings from Percy Jackson, all told through a recently fallen god's wonderful, WONDERFUL narration. Yes, if you want something completely different than Percy Jackson this might not be the best place to look. But if you want to see the Percy Jackson universe through refreshingly new and oh-so-Olympus-y eyes, this may be perfect for you!

To sort of sum things up: I think this is a great kids' book, engaging and fast-paced and written with a light and goofy sense of humor, just like those original Percy Jackson books. (Sometimes the humor does get VERY goofy, so go in warned, but other times it's clever and tongue-in-cheek. Funny guy, that Apollo. Versatile.) Beyond that, though, I...a grown adult...am 100% buying the next book for myself just as soon as it comes out. I know that doesn't necessarily mean EVERY mythology-loving adult equipped with a suitably goofy sense of humor would also enjoy this book, but I know for a fact plenty of others have the same plan.

**Spoiler Alert** Let me just say this, don't read this book out loud to your young child. It took forever to get through it and I was so sick and tired of it by the end that it turned into a chore. I didn't really get into it, it just seemed silly to me, but my daughter liked it. A major sticking point for me was the author's failure to explain why the antagonists of the book were actually on the side of the Whangdoodle in the end. Meh.

SPOILER ALERT! I thoroughly enjoyed this book. I'm a huge Harry Potter fan, so of course I dug getting to learn more about Harry and his friends. I was very interested in the Scorpius/Albus relationship but hoped there had been a bit more about Scorpius's relationship with his father. I was mildly annoyed that Draco and Harry became friends and even that Draco showed a sensitive side. However, I liked how devoted he was to his son, just like his mother had been so devoted to him. The final chapters with Harry bonding with Albus didn't interest me much either. But still a good read and a great fix for my Harry Potter withdrawals. I would like to see it as a play.

After her parents split, Georgia girl Nolie Stanhope finds herself spending her summer in a mysterious town called "Journey's End" in Scotland while her father investigates a mysterious fog (known as The Boundary) that's plagued the local village folk for centuries. Nolie is pretty excited - in addition to some sweet international travel, she's an avid ghost enthusiast, and feels like the summer might be promising in that department. And she is pretty immediately proven right! When Nolie and her new Scottish friend Bel see a weird dude walking down the beach, they think they've seen a ghost. Have they? And why is the Boundary suddenly moving closer to shore?

This was a pretty great MG ghost story. The setting is wonderful - Scotland sort of lends itself to mystery, and Hawkins imbues the village of Journey's End with a ton of charm, personality, and a touch of creepiness. Both of the lead characters, Bel and Nolie, were pretty well fleshed out with distinctive and likable personalities. Their friendship, while quickly formed, was believable and would be a great example for young girls. There's a bit of bullying and some exposition about the effects of divorce, so some important relatable issues are addressed. The Boundary itself is a fantastic and appropriately creepy mystery centerpiece. Really, my only complaint is that there was a ton of build-up to a mystery/ghost story that was pretty quickly and too easily resolved. But I'm a tough customer when it comes to middle grade reads, and overall, this one was pretty great so I'll go with the 4 star rating. I'll definitely be booktalking this one with sixth graders in the fall.

A Monster Calls is an award winning, simple, easy to read book about a very complicated, emotional issue. A young boy, Conor, faces the stark reality of his mother’s terminal illness. He has been suffering from a recurring nightmare and suddenly a new dream-like monster comes to him to see him through this upheaval. It is a short book that will have you emotionally tied up in knots written for young adults, but applicable to all people that are dealing with loss, closure and guilt. Conor’s internal struggle vividly comes to life in the form of the monster in this book. If you’re looking for a quick read that will pull you in and hold you, this is the book for you.

3000 years ago (aka present day), the earth suffered from "the Cataclysm" - an apocalyptic event that changed the literal shape of the earth (because earthquakes) as well as all of its political structures. In this future version of earth, technology has been all but outlawed, and magical folks are treated in a vastly superior way to those without magic. Hob Smythe is a non-magical miner living in the Dusk (outside of present-day Vancouver) who is recruited by a secret society called The Fellowship that wants non-magic folks to have the same rights as magic folks. He is quickly whisked away to the capital (Impyrium) where he is to spy on Hazel Faeregrine - the princess third in line to the throne that the Fellowship suspects is massively powerful. Meanwhile, Hazel is trying to learn how to wield her great magical power, while maneuvering and investigating interesting goings on in the palace.

As you can probably tell from that description, there is a lot of world-building that happens in this book. As a result, the beginning is a little slow, but after a few chapters, I found myself engrossed. Neff creates a dynamic world full of magic, demons, and dragons. The characters themselves are intelligent, likable (if a little gullible), and independent. If you like your heroes with pluck, you'll love Hazel and Hob. The story, once it gets going, is fairly complex, but in a really great way. There's a lot of plotting and conspiracies and it's really fun to try to figure out what is happening along with Hazel and Hob. A lot of little threads are introduced, and many plot points are tied up in the end while still paving the way for the next installment in the story. Additionally, there is fun social commentary in terms of non-magic vs. magic folks and their respective treatments.

I liked this enough that I immediately put the author's companion series, which is called The Tapestry and tells about the events of the Cataclysm, on hold. This is probably my favorite non-sequel middle grade read of the year. Recommended for fantasy readers of all ages. 4 stars.

Blue Sargent has unusual name, but she is an unusual girl. She lives in the small town of Henrietta, in a house filled with psychics, including her mother. Ever since she can remember she has been told that she if she kisses her true love he will die. Up until now Blue has tried to stay away from boys, especially the preppy rich ones that go to the boarding school in town. But when she gets involved with four boys from the Aglionby School who are searching for the burial site of a mythical Welsh king, Blue’s plans go out the window. As the hunt for the grave becomes more dangerous (ghosts and Latin speaking trees included), so too does Blue’s relationship with one of the boys named Gansey. Will Blue be able to be part of the quest without killing one of the Raven boys?

The Raven Boys is a dark and gritty fantasy, which turns the ‘true love’s kiss’ cliché on its head. For anyone looking for a more modern take on the fantasy genre or are interested in the paranormal, this is the book for them.

This was just delightful.

My Lady Jane is a semi-historical semi-fantastical look at the life of Lady Jane Grey, cousin to King Edward VI, who was queen for 9 days and then swiftly deposed and subsequently beheaded by Mary I (aka Bloody Mary). The book looks at the events through the perspectives of Edward, Jane, and Jane's new husband, Gifford Dudley (call him G). The authors decided to rewrite history a bit to give some folks shapeshifting powers and to give our Lady Jane a happy ending. The result was a charming, whimsical read written in the sarcastic and snarky prose of today, and it was marvelous.

The book is even more impressive when you consider that it has three authors, but felt as though it could have been written by one person (I'm sure that each author wrote from a different character's perspective, but it was never jarring). The characters were well fleshed out, each perspective was funny and interesting, and I never felt myself racing through one character's chapter to get to a character I liked better (because I liked them all). I'm a big sucker for court intrigue, and there is obviously a lot of that here. The fantasy elements are pretty small, and honestly, the book could've sort of been done without them, but they do give the authors an out for some of the less historical aspects of the book (like Edward's survival, for example).

I gave the book four stars instead of five as, though I loved the tone for most of the book, by the end it was feeling a bit twee. The book was also a bit overlong. Overall though, this is a great read that I would recommend to people who like quirky, well-written books about strong women with a touch of fantasy. I hope these authors team up to write another alternate history, because I'd so be there. 4 stars.

I previously reviewed the first book in this series, The Fifth Season (http://ppld.org/book-reviews/fifth-season). This was a strong second entry, and on reflection I ended up liking it even more than the original book. The plot is far more linear than in The Fifth Season, but there are still unexpected twists and turns, and for me the characters really came into their own here. You will see some old, familiar faces along with a number of new additions to the cast from regions of the world we hadn't previously been exposed to. There was one character in particular whose story-line took a surprising turn that caused me to do a complete 180 on how I saw them. For me, it hit all the right notes: deeper world-building, strong characterization, and a complex plot that held up to closer scrutiny.

If you haven't finished the first book, the next part of this review will include minor spoilers. The Obelisk Gate picks up where The Fifth Season started, with Essun discovering her murdered son just as the Season hits. While the previous book then went back and forth in time to explore how she had arrived at that point, this one moves us into the future as she sets off in pursuit of her husband (Jija) and daughter (Nassun), hoping to rescue Nassun before she meets the same fate as her brother. The chapters alternate between Damaya/Syenite/Essun's journey and her daughter's, with the odd interlude featuring someone else. The narration is still in its distinctive second person format, but in this book we finally learn who the speaker is. In my opinion, Jemisin answered just enough questions from the first book while still leaving mysteries for the finale, and I can't wait for the third and final entry in the series (projected release in 2017). Highly recommended to lovers of fantasy!

I'm not going to try to describe this book, because there is a lot going on and I wouldn't really know where to start. Here's what you need to know:

It's a companion novel to American Gods, but you do not need to read American Gods first. In fact, I found this book to be vastly superior to American Gods, though the internet does not necessarily agree with me on that one.

Do you like Loki? Or like, the idea of Loki? Or just trickster gods in general? Anansi is the African trickster god, and this book is a TRICKSTER god of a novel: its clever, tricky and pure fun.

I listened to this book, and the narration was stellar. Lenny Henry nails the Caribbean accents, the humor, the eeriness, and well, all of it. I'd strongly recommend consuming this in audiobook format.

Oh, and while the characters never felt super fleshed out to me, it didn't matter, because this book was all about stories. And Anansi's stories are the best stories.

The villain was absotively the worst in the best kind of way.

Anyway, if you are looking for a funny, fast, excellently crafted mythological type of read, look no further. 5 stars.

WOW. This was awesome. Spoilers ahead for Six of Crows.

Crooked Kingdom picks up right where Six of Crows left off. Kaz and crew have just been pulled off the heist of a lifetime and then were subsequently stiffed 30 million kruge. Van Eck, the double crosser, stole not only their money, but their comrade/crew member Inej as well. Needless to say, the crew is mad and ready for revenge. The question is...just how far are they willing to go to bring down Van Eck and his cronies?

The answer: pretty far. And it is fantastic.

Bardugo hits all of the right beats in this novel. The heisty stuff is twisty and surprising. The intensity level is insanely high for the duration of the novel. The emotional beats are EMOTIONAL. Like in Six of Crows, each chapter is told from a different character's perspective, and Bardugo uses this technique to develop a rich backstory for each character. I found myself vacillating between loving the characters for who they are and wanting to adopt them off the mean streets of Ketterdam to fix them and give them a loving, safe home. They've all been through a lot, and it informs their lives and choices in a believable way. The villains are semi-developed as the book progresses, and Van Eck at one point does something so terrible that I just sat there and thought WHAT? NO. for like 10 minutes. Bardugo also does a really great job of introducing the very real horrors of human trafficking into a fantasy novel. I hope the book raises some awareness about this very real, terrible issue.

Oh, and a fun bonus: If you've read Bardugo's other series, there are a couple of exciting cameos in store.

Anyway, for me, this was a practically perfect fantasy novel. It made me laugh, cry, and will be something that I'll come back to and re-read every few years. If I could give it more than 5 stars, I would.

In the city of Ketterdam (imagine an alternate Amsterdam), Kaz is the first lieutenant of one of Ketterdam's most notorious and successful gangs. He's is approached by a city government official with an impossible task - rescue a scientist from the world's most well protected prison. And the prize? 30 million kruge. Kaz, of course, accepts. And he assembles a team of six to pull off what amounts to the world's most ambitious heist.

The story alternates between the POV of five of the six team members, and each character's story is gripping. All characters are developed throughout the course of the books, and each has their own distinct, fascinating voice and story. There's a sharpshooter, a magician, a traitorous solider, a demolitions expert, a wraith (read and find out!) and of course, the fearless leader, Kaz. And, to make things even better, they are a diverse group of people hailing from all over the world.

This book was really fun, and I've never really read anything quite like it. I will be booktalking this one and forcefully shoving it into the hands of anyone who comes into the teen center (I kid. I'll lovingly hand it to them while gushing effusively.). 5 stars

Serafina is the Chief Rat Catcher at Biltmore Estate in Asheville, NC in 1899. She and her Pa secretly live in the basement, where he is basically the electrical engineer of the place. Serafina's presence in the house is a secret so she mostly traverses the estate through tunnels and doesn't go outside. One night, she witnesses a man in a black coat magically abducting a child, which changes everything.

I listened to this book, and the narrator didn't really do it any favors. Her Southern accent was pretty terrible, but thankfully, she kept forgetting to use it. Narration aside though, this book had some problems. The author took a cool premise and an even cooler setting and then wrote a really boring book. There were kind of two main things going on that should have been really interesting, but weren't. The first thing was the identity of the man in the black coat, which was painfully obvious from the start. Had Beatty done a kiddo type version of an Agatha Christie novel (these are the people at the Biltmore estate...and one of them is guilty of MURDER MOST FOUL), I'd probably be typing a really different review right now. Alternatively, he could've played up Serafina's secret a bit more, and that might have made things more interesting. As it was, even though there was a lot going on, nothing of importance ever seemed to really happen.

I also found myself getting annoyed by a fictional Vanderbilt named Braedan (weird name for a kid of Dutch origins in 1899, dontcha think?) who is a bit of a love interest. Every part featuring him was pretty painful as Serafina basically becomes a useless quivering mess when he's around. Blegh. Oh, and at one point, a character says something along the lines of "you don't call girls heroes, you call them heroines" which, just, are you trying to say that girls can't be heroes? Because if so, gross. I'm paraphrasing, but that's what I took away from the statement.

But on the other hand... look at that cover! Gorgeous.

If 1.5 stars was an option, that's what we'd be doing here. I liked the beginning, the premise and the setting, but wish the author had done more with the latter two elements.

Popular mythology author Rick Riordan strikes again! He has series delving into Greek, Roman, Egyptian, and now NORSE mythology. This series follows Magnus Chase, son of a Norse god. Which god, you ask? Read the book and find out!

Riordan’s writing style is very distinct, playing to his youthful audience. The chapter titles were humorous and made no sense until I reached those parts of the book. (I read through them initially and thought, “What the…?!”)

Magnus Chase was vaguely--well, maybe more like strongly--reminiscent of Percy Jackson for me. Although Magnus has had a much rougher life so far, his voice is very similar to that of Percy. Magnus Chase is barely 16 years old, but he has been living on the streets for the past 2 years since his mother’s death. After an...interesting encounter with a fire giant, he finds himself gracing the halls of Valhalla with other Norse warriors killed in battle. Along with his valkyrie, a dwarf, and an elf, he goes on a quest to retrieve the Sword of Summer and stop the wolf Fenrir from escaping his bindings.

A interesting read for those die-hard Riordan fans or anyone who loves mythology interpretations. I was very entertained by the story, as I always am with Riordan’s mythologies, but despite the gods changing, the stories are starting to run together. The overlap of stories definitely doesn’t help the blurring of the lines. (Oh, hi Annabeth!) Crossing over from the Percy Jackson series, Annabeth, last name Chase--I guess we could have seen this one coming--has a couple nice little cameos in this book, foreshadowing a larger role later in the series. I’ll be interested to see where this goes.

I loved this book. I've been looking for a new fantasy series for a long time now, but I haven't come across anything recently that's caught my eye. I almost gave up on The Fifth Season too, in part because the narration is in second person, which I found jarring at first, and in part because Jemisin drops you in the middle of the action with little explanation and no hand-holding. It took me a few chapters to get into the story and figure out what was going on, but I'm glad I stuck it out because the plot and characters ended up being great. Despite what I just said, I think it's almost better to go into this blind, but I'll try to describe it without giving too much away.

The continent our characters live on, "The Stillness," is a post-apocalyptic hellscape. There is near-constant seismic activity that triggers a new catastrophe (called a "Fifth Season") every few centuries -- sometimes in the form of massive crop-failures, sometimes in the form of volcanic eruptions, sometimes massive earthquakes that destroy whole regions (she includes a helpful appendix of these disasters if you're curious). In this world, there is a group of people known as orogenes (or more derogatorily as "roggas") who have some degree of control over seismic activity -- they can "sess" earthquakes, and, with training, prevent them from being too destructive. But they're also powerful, extremely dangerous, and widely despised -- many people kill their own children when they discover what they are, and it's often a race against time to see if a Guardian (their mysterious and sinister keepers) can arrive to collect the child before the family or the community has killed them. The plot isn't chronological; it moves around from chapter to chapter in order to tell three stories at three points in time: 20-odd years ago, when a young girl is taken to the capital to be trained as an orogene; some 10 years after that when a mid-level orogene goes off on a mission with her senior to investigate a disturbance in a coastal community; and "now," in the immediate aftermath of the latest apocalypse, when we follow a woman who is struggling to cope with her son's murder just as the quake hits.

I'm not going to say that it's an entirely original idea, but I think the execution was solid and I loved the dialogue and cast of characters. There's no lack of action, but Jemisin also takes the time to dig into her characters' emotional lives, and after a while the use of "you" starts to fade into the background. There's a strong focus on discrimination, both in terms of how orogenes are viewed in society and in terms of the treatment of subordinate nations and peoples by the Sanzed Empire that has conquered the continent. A lot of fantasy is set in pseudo-Europe (and often just pseudo-England), so it was refreshing to read something more diverse, and there's a wide variety of representation in terms of race, gender, and sexuality throughout. I would give this 4.5/5 stars if that were possible, but since it isn't I've left it at 4. It wasn't perfect, but it was a very strong start to the series, and I look forward to starting the second book, The Obelisk Gate, which just released this September. I would definitely recommend this to fans of fantasy.

Book 5 (Empire of Storms hereafter EoS) picks up right where book 4 left off, and the action quickly ramps up. At the beginning of EoS, most of our heroes are together after the events that unfolded at Rifthold, and, to a lesser extent, Morath. After defeating and destroying the King of Alderan, Aelin travels to Terrasen, and after receiving no help or support from the various Dukes/Earls or whatever, Aelin opts for some different kind of support. The kind of support that comes from pirates. So Aelin and her merry band of heroes (well, some of them are pretty angsty, actually) depart to get support from Aelin's old "friend", the Pirate Lord Rolfe.

I was kind of expecting to not like this book as I seem to only like every other Throne of Glass book (I really like 2 and 4 and didn't care much for 1 and 3), but this entry in the series defied my expectations in a good way. The action is fairly constant, and the characters continue to develop and act in ways consistent with their current development. Things that annoy me about Aelin continue to annoy me - she makes really key decisions without informing or soliciting advice from her much more seasoned travel companions/court, but a reveal at the end made Aelin a more compelling character (although still, girl, COMMUNICATE). The real fun in the books, for me at least, comes from Aelin's surrounding cast of characters. Even though many of them took a back seat to Aelin in this book (Chaol is unheard from) their interactions were delightful to read, and I will never be sorry spending time with my favorite, Manon. Lysandra also gets a time to shine, and Elide starts to come into her own as well. There are some new characters that wouldn't be new to those that read the prequel novellas, so if you have not read those yet, I strongly suggest reading them before you embark on the 700 pages of awesomeness that is EoS.

On the downside, there was a bit too much romance in the book for me. Like, EVERY character doesn't need to pair up. Especially since they are all hetero-normative (even though there is some discussion of characters being bi). Also, the sex scenes were fairly repetitive and at times unintentionally hilarious (a character literally BURSTS INTO FLAME). I mean, there was a ton of:

Claiming of mouths (what does that even mean and ew)
Going over the edge
"Maleness" (I'm not sure about this one either but probably ew)
Heating at one's core (I'm pretty sure your core is your abs, but whatever)
Nipping at necks

Right. So that all happens a lot.

Oh, and consider yourself warned, this book ends on a cliffhanger.

Anyway, overall, EoS was a great entry in the series and a strong fantasy story. I really really really cannot WAIT for the last one. 4 stars.

I'm not a fantasy reader. I'm not even a fantasy watcher, but like so many other readers of Game of Thrones, the sheer awesomeness that is the series led me to read the book. This book VERY GOOD! This is high praise coming from a non-fantasy reader. I actually was glad I had seen the series because it helped me better visualize everything. I'm not going to continue on with the series because the books are really very long and I just can't commit to that. But I'll keep watching and loving the series! 4 stars because the book was too long and dragged in some places.

Peter Grant has just finished training to be a PC (police constable) in London. Right as he's about to get assigned to the paperwork unit (not his first choice) he chats up a ghost witness to a gruesome murder. After that, he discovers that he has some magical ability, and begins training to be a wizard copper whilst trying to solve the murder.

This was so fun! If I were to describe it, I'd say it's like the Dresden Files (both are urban fantasy series about crime solving wizards) but like a billion times better. It's fairly similar in premise, but different in most other ways. It has a lighter tone, a more likable protagonist, diverse characters, and was just a more enjoyable reading experience for me. The author used to write for Doctor Who, so fans of that show may also like this read. My only complaint is that it read like an ARC. Did anyone bother to edit this thing? The grammar was terrible (some of which was probably intentional, but some of it clearly wasn't), and occasionally character names were just wrong. Like, all of a sudden, a character who wasn't in a scene would "say" something and it was clear that her name was just transposed with the other lady main character - this happened at least twice.

Anyway, lack of editing aside, this book was an absolute joy to read. I've already checked out the next in the series and would strongly recommend this to urban fantasy readers. 4 stars.

Patrick Ness keeps writing books that resonate with me. His work tends to focus on emotional journeys with characters either growing from a painful experience or coming to accept something about themselves. This book is no different. At a glance, this book appears to be a horror story. "A Monster Calls" is a cryptic title and the description implies a monster is after a teenage boy. The story follows Conor, a boy who has nightmares about one monster but is visited by another. The other monster wants to tell him 3 true stories and, when the third story is done, Conor must tell it a 4th...or else the reality Conor fears will happen.

In actuality, this book is not scary - at least not in a horror sense. It contains a few unsettling moments and any scary moments come from human fears we carry with us throughout our lives - fears of loss or change or the unknown. It examines them in such a way that is poetic and compassionate, particularly as it relates to grief. Ultimately this book is about learning to cope - it just happens to explore this concept with monsters, nightmares, and a tree. This book made me cry at work - which is a good thing, but you know...kind of awkward nonetheless. Would recommend to lovers of reality based fiction, modern faerie-tales (in a way), unsettling stories, or emotional stories.

And seriously, have the tissues at the ready.

Three monsters plague the US in the future: the zombie like Corsai, the vampiric Malchai, and the soul-stealing Sunai. Kate Harker has always been safe from the monsters - her father is the man who controls the monsters in the northern part of Verity City. After her mother died when she was a young child, Kate's father has done all he can do to keep Kate out of town to keep her safe from the monsters in Verity. But Kate wanted to come home, and so she made sure to get kicked out of every boarding school possible, until the only one left is Verity's own Colton Academy. On her first day at Colton, she befriends a fellow new student named August. Unbeknownst to Kate, August is a Sunai. His father is in charge of southern Verity City, and is working to eliminate all of the Corsai and Malchai in the area. After a botched assassination attempt at Colton, Kate and August find themselves on the run from monsters - but which of their fathers sent the monsters after them? Or was it BOTH fathers? Or could it somehow be neither?

Phew, that was hard to explain. Clearly there is some pretty complex and creative world-building happening in this book, but I would expect nothing less from Schwab. I picked up This Savage Song because I've been reading Schwab's Shades of Magic series (if you are reading this review, just stop and check out A Darker Shade of Magic, you can thank me later), and in both series the world building is quite well done. In fact, the first third or so of This Savage Song was spent on world building, and I found that part to be the most enjoyable. It seemed like the book might then start to veer into "do they like each other" sort of romance territory, but my fears about having to read about teenage angst for the next 300 pages or so were pretty quickly assuaged as Kate and August find themselves running for their lives. For me, the "running from the monsters" parts of the book were ok - there wasn't a ton of new ground covered and it read as a fairly standard on the run type of novel. The mystery of who, exactly, put the hit out on them was interesting and made the running parts of the book more enjoyable. Neither character seemed to have a ton of personality or got a lot of development, but I definitely liked August more than Kate, and feel that I got to know him a bit better over the course of the book.

While this book was not without its problems, the last page or so was AMAZING. Like, ensures you'll read the next book in the series AMAZING. Well played, Schwab.

3 stars. I liked it.

Harry Potter made a return to the forefront of pop culture at the end of July with the release of Harry Potter and the Cursed Child, a screenplay of the new stage play that takes us back to the magical wizarding world. It’s a bold new direction for the story, taking place nineteen years after the events of Harry Potter and the Deathly Hallows (please note that this review will assume that you have read or, at the very least, watched the final entry in the series), and the world is a very different place for Harry and his friends.

Almost two decades have passed since the Battle of Hogwarts. Since Voldemort’s defeat, our original heroes have attempted to move on with their lives. Harry is a Ministry of Magic official now, head of the Office of Magical Law Enforcement. He’s happily married to Ginny, and father of three children. Hermione is Minister of Magic, and married to Ron, who has taken over operation of Weasley’s Wizard Wheezes. At the outset of the play, Harry and Ginny’s second child, Albus, is bound for his first year at Hogwarts. While on the train, he meets his fellow first year, Scorpius Malfoy, and despite their fathers’ history, they become fast friends. In short order, the boys arrive at school and are both sorted into Slytherin, much to Albus’s surprise.

The following years pass quickly (we are only shown hints of events during the first three years that Albus and Scorpius are in school), showing the lack of real communication between Albus and his father. Being the son of The Boy Who Lived, it turns out, is not easy. Albus has Scorpius as a friend, but neither of them seem to be the children their fathers hoped they would be. You see, a rumor has been flying about the wizarding world that Draco Malfoy isn’t actually Scorpius’s dad. Gossip is that Malfoy wasn’t able to have a child, and so he illegally used a Time Turner in order for his wife to conceive a son with Lord Voldemort. This rumor is given more credence when the Ministry of Magic confiscates what is believed to be the last Time Turner in existence, one that doesn’t appear to have the one-hour-back limit of previous ones. But if someone could go back more than one hour in time, what would they seek to do with that power?

In their fourth year, Albus and Scorpius learn about the existence of the Time Turner and ask themselves that question. When Amos Diggory arrives at the Ministry to implore Harry to go back and save his son, Cedric from Voldemort, Harry refuses, for fear of what disrupting the past might do. When given the opportunity, though, Albus and Scorpius leap at a chance to change the world in the hopes of finding their place within it. However, the threat of Lord Voldemort doesn’t only linger in the past.

Harry Potter and the Cursed Child isn’t a Harry Potter novel. It’s a play based on a story by J.K. Rowling, but the heavy lifting of the writing was done by Jack Thorne and John Tiffany. It’s a vastly different sort of read because of that, and we don’t get anywhere near the level of insight into each character. It doesn’t move in quite the same way, but it is no less magical. Cursed Child is to the Harry Potter series what The Force Awakens was to Star Wars: a return to a beloved world that retreads some familiar moments while still laying the groundwork for a younger generation. New perspectives on classic moments left me feeling more connected to the characters than I had since first finishing Deathly Hallows.

Having read through the entirety of the screenplay, I only want one more thing from Harry Potter and the Cursed Child. I want to see it on stage.

(Note: This review orignally appeared here: https://swordsoftheancients.com/2016/08/10/harry-potter-and-the-cursed-… )

After the 18th amendment passed, magic became illegal. Shine, an addictive hallucinogen created as a by-product of sorcery, is the main reason behind the prohibition. So, of course, a seedy underworld of gangsters trafficking in shine immediately springs up, and it is embroiled in this underworld that our two main protagonists, Joan and Alex, accidentally and not-so-accidentally find themselves. As they are both sorcerers, Joan and Alex must figure out how to use their sorcery to survive the crime syndicate and it's machinations.

This is a fun fantasy read that is fairly original in it's premise and setting, with likable and believable characters. The premise does most of the heavy lifting, as gangs set in the 1920s trafficking magic gives Kelly lot to work with. She doesn't disappoint. The gangsters are pretty fearsome and the body count ratchets up quickly. The pacing is tight, and the magic is both deadly and beautiful. Joan is a performer, and the descriptions of the performances themselves are somewhat bewitching.

I did have a few problems with the book. First, while the two main characters were fleshed out and developed, almost none of the other characters got any development, and those that did were then basically ignored for the rest of the book. So when the secondary characters started dying, I didn't really care all that much. And then there's the relationship between Joan and Alex. I didn't mind it at first, but it did that thing that relationships in books often do of getting too serious too fast. It's not instalove, but it's instalove's cousin or something. I also felt that aspects of the 20s were wasted on this book - I wanted more flappers, insane clothing, and awesome music. We really only got the gangsters and the cigarette smoking.

For all it's problems, this fantasy novel was ultimately a great read. The ending was pitch perfect, and left the door open for a sequel. I'd recommend it to light fantasy readers looking for something without a ton of substance that is endlessly entertaining and a little different. I'd probably give it something like 3.5 stars, but since that's not an option, we'll go with 4. I quite liked it.

I’ve been following Sam Sykes on twitter for a while, and given my affinity for both well-crafted fantasy worlds and action-adventure stories, it was only a matter of time before I picked up a copy of The City Stained Red, the first book in Sam’s Bring Down Heaven series.

At almost 650 pages, The City Stained Red is a doorstopper of a book, but a fast, fun, vicious read. The book follows Lenk, an adventurer that some readers may recognize from Sykes’ previous series, The Aeon’s Gate Trilogy (though reading that series first is by no means a prerequisite for Bring Down Heaven). Lenk has finally decided that he’s done with killing, and wants to put aside his sword and pick up what he believes will be a normal life in the trade hub city of Cier’Djall. He and his friends, Denaos the thief, young wizard Dreadaeleon, khoshicht (Sykes’ clever take on elves) archer Kataria, healer/priestess Asper, and dragonman Gariath have killed scores of people and monsters. With the money owed to them for their services, they could happily retire from their violent lives. However, the man who owes them is not so easily found.

Cier’Djall is a massive, sprawling city, and the wealthy who rule over it have made their gold by selling silk produced by enormous spiders. However, the beautiful silk-draped spire that towers over the city leaves long shadows. In darker corners of the city, some of the poor are disappearing, and the ruling fashas may be to blame. Two rival churches seek to position their armies within the city, and tensions are running high as negotiations between them loom. Then, there’s the small matter of the local thieves guild and their ongoing conflict with a new but powerful cult that claims to have demons backing them. This is reality in the city where Lenk hopes to find Miron Evenhands, the priest at whose behest they have been doing what they do best. Cier’Djall is a bonfire piled high, drenched in oil, and awaiting a spark, and Lenk and his friends are unwittingly bringing lit torches through the gates.

The City Stained Red takes a page from A Song of Ice and Fire by presenting chapters from the perspectives of each member of Lenk’s band of adventurers. After arriving in Cier’Djall, they split up to try to located Miron, each using their unique skills and connections to make their way through the city. Denaos has connections from his previous life in the thieves guild, the Jackals. Dreadaeleon seeks the assistance of the Venarium, the wizard’s alliance. Asper, a follower of the same church as Miron, travels to the various temples in the city. Kataria finds herself in Shichttown, a slum where the non-humans try to live out of the way of the fiercely racist upper class. Gariath attempts to gather information from another dragonman who works as a bodyguard for one of the fashsas. Lenk is trying to cope with the fact that his pursuit of retirement may lose him the closest thing he’s ever known to a family. None of them are remotely ready for what they find.

After a footwar between the Jackals and the Khovura cult spills from the back alleys into the streets, every faction with an interest in controlling the silk trade comes out of their corners swinging, and Lenk and company can do little more than hope to survive.

I absolutely loved this book. Sykes blends dark humor and trope deconstruction beautifully. I’m already reading the sequel, The Mortal Tally, because I couldn’t wait to see what happens to these folks next. Reading about these characters is like watching my college Dungeons and Dragons group in action. There’s violence and bloodshed, but also fervent emotion. It’s a wonderful thing.