If it weren’t so gorgeously written, it’d be too wincingly real to read. I felt deeply connected to Edie in all her messiness and compulsive curiosity. Leilani’s characters are all their own: weird, self-possessed, sort of perverse, clearly loved into being.
The Last Guardian—the final book in the Artemis Fowl series—could not have gotten here any faster. In my mind, the series was basically over once they did the "time travel" book in the fifth entry, The Time Paradox . That The Atlantis Complex felt like the weakest in the series meant I didn't have high hopes for this wrap-up of the series. Fortunately, the downward trend since the third book did not continue here, and it finished on a satisfying high note.
Perhaps due to this being the last book in the series, the whole "deus ex machina" style of returning everything to normal by the end of the book seemed to go out the window here. This allowed for some truly exciting developments—not the least of which includes the death of main characters. Using not one, but two of the series' best antagonist was also a smart move to increase the stakes to the highest they've ever been in the entire saga. All these things combined into an entertaining ending that reminded me why I kept with this series for so long.
There wasn't any reason to hold anything back in this book, and Eoin Colfer flawlessly left everything with a satisfying conclusion. Sure, there were some romantic aspects of the titular character's life that I would have liked to have seen wrapped up slightly differently, but I also understand that this middle-grade series never had that as its strong suit (other than the "will they/won't they" between him and Holly Short). Ultimately, would I read this series again? Probably not. However, I would pick up a few entries to read again, and this is definitely one of them.
Ending the Artemis Fowl series on a high note, I give The Last Guardian 4.0 stars out of 5.
You know how sometimes a series has overstayed its welcome? How, even though the author has wrapped up most of the loose ends, there's another story afterward that only exists to extend the series even farther than it has already come? The only times I can forgive these extensions is if the story in question isn't particularly long. For instance, the "epilogue" story in Marissa Meyer's Stars Above is a great way to show the characters settling into normal life after the main conflict ends. Shadows in Flight is almost unnecessary, but at least it's short.
Shadow of the Giant was a satisfying conclusion to the Ender's Shadow saga, so the fact that Shadows in Flight exists is merely to wrap up Bean's story even if the rest of the world had already reached its peaceful conclusion. After all, one question remained from this series: can those with Anton's Key be cured of their premature death and still keep their incredible gifts? This story sets out to answer that question and give Bean the (second) send-off he deserved. Fortunately, it's a relatively short book, since there isn't much else to say on the matter.
The problem is, there's nothing particularly new in this book when compared to the other eight books in both the Speaker for the Dead and Ender's Shadow series. This is perhaps because the three new characters (Bean's children) were repeated archetypes from their respective namesakes. It's always nice to have a little more content in the Ender universe, but even I think this feels like a post-it note scribbled on the back of the end of the series.
Wrapping up the final loose ends of the Ender's Shadow saga, I give Shadows in Flight 3.0 stars out of 5.
A tragic circumstance brings together the town of Azure Springs and Sheriff Reynolds as they seek to find the individuals who badly injured a young woman. Em, orphaned at a young age, and having spent seven difficult years with a guardian, comes to know the caring people of Azure Springs as it becomes apparent that her life is still in danger. A real page-turner that pulls you deep into Em's life and Sheriff Reynolds who will stop at nothing to secure justice for her.
It was a pretty good book because he gets trapped in an elevator with strangers and had to escape before the twin towers collapses.
Backstory can often be a difficult element to work into a series. To keep the action in the present and moving forward, there’s rarely time to go into the background of the characters, let alone the main character of the series. This is why side stories like Fairest and The Wind Through the Keyhole exist. There’s a subtle need to explore the troubled past of a main character, but to get into the depth of their backstory requires a significant amount of words that won’t fit into already full books in the main series.
In The Wind Through the Keyhole, Stephen King lets the reader see the origins of Roland the Gunslinger. What’s interesting here is that King does so in a series of nested stories, almost evoking something from Inception (2010) or Cloud Atlas. After all, a single story hardly affects real people but is instead a string of interactions that themselves were influenced by the past events of other characters’ lives. And while knowing these stories doesn’t add to the whole of the Dark Tower series, they confirm some things that Roland alluded to from his past.
With many moments in the core Dark Tower series being used to show character development for the rest of the members of the ka-tet, The Wind Through the Keyhole provides the foundation for the titular Gunslinger that was mostly missing from the main series. Considering that King wrote this book almost a decade after the series concluded, it’s no wonder that the universe of Mid-World feels as rich as ever in this side story. Adding this mid-series book after the fact meant that King still had more to clarify and The Wind Through the Keyhole definitely delivers.
A Dark Tower side story with plenty of character background, I give The Wind Through the Keyhole 4.0 stars out of 5.
Kids ages 9-12 who are looking for a little mystery, intrigue and lots of ghosts will find just what they need in Ophie's Ghosts by Justina Ireland. Ophie discovers she can see ghosts the night her father was killed by a mob of townsfolk when they found out he voted. She and her mother go to live with her aunt in Pittsburgh and there her aunt helps Ophie understand the depth and seriousness of her new found gift.
In the Time of the Butterflies by Julia Alvarez is a fictionalized account of resistance to the dictatorial rule in the Dominican Republic inspired by the stories of the three Mirabal sisters who were murdered in 1960. Alvarez expertly captures the terrorized atmosphere of living in a police state and the courage of a few to stand up in resistance. Despite the underlying anguish and dread, the novel is brimming with romance, hope, and faith as Dominicans try to find life under a dictator. Suppose you want a captivating novel enriched with courage, feminism, and intimacy and are willing to read a challenging narrative to stomach. In that case, this anxious page-turner will not disappoint.
Frankenstein, a fictitious novel based Europe, details the account of a genius named Victor Frankenstein who creates a beast out of dead body parts. The beast then goes on to haunt him and kill everyone who Frankenstein loves. Frankenstein tracks the beast into the mountains and eventually speaks to him. The beast pleads Frankenstein to create a female beast, to which Frankenstein, comprehending of the horror that a lineage of beasts would survive, declines. The beast vows to kill every last one of Frankenstein's affections, and he does. Frankenstein is enraged and dedicated the rest of his life to tracking and killing the beast. The chase ends in the Arctic, where Frankenstein eventually dies. The beast sees his death and, with no more hope for a future mate, is overcome with grief.
I thoroughly enjoyed this novel. The writing style was brilliant, telling the story through the use of several different character’s perspectives using everyday letters exchanged to each other. I haven’t laughed out loud from a book in a long time but it was hilarious and I found it hard to put down. I was so intrigued to find out what would happen next. The author did a great job framing the society and depicting the way it snowballed from reasonable into totalitarianism. The unfolding of events had perfect pacing and just all around this book is a quick fantastic read.
