Other Fiction

This beautiful exploration of living in the moment centers on the relationship between a brilliant math professor, his young housekeeper and her 10-year-old son. The professor suffered a traumatic brain injury decades earlier, limiting his
short-term memory to only 80 minutes. She is hired to care for this unique, challenging client. And every morning, the housekeeper and the professor meet anew, creating this strange, yet lovely relationship that blossoms between them. The damaged yet lively mind of the professor allows him discover connections in everyday items like shoe sizes and the universe at large, an eye-opening experience for mother and child as their lives draw closer together. The short novel focuses on those mathematical equations and the emotional connections that create a unique family. The 2009 English translation is available as a PPLD book club set. The novel's bibliography cites The Man Who Loved Only Numbers, a biography of Paul Erdos, on which the professor character is based. The 2003 novel, original title The Professor's Beloved Equation, won the Hon'ya Taisho award. It was a massive bestseller in the prolific, well-regarded Ogawa's native country.

This debut novel is a refreshing romp through the Apocalypse narrated by a foul-mouthed domesticated crow whose only knowledge of the world is TV. This mash-up of "The Incredible Journey" and "The Walking Dead" has an environmental message, focusing on humankind's increasing disconnect from the natural world. You may want to reconsider all those hours of screen time. But do read this novel, which while a tad long, chronicles the adventures of S.T. (not a library appropriate name) and his heroic steed, the dim-witted dog Dennis. The crow tries to save humankind, learns about himself and the natural world in a frightening new Seattle featuring an emerging predator.

I’ll admit that reading The Fifth Season had a bit of a learning curve for
the Broken Earth series. Not only did I have to learn about the vastly
powerful magic system based on rocks (and other rock forms), but I had to get
used to a second-person point of view (POV). Jumping between timelines with
similar characters who had different names was a bit confusing, but I was
able to figure it out by the end. Fast forward to the sequel, The Obelisk
Gate, and most of my qualms with the first book were smoothed over or solved
outright.

One of the things I enjoyed about The Obelisk Gate was the increase in the
scale of the magic system. Including the moon in these calculations makes
perfect sense considering the nature of the orogeny magic. I also appreciated
how the story seemed to focus on a single POV, which made for a more intimate
experience as we followed only one or two individuals instead of four. Now
that I was used to the second-person writing style and the character it
described, it didn’t bother me as much as when I read The Fifth Season.

While The Fifth Season set up the world-building for this trilogy, The
Obelisk Gate’s only weakness is that it finally set up the climactic plot
for the third book. Sure, there was plenty of character development and
intriguing twists in the plot in The Obelisk Gate, but they all seemed to be
hinting at something much more significant that wouldn’t take place in this
book. I do appreciate an excellent three-act structure, so this slight
weakness can be seen as merely an artifact of the second book in a trilogy.
In fact, because it was more focused, I liked this book more than its
predecessor. After all, it’s a strong concept with solid execution.

A focusing and foreshadowing of the Broken Earth series, I give The Obelisk
Gate 4.5 stars out of 5.

As I’ve been working my way through Ian Doescher’s Shakespearean adaptations of pop culture movies, I think I’ve hit the point where the novelty has worn off. For whatever reason, I didn’t feel like The Force Doth Awaken had the same charm as other entries in this quirky mash-up series. I have a sneaking suspicion that this may be due to one of two factors: 1. The newer movies have more “modern” dialogue that seemed as if it was directly plopped into the Shakespearean format, or 2. The original trilogy had more time to be ingrained in my psyche, and the translation to Shakespearean felt appropriate.

I don’t want to downplay the novelty of this adaptation, though. The voice acting is still superb, and the sound effects add a little something extra that immersed me as I listened to this audiobook. Plus, it’s not like these books are that lengthy anyway. If anything, I’m out a little over an hour of my time to listen to it (since I listen at 2x speed). I did appreciate that Chewie finally received the internal monologue that R2-D2 originally had since these un-translatable individuals still have something to add. I was, however, disappointed that BB-8 didn’t have the same treatment.

One of the other factors with this “translation” that I wasn’t too keen on was the meta aspect that kept winking at the reader and saying, “See? Do you get that reference?” I understand that everything exists in the Star Wars universe, but I think most people who will pick up this book will already know those references anyway and don’t need the coy allusions to other parts of the series. Of course, I’ll still end up listening to the rest of these when I can get them from my library, but The Force Doth Awaken felt like a low point (at least until I get into the prequels).

An almost too modern and meta Shakespearean adaptation, I give The Force Doth Awaken 3.5 stars out of 5.

With this fourth book in the Alvin Maker series, I’m starting to see why a
lot of writers like to stick to trilogies. If anything, I think most readers
can probably skip this volume and move on to the next one because there
wasn’t anything too new or interesting that happened in it. If anything, it
was a re-hash of events in the previous book with a few new characters added
to it. I will concede that Alvin Journeyman did finally develop a fitting
antagonist for Alvin. Still, so few pages were dedicated to this sub-plot
that I’m wondering if it should have just been pulled out and made into its
own novella that would span the gap between book three and book five.

Once again, the strength of the series as a whole carries through here, and
some loose character arcs are tied up before moving on to more important
things. However, spending the majority of the book hashing over what astute
readers (or even readers who were moderately paying attention in the last few
books) already knew as truth just to confirm to the rest of the characters
around Alvin that he wasn’t lying seemed like a waste of words.

If anything, using the delay in Alvin’s journey to develop Calvin’s
“making” abilities did provide a bit of contrast between the two and will
likely pay off when the forces of good and evil clash in future volumes. I
still appreciate the way Orson Scott Card integrates actual history with a
fantasy explanation, though. Despite the missed step here, I’ll continue
with the series to see how it resolves. At the very least, volumes like this
show me why it’s not as notable as the Ender Saga, which was a solid four
book set (that’s really just three books with the third split into two
parts).

A weak link in the Alvin Maker series, I give Alvin Journeyman 3.0 stars out
of 5.

Inside Out and Back Again is a historical drama all told in poems. A Vietnamese family is forced to flee their home in Saigon, Vietnam due to the outbreak of the Vietnam war. Luckily, they escape and flee to Alabama, however, Ha, the daughter in the family has trouble adjusting to the different lifestyle in the U.S. In, this book, you get a view into the life of Vietnamese refugees and their struggle to adjust to a new life, all in the form of poems. I would recommend this book to anyone looking for a great story filled to the brim with poems.

Reviewer Grade: 8

Max Brooks is an agent of the United Nations, tasked with collecting the stories of those who lived through the Zombie War. Having broken out when a young Chinese boy was bitten while swimming, it spread through illegal organ and human trafficking, hidden by governments, until a massive outbreak occurs in South Africa, shining a light in a plague that would bring humanity to the brink of extinction. Max Brooks’ World War Z chronicles the stories of people from all walks of life, from military scientists, to blind old Japanese men, to astronauts aboard the ISS, and their stories of how they survived the terrors of the assault of the living dead.

A young woman dealing with grief pours out her emotions in a long emotional letter to her friend who commit suicide. I didn't quite like this book due to the long bland feel of the story. We hear her stories through her thoughts, where she rambles on about rather uninteresting things, like mice, a cat, etc. This emotional woman tends to ramble on and on about the slightest details which can make some parts feel long and drawn out. Overall, I didn't like the depressive, bland and boring mood of the story. Reviewer Grade: 7

All Our Broken Pieces is the story of Lennon, a teenage girl with OCD and a tragic backstory, and Kyler, a teenage boy with a sad past of his own. When Lennon moves in with her dad in the famous neighborhood of Bel Air, Los Angeles after a tragic accident, she expects to feel wildly out of place. But then, she is assigned to work with Kyler for a school project and that sparks the beginning of a raw and beautiful romance. This gritty honest novel is a work of art, read this book if you want a heart wrenching, realistic teen romance.

***THIS BOOK WAS RECEIVED FROM THE PUBLISHER***

With the rise in popularity of the superhero genre, it was only a matter of time before it leaked into other genres. While some genres like steampunk (like in The Esper Files ) make for an interesting twist, others like military YA sci-fi are so similar as to be just one other entry in the zeitgeist. The problem with this is that other, more famous handlings of supernatural superpowers bring much more to the table than books like The Point (which doesn’t necessarily add much to either genre on the whole).

As far as I could gather, there are only three or four different “types” of mutants in The Point: telekinetic, pyrokinesis, super strength, and “other” (like dream manipulation and energy storage, the latter of which was reasonably original). I suppose franchises like X-Men and One Piece, which give each of their unique characters unique superpowers and rarely (if ever) repeat themselves, is what ruined this book for me. This only added to the sense of the faceless military machine presented in this book, as few characters stood out to me at all.

Furthermore, I didn’t like the main character at all. Sure, most YA (and this is mature YA at that—an oxymoron, I know) start with a character who needs to undergo growth by the end of the story. However, I don’t need a main character that’s so fully flawed for so long that I end up hating her before she even learns anything. This, added with numerous questions I had that were never answered, plenty of redundant and boring sections, and the fact that I wholeheartedly agreed with the villain meant that I didn’t particularly like this book.

A book that’s likely trying to cash in on superhero and/or YA trends, I give The Point 2.0 stars out of 5.