Humor

After reading through the last two books in Brandon Sanderson's Alcatraz series, I was hesitant to continue with the fourth book, Alcatraz Versus the Shattered Lens. What I found innovative and hilarious in the first book had become a bit more annoying by books two and three. Book four, however, was a refreshing addition to the series. It helped that the jokes were funny enough that I actually laughed out loud. Moreover, the lore and overall arching plot of the series seemed to coalesce into something that made sense and was actually driving toward a satisfying conclusion.

While I can’t completely disregard the previous two books in the series, I felt that there was probably enough backstory explanation in Alcatraz Versus the Shattered Lens that these other books could be potentially be skipped over altogether. After all, we learn a lot about Alcatraz, his family roots, and the Smedry talents in this book, and I almost wonder if some of these plot points couldn’t have been spread out into previous volumes. It also helped that this book had a clear goal and objective to drive the story toward its various conclusions.

In previous books in this series, Alcatraz has announced that he is awesome or a liar. Here, he admits to being “stoopid,” which adds some humility to the character that had perhaps been missing earlier in the series. There were plenty of other things I liked about this book, including the chapter numbers, the “Shakespearian chapter,” and Alcatraz’s cousin who is really bad at math. The twist near the end also added some realism to both the protagonists and antagonists that I’m now invested and want to see how the series finishes out in the next (and I assume final) volume.

A hilarious return-to-form and vital link for the Alcatraz series, I give Alcatraz Versus the Shattered Lens 4.5 stars out of 5.

Over the years, I have been assigned to read a multitude of books and plays for English classes - some of those writing pieces I have never committed to and read thoroughly. This year in AP Literature, The Importance of Being Earnest was assigned and was not amongst those writing pieces. In many of the English classes I have enrolled in, there are numerous books or plays - especially Shakespeare - that I have read which might be interesting but the diction is archaic. The words and phrases are not used modernly and therefore, what is written is difficult to understand in the absence of translations or SparkNotes. Despite being published in 1895, The Importance of Being Earnest was an easy read because the play is easily humourous.

The play pursues wealthy and bored protagonists, Jack Worthing and Algernon Moncrieff, as they court two women, Gwendolen Fairfax and Cecily Cardew, pretending to be men named Ernest. Their “Bunburying” depicts the theme that idle hands indulge in mischief. Jack, who resides in the country, introduces a devious and unruly brother named Ernest who resides in the city so that he can be reckless in one place while also being arguably mature in another. Algernon pretends to have to check in on a pale and sickly fellow named Bunbury when he is introduced to responsibilities or events he does not desire to participate in. Eventually, upon hearing of Cecily Cardew, Jack’s ward, from Jack, he pretends to be Ernest as well. The two characters utilize their separate versions of "Bunburying" for their own pleasure rather than for being productive, depicting their own values of dishonesty and deceit.

The characters are self-concerned which is unfortunate because during the 1890s, the time in which this play is set, the Victorian Era endured multiple widespread conflicts including overpopulation, poor sanitary conditions, child labor, and religious insecurity - none of which are mentioned by any of the four characters.
Ultimately, the theme of the play may be applied to the modern era which permits The Importance of Being Earnest to be more relevant when you compare the Victorian upper class to, for example, the Kardashians or other celebrities.
The humorous aspect of the play was Oscar Wilde’s use of epigrams, or clever and paradoxical expressions. Predominantly delivered by Algernon, my favorite of the epigrams was “The amount of women who flirt with their own husbands is scandalous. It is simply washing one’s clean linen in public.”

Additionally, this play is a short read with only about 75 pages.

***THIS BOOK WAS RECEIVED FROM A GOODREADS GIVEAWAY***

Once again, I seem to have jumped in on the second book of a series. Fortunately, there was plenty of exposition detailing the events of The Super Life of Ben Braver. Maybe a little too much exposition. This sequel took a little long getting to its own story because of this, along with a bit of heavy-handed foreshadowing as well. Regardless of its slow start, Ben Braver and the Incredible Exploding Kid is a pretty standard middle-grade book that calls upon the success of the superhero genre to package a lesson about pride between action set pieces.

While there are some parallels between the X-Men series, I feel the main character’s arc is perhaps a little more similar to early My Hero Academia. Plus, it wouldn’t be a middle-grade story without a bit of a Harry Potter feel to it as well (i.e., a unique main character with a semi-bumbling male friend and an incredibly smart female friend). At the very least, I found the illustrations sprinkled throughout to be well done. They certainly contributed to the comic book hybrid feel of the story, which is probably what draws the X-Men comparisons.

I won’t fault this book too much for its heavy-handed approach toward the main character’s social faux pas since this book is basically for children. That being said, I did find some of the lore and intricacies of the greater story arc to be perhaps a little elaborate. I’m sure if I’d read the first book, this would be less so, but it still seems slightly overcomplicated at times. In the end, I liked some of the unique (if not sometimes gross) superpowers of these kids, and I’d recommend this series for any children who might want to make the jump from comic books to chapter books, and vice versa.

A comic book/chapter book hybrid with a semi-standard take on superheroes, I give Ben Braver and the Incredible Exploding Kid 3.5 stars out of 5.

Good Omens is humorous take on Armageddon and the final battle between Heaven and Hell. Complete with an angel and a demon, who get along better with each other than with their immortal counterparts, two witch-finders, Satanic Nuns of the Chattering Order of St. Beryl, aliens, and an eleven year old Antichrist, Good Omens takes a completely different take on the Apocalypse. All predicted by a witch that lived 300 years ago, Good Omens is full of sarcasm, humor, fun, and adventure along with a moral that tells us to look for the good in everyone, even demons. I highly recommend this book for any high schooler or adult looking for a little bit of humor in life.

You know, it’s difficult to review a book that already highlights its flaws in the text itself. Part of me wonders if the reviews from the second book in the series were bad enough to warrant this kind of meta self-awareness. In the end, while Alcatraz Versus the Knights of Crystallia does take the time to address these weaknesses in its story and characters, it still doesn’t excuse the fact that they’re in there in the first place. These winking soliloquies seem to gloss over the fact that the book knows what’s wrong with it, but instead decides to gloss over it with self-reference instead of fixing the root of the problems themselves.

By this point in the series, I have come to terms with its middle-grade silliness and occasional bathroom humor. I loved the rule-breaking first book in the series, only to become annoyed by this constant fourth-wall breaking that happened in book two. By book three—this book—I finally came to terms with the fact that I’m not the target audience for this book, despite how well-written it is and how intricately its fantasy world has been created.

Perhaps due to my acceptance of this series for what it is, I felt the plot and character development were better in this part of the series—even if it did seem to trend toward “after school special” territory more often than not. Not only did we get to see more of Alcatraz’s parents (although, not nearly enough in my opinion), there was a lot more world-building that helped to flesh out this strange land introduced in previous volumes. Plus, the character who was a former librarian was (and is) probably my favorite character in the series right now.

More of the same self-aware silliness from Brandon Sanderson, I give Alcatraz Versus the Knights of Crystallia 4.0 stars out of 5.

If I could condense this book down to a single phrase, it would be “What?” It’s not that I didn’t understand this book, it’s more that this single word/question was used for every third line of dialogue. Not only was this incredibly annoying to read—as every character seemed to have hearing problems that required the other speaker to repeat themselves—but it just seemed to pad out an already weak plot. I have no idea how this book became so famous that it led to a much superior film adaptation, but now I know that nobody should bother reading this book because of its inspiration for the movie.

Let’s talk about character motivations next. Nothing ever made any sense. Sure, there’s a bit of existential ennui involved with finishing something you excel in (school, in this case), but the actions of the main character only make sense up until a point. Once we hit the third act, there’s just a series of random actions that aren’t grounded in reality. This is also not to mention that the characters around him, especially the primary love interest, also make illogical decisions that aren’t founded in any sort of reality. At least this book is short enough that you’re not going to waste much time reading it.

Maybe I’m just missing the point of this book. Perhaps it’s an examination of the consequences and realizations that come from living a life that seems to have no meaning. I mean, I get the counter-play between the newly-disillusioned Benjamin and the almost permanently-disillusioned Mrs. Robinson; butwhenthe entire thing is filled with awkward and nervous dialogue that constantly repeats itself, I can’t help but think that there isn’t anything significant there. Even the ending was so abrupt and unfulfilling that I had to thank the movie version for its subtleness in revealing the characters’ realization of what they’ve done.

A truly sub-par story that was made into an above average movie, I give The Graduate 2.0 stars out of 5.

Dad has cleaned the van. It’s all sparkly and shiny. This cumulative,
rhyming story chronicles what happens next. It’s a fun narrative that many
children and their parents can relate to.

Earlier this year, I read Alcatraz Versus the Evil Librarians and absolutely loved it. Consequently, I had high hopes for the next book in this series, Alcatraz Versus the Scrivener’s Bones. While there was still the same amount of self-awareness and humor in this book, it felt a little…off. Perhaps I should have read these two books closer together, but I had some trouble coming up to speed in the beginning and wasn’t entirely sure why the “goal” of this book was to find Alcatraz’s father. In any case, Sanderson’s world-building is still in top form here.

Of course, the “cute” way that this series was self-aware when I read the first book was a bit more annoying this time around. It almost felt like every chapter had to have a soliloquy, even if it didn’t link itself to where the plot was at the time—which often broke the flow of the action. Similarly, while the randomness introduced in Versus the Evil Librarians did seem to have some purpose, it seemed to have less of a purpose in this book. It felt like it was randomness for randomness sake, even if some of it did eventually come into play.

Despite the things that made the first book endearing becoming a little more grating in this book, I did enjoy the magic system, and more in-depth explanations of the lore were explored in this sequel. Things like why the main character is named Alcatraz and a better explanation of the “powers” of his family members helped round out the questions that weren’t necessarily obvious in the first book but still needed to be answered at some point anyway. The action was fantastic (if not against all laws of physics), and I wouldn’t mind seeing how the relationship between Alcatraz and Bastille develops in later books.

An amusing and well-rounded “silly fantasy,” I give Alcatraz Versus the Scrivener’s Bones 4.0 stars out of 5.

When I got into this book, the only things I knew about it were that it was about wine and it was made into a movie of the same name by Alexander Payne. Unfortunately, unlike a good wine, this book doesn’t seem to have aged well. Maybe people were able to put up with buddy comedy sex romps back in the early2000’s, but the social climate has changed considerably since then. I doubt a book like this would be written today, at least without some outcry from people who find the women in it to be inherently objectified.

Most of my issue with this book comes down to the characters. I’ll give the author credit for creating individuals that made me react to them so vehemently. The problem is that I hated these characters. I hated Jack for being so sex-crazed that he felt obligated to satiate his urges mere days before his wedding. Ihated Miles for being the stereotypical alcoholic failing author. If you wanted a template for poor life decisions, I think these two characters would fit the bill. There wasn’t much (if any) redemption in either of their story arcs, and both of them just seemed to enable their worse selves.

In the end, this book is supposed to be a comedy. At least, it’s a comedy in the sense that it ended with a wedding (as most comedic plays and musicals usually do). Sure, it’s filled with witty banter and some good stretches of natural dialogue, but there was hardly any vulnerability of the characters to give them any grounding. One moment near the end briefly pulled away to let Miles reminisce, but I would have liked some more consequences that would have forced both men to change for the better. And maybe that’s the point: real life doesn’t work that way, and I hate that there are real men out there who have these very same faults.

Terrible people in somewhat amusing situations, I give Sideways 2.5 stars out
of 5.

It's about a teenage boy who deals with bullies and he ends up in the ventilation systems of his school on the weekend and he found burglars trying to steal the schools new computers.