Staff Book Reviews by Genre: Science Fiction

Petra Peña wants to be a cuentista, a storyteller, like her abuelita. But Petra’s world is about to change forever. Earth is gone-destroyed by an asteroid. Petra and several hundred humans are voyaging hundreds of years into the future in the hope of saving humanity on a different planet. Before arriving on the new planet Petra and the others will remain in a sleep stasis, downloading information that will help them start over a new planet.

When Petra wakes up, hundreds of years later, she soon discovers the original plan has drastically changed. There is a new group in charge of their spacecraft with a different agenda for those left on board. What does the future hold for Petra and the others? Will she be reunited with her family, and preserve the art of storytelling for future generations?

This is an enjoyable book for ages 12+ who are interested in sci-fi but who might be intimidated to pick up a traditional title from the genre. It’s layered with a beautiful message of family, perseverance, and the lifesaving power of storytelling.

This time-travelling story of love and genocide centers on two rival agents battling to secure the best possible future for their warring factions. It opens with a blood-covered Red, the last woman standing on a battlefield heaped with corpses. She finds a letter that starts with “Burn Before Reading” from Blue, her rival whom she has spent lifetimes trying to thwart. So it starts with a taunt followed by a challenge scratched in a lava flow and a message woven into the DNA of a tree cut down by marauding armies. These spies never meet but these compromising letters – certain death if discovered by their superiors – build upon a mutual understanding that evolves into love. Who better to understand someone weary and confused by merciless, contradictory orders than their rival? Or is this an attempt to turn the other into a double agent? Or lay a deadly trap? This novella deftly avoids the confusion that spoils average time-travel yarns by making each of the chapters into a vignette, told from either Red or Blue’s perspective, until a satisfying, meaningful conclusion.
Awards: 2020 Nebula Award for Best Novella, 2020 Hugo Award for Best Novella

We all struggle to figure out who we are. It’s no different for a robot that’s managed to secretly override its governor unit and develop self-aware independence. The artificial construct, made up of regenerative organic and artificial parts, privately calls itself Murderbot out an emerging sense of guilt it tries to squash by watching hours of mindless TV. But even that distraction cannot keep a socially awkward, self-conscious entity from developing feelings about the humans it serves. That internal conflict is so realistic it is easy for the reader to forget it is an artificial construct narrating. Murderbot’s deadpan humor keeps the 2017 novella from bogging down and raises it well above a familiar action/corporate malfeasance plot. The novella is the first of a five-part series, all available through PPLD, with a full-length novel, Network Effect (May 2020) continuing Murderbot’s journey of self discovery and soap operas. A sixth series entry is scheduled for April 2021.

Honors: 2017 Nebula Award for Best Novella, 2018 ALA/YALSA Alex Award, 2018 Hugo Award for Best Novella, 2017 Philip K. Dick Award finalist.

"Universal Love" is 11 short stories set in the near future, showing how people use technology to navigate relationships. In one story, a widower signs up for a program to re-create his deceased wife, only to find out his daughters downloaded a fictitious history from romance novels. Another story has testimonies of why people use on-line dating services. A third story explores the relationship of two robotic children who try to act like human children, even to the point of having real life problems and addictions. An interesting look at technology and how it could be in our not far future of how we relate to each other. One constant remains, and that is our need for human interaction, no matter the media we use to get it.

This debut novel is a refreshing romp through the Apocalypse narrated by a foul-mouthed domesticated crow whose only knowledge of the world is TV. This mash-up of "The Incredible Journey" and "The Walking Dead" has an environmental message, focusing on humankind's increasing disconnect from the natural world. You may want to reconsider all those hours of screen time. But do read this novel, which while a tad long, chronicles the adventures of S.T. (not a library appropriate name) and his heroic steed, the dim-witted dog Dennis. The crow tries to save humankind, learns about himself and the natural world in a frightening new Seattle featuring an emerging predator.

Boneshaker is the novel that kicks off Cherie Priest's "Clockwork Century" series - one of the most widely acclaimed book series in the Steampunk genre. Boneshaker explores an alternate history of the United States during the Civil War era. The plot centers around Briar Wilkes, the widow of the infamous Leviticus Blue - inventor of the titular boring machine that he was commissioned to create, in order to retrieve the vast veins of gold that are hiding under the thick ice of Alaska in the midst of the Klondike Gold Rush. During a devastating test run, the Boneshaker destroys the foundations of a good portion of Seattle, killing many, and releasing a dangerous gas that turns survivors into zombies. Leviticus disappears, and walls are erected around Seattle to contain the "blight" gas, and the "rotters". Briar does her best to survive and raise her son Zeke in the "Outskirts" of Seattle, suffering the prejudice shown to both of them, due to her husband's actions. Zeke is convinced that he can prove that his father was innocent, and that the destruction was purely unintentional, so he journeys beneath the wall, into Seattle to find the evidence he needs. Unlike Leviticus, Zeke's
grandfather (Maynard Wilkes) is revered as a folk hero, having lost his life in the exodus of Seattle, freeing inmates from the prison. Zeke feels this may help him if he runs into trouble within Seattle's walls. When Briar finds Zeke gone, and what his intentions are, she arms herself with Maynard's accoutrements and catches an air ship over the wall, to search for her son. Separately, Briar and Zeke find people who help to save them from being devoured by the "rotters", and attempt to aid them in their respective searches. Briar learns of the mysterious Dr. Minnericht who seems to run the
doomed city within the walls, and that many are convinced that he is in fact, Leviticus Blue (something she doesn't believe). When events draw Briar and Zeke both into Dr. Minnericht's stronghold, it seems the heart of the mystery
will be resolved with this fateful meeting.

Boneshaker is an epic foray into a dystopian alternate universe, and readers of various genres, are sure to find many wonders to be fascinated by in this version of Washington's famous "Emerald City".

In addition to physical book and audiobook formats, Boneshaker can also be downloaded and enjoyed at home, in either ebook or eaudiobook form.

Onyii and Ify live as sisters in an all-girls refugee/war camp on the edge of the Redlands, an area riddled with radiation from a long-ago nuclear disaster. Nigeria, their home, is in the midst of a civil war. Children are conscripted as soldiers and pilots for mechanized warrior robots. Onyii and Ify are separated, and as truths are revealed to each of them, they must decide where, and with whom, their loyalties lie all while trying not to die a terrible death in a bloody civil war.

Going into this, I knew nothing about the Nigeria - Biafran civil war of the 1960s, which is at the heart of this novel. Personally, I enjoy learning about parts of history that I know nothing about (I typically don’t gravitate to one of the 1,983,784,767 WWII novels, for example), and I really enjoyed the unique setting. The book is set in the future, and the futuristic elements really added a lot to the plot and were well employed by the author. Onyii, for example, is an Augment, meaning that she’s a little bit of a bionic woman. While I didn’t really relate to the main characters, I did really like them. They didn’t always make the best decisions, but their decisions made sense to their characters and their respective arcs. They were easy to root for. Really, my only complaint was that it felt overlong, and I skimmed through some of the battle scenes, but that’s more a matter of personal preference.

TLDR: Looking for something to read after Children of Blood and Bone? You’ve found your next great Nigerian inspired read! (And, honestly, if you haven’t read Children of Blood and Bone but it’s on your TBR, I’d suggest replacing it with War Girls, which is a much more original, engaging book). For readers who like apocalyptic novels and futuristic sci-fi battles. 4 stars.

Thanks to Netgalley and Razorbill for the eARC which I received in exchange for an honest review. War Girls will be available for purchase on 15 October, but you can put your copy on hold today!

Tess is a time traveling member of the Daughters of Harriet, a group that does it's best to make their present time, 2022, a safe place for women, whether cis or trans. There's a men's right's activist group from further in the future trying to undermine their efforts by erasing the Daughters of Harriet and women's rights folks from the timeline. Meanwhile, in 1992, teenager Beth, a friend from Tess' past, finds herself in a bit of a pickle. She and her friends kill a boy who was in the process of sexually assaulting their friend. This starts the girls down a murderous path that Tess will do her best to stop.

For the most part, I enjoyed this book. I usually enjoy time travel, unless its being used as a cheap plot device which was definitely not the case here. Newitz did a lot of homework for this one - the historical notes at the end were really interesting and trips to the past often include historical figures. The story alternates between Tess and Beth with a few other perspectives thrown in on occasion. Tess mainly splits her time between the late 1800s (easily my favorite parts), the early 1990s and her present in 2022, while Beth's story is firmly situated in 1992. While I enjoyed both stories, I never really felt compelled to read the book. Both perspectives were interesting, but not captivating or thought-provoking (though I suspect the book will provide plenty of thinking material for some readers). As a result, certain plot points felt unnecessary and the book felt overlong. I really hated the way Tess' story ended. Nonetheless, its an enjoyable read that makes a great point (women are people too, who knew?) that I would recommend to science fiction readers that are interested in women, women's and LGBT rights. There's also quite a bit of 90's punk rock that readers of a certain age will love. The ending is also quite optimistic, which I wasn't expecting, but did welcome.

TLDR: The Future of Another Timeline is interesting book full of time travel shenanigans that is plagued by the same issues that all time travel book face. Ultimately, while the book was fun, feminist and full of salient social commentary, it wasn't compelling.

3 stars - I liked it.

Thanks to Netgalley and Tor for the advance copy which I received in exchange for an unbiased review. The Future of Another Timeline will be available for purchase on 24 September, but you can put your copy on hold today!

In the near future, an app called BLINQ tracks all social media usage and amalgamates posts from a number of platforms. On BLINQ, you can vote to condemn a person for their social media output – if a person’s condemns to likes ratio gets out of balance, they’ll find themself condemned in real life. For example, a person who ignominiously dumps their partner on Facebook might find themself getting physically dumped in the trash. The punishment is designed to fit the crime. Called the Hive, its something our lead Cassie loved to participate in – until all of a sudden, it wasn’t. After a racy tweet, Cassie finds herself the target of the Hive, but her punishment is more severe than all that have come before it: death.

This was a fast paced, enjoyable dystopia which was a good change of pace from my normal fare of fantasy. I think teens are going to love it. Aside from a few horrendous decisions, our lead Cassie is likable, smart (ostensibly, anyway) and her experiences navigating a new high school will resonate with teens. As Cassie spends most of the book running for her life, it will definitely appeal to thriller fans or those that need their books to be very plot based. I read the book in a day or two even though I had a good idea of how it was going to play out. Little attention is given to the supporting characters, though the book did also present a few chapters from Cassie’s mom’s perspective, which I loved. The authors did a great job portraying a somewhat fraught mother-daughter relationship. There’s though-provoking, if heavy handed, social commentary to be found as well, and I think this book will stick with some readers long after they've turned the last page.

Ultimately, though, the book had what I’m going to call the “Scythe” problem: the premise just wasn’t believable. The Hive was certainly believable – its basically a physical manifestation of the shame that we’re willing to dole out to strangers online (if you’d like a great non-fiction read on the topic, try So You’ve Been Publicly Shamed by Jon Ronson ). Did I for one second think that the first person to get the death penalty would be a teenage girl who tweeted something offensive? I did not. I had trouble getting over that.

TLDR: If you liked The Maze Runner, Divergent or yes, Scythe, you should definitely check out this thrilling dystopia.
Lots of teens will love this one, but it didn’t do it for me – 2 stars. It was ok.

Thanks to Netgalley and Kids Can Press for the eARC which I received in exchange for an unbiased review. The Hive will be released on 03 September but you can put your copy on hold today!

Imagine a world where Amazon controls pretty much everything (its really not hard to do, right?). They are the only large employer, and they have managed to put just about every other retail company out of business. Most folks who need employment have to head to their nearest Cloud center (Amazon = Cloud), apply, and hope against hope they are accepted. This is the fate of our two main protagonists, Zinnia and Paxton. Paxton wants more than anything to keep his head down until he can get patent money for his invention, a business that was going well until Cloud forced him out of business. Zinnia’s reasons for working at Cloud are a bit more inspired (it would depend on your perspective) as she’s been hired to try to take Cloud down from the inside. As Paxton and Zinnia are thrown together, both will come to realize that the Cloud was more insidious than they thought and they’ll have to sacrifice more than they’re comfortable with the bring it down.

I read this book right after watching John Oliver’s sendup of this sort of corporate culture and dang, Rob Hart did his research. His version of Amazon matches quite closely with what Oliver presents as the actual version of Amazon. I mean, it’s not great. Its really fascinating to read this near-future take on what Amazon and their ilk could mean for our country and economy as, like I said, this is a future that is really easy to imagine.

The book takes turn between Zinnia, Paxton and Gibson Wells’ (think Jeff Bezos) narratives. The characters are believable and likable enough (save Wells, but that’s obviously intentional) that I was not overly fond of one perspective over the other and never found myself racing through one perspective to get to a different one. Nonetheless, the book ends up being a quick read. It was sort of John Grisham meets Brave New World, and I was not mad about it. It’d make a fantastic movie, and clearly someone agrees with me as the author thanks Ron Howard and Bryan Glazer in his afterword.

If you are looking for a quick summer read that’ll make you think (but not too hard), this dystopian thriller will suit your needs. 4 stars – I really liked it!

Thanks to Crown and Netgalley for the free eARC which I received in exchange for an unbiased review. The Warehouse will be release on 20 August, and you can put your copy on hold today!

This book was not for me, but I think a lot of young adults will really love it. The following is essentially a laundry list of my issues. First, the worldbuilding was pretty weak. The fours quadrants are fairly reminiscent of those in Divergent, but they rarely interact and the farming sector basically works on Amish rules while the technological sector has holographs and advanced biosuits and all sorts of stuff. It does not make a ton of sense. And neither does the “queenly law” or really anything to do with the rules the palace or kingdom operates under – it all seemed pretty transparently created to serve the story that was written. Moving along. The characters really left something to be desired. Most were one-dimensional. The main character, Keralie, couldn’t make a good decision if her life depended on it and falls squarely into the snarky and ostensibly clever thief trope. We do get to hear from the queens a bit, but as I knew they’d end up dead and we only spent a little time with each of them, I didn’t find that it added to the story. And, of course, there is instalove between Keralie and our extremely boring male lead, Varin.

Some components of the book are pretty enjoyable. I think the premise is really cool (if executed poorly). The first queen’s murder took me a bit by surprise, and was deliciously gruesome. There were a few twists that I didn’t see coming. I quite liked the last 50 pages or so – the author, a debut, clearly has some really great ideas. Unfortunately, they didn’t come together in this book, though I’d try another book by this author pending favorable reviews.

TLDR: Readers who loved The Red Queen and Divergent will probably enjoy this one as well. I couldn’t get past the weak characters and worldbuilding, but I think a lot of readers will likely devour this one nonetheless. For me, it was just ok. 2 stars.

Thanks to Netgalley and G. Putnam’s Sons for the advance copy which I received in exchange for an unbiased review. Four Dead Queens will be released on 26 February.

One of the first dystopian novels, Brave New World follows an outsider as he tries to navigate the workings of a society that has been developed into a utopia by using conditioning and genetic modification. Originally excited to visit this 'brave new world', Savage becomes increasingly distraught by the lack of humanity exhibited by its inhabitants.

I liked this book better than 1984, mostly because 1984 had some 'preachy' sections and this one had fewer and had a more interesting plot line to me. While 1984 was violent, Brave New World was promiscuous. Both books eschewed solitude for constant interaction, 1984 being involuntary, Brave New World, voluntary. Both books are worth reading.

One reason Brave New World is fascinating is because of the way they control the birth and childhood of the population by conditioning and genetics. Copulation is as common as a handshake and soma restores all to rights. All this was written in the 30s! Aldous Huxley is the man!

Tom, a lowly museum apprentice, is suddenly and literally thrown out of the elevated, traction city of London into a world of intrigue, mortal danger, conniving pirates and robot-like Stalkers who are programmed to kill him. He has to endure travelling with a cranky, would-be assassin and come to grips with his own doubt about what his city really is. First published in 2001, Mortal Engines, by Philip Reeve, is a classic Steam Punk novel that will keep readers 9 - 90 on the edge of their seats turning pages to find out what catastrophy will occur next in poor Tom's life. This is the first book in a series.

In this Moroccan inspired sci-fi/fantasy read, our protagonist, Amani, is taken away from her family and planet by an oppressive regime right in the middle of her coming of age ceremony. She soon discovers that she’s been taken because she looks exactly like the princess and heir to the throne, Maram. As assassination threats aimed at Maram get more serious, Amani realizes that she’s been taken to be trained as a body double. While at first swept away by the trappings of the court, Amani comes to understand that she faces mortal danger on two fronts: if she doesn’t portray the princess well enough, if she’s discovered, she’ll be killed. If she plays the princess too well, she’s likely to be assassinated.

When I read this premise, I knew I needed to get this book in my hands. I love court intrigue and the chance to learn about a new-to-me culture. Unfortunately, I was a bit disappointed. For almost every element that I considered, there was something that I liked and something that I hated. For example, take the world building. The Moroccan lense through which the world was built led to some rich cultural and fantastical elements as well as some pointed commentary about the negative effects of culture erasure and colonialism. However, the science fiction elements were completely out of place, unnecessary, and jarring. They’d take a spaceship to another planet and I would have totally forgotten they were in space, that’s how extraneous the science fiction elements were. There was a paradoxical wealth and dearth of technology that drove me a little crazy.

Maram was really well developed and was a very interesting character as she's got a bit of moral ambiguity going on. Amani was a little flat and seemed to have almost no agency. She falls into instalove with Maram’s fiancé who was even more flat than Amani, so perhaps they deserve each other? The plot meandered, and I often wondered where the story was going – it did get interesting after Amani realizes she’s in a great place to further resistance efforts but that realization was a long walk to a short drink of water, to use an aphorism from my childhood.

While I liked elements of the book, on the whole, it didn’t work for me. Many other reviewers have loved it, though, so if the premise sounds intriguing, you may consider giving it a try. For readers of Renee Ahdieh and Tomi Adeyemi. I liked half of it, so I’ll give it half of the stars: 2.5.

Thanks to Flatiron Books and Netgalley for the eARC, which I received in exchange for an honest review. Mirage is available now – put your copy on hold today!

Okay, let me just say this: All you poser dystopian teen novels 'breaking the rules' with scandalous gratuitous plot elements better just step back. Nineteen Eighty-Four, the granddaddy of all dystopian novels, just handed your butt to you. This book isn't kidding around. Danger, insubordination, illicit sex, graphic torture, this book has it all. It's not for the weak of heart. And the ending is so powerful and heart-wrenching! The only reason it doesn't get 5 stars from me is the lengthy political and philosophical treatises that appear a few times in the book. I get it, this is the quiet power behind the novel and the part that is dissected by academia. But I'm not an academic, so it didn't do it for me.

The Book of M is a beautiful dystopian novel about the power and beauty of memories and the pain that comes from losing them.

One day in a market in India, a man loses his shadow for no apparent reason anyone can explain. Shortly after, the man begins forgetting everything he ever knew, but in its place receives a strange and new power. This phenomenon of the lost shadow, soon becoming known as The Forgetting, spreads throughout the world and transform it into a strange dystopian world that is hardly recognizable.

The two main characters, Ory and Max, have escaped The Forgetting so far until one day, Max loses her shadow. Fearing that the more she forgets, the more dangerous she will become to Ory, she flees across a dark transformed world. All the while holding a tape recorder, on which she records her thoughts and feelings of the journey, and her experience of forgetting. Meanwhile Ory, not wanting to give up the little time they have left, follows her, embarking on a strange journey of his own.

The novel swivels back and forth, every other chapter, between his journey and hers. Max’s chapters to me were the most poignant, the most powerful. The recordings of her experiences on her journey, and the emotions she experiences as she fights against this inevitable loss, and slowly forgets everything, made me want to mourn with her for all she was losing. The emotions portrayed by Max’s character came across so real and raw, and anyone dealing with someone who is suffering from Alzheimer’s will be able to sympathize with this very real portrayal of what it’s like for them to forget everything about who they are. This novel is a tear jerker for sure!

Meanwhile Ory’s desperate attempt to find the woman he loves, is a testament to his hope in their survival and his belief in renewal, both for his wife, and I think on a deeper level, the world that was ravaged by the Forgetting. However, as his journey progresses, he is confronted with the reality of this new and dangerous world, and as he begins to adapt to this new world, he realizes that nothing will ever be the same again.

Filled with beautiful prose, strong character development, and peppered with details of a classic dystopian novel, this novel is a testament to the dystopian genre. Peng Shepherd does so much more than just tell a classic dystopian story, though. While it has all the classic elements of dystopian story, her portrayal of Max’s character almost made the novel read like a memoir but feel like a psychological thriller. Yet the existence of magic, and the way it shaped much of the spine of the story, took her novel into the realm of magical realism. The portrayal of war and action took her novel into the realm of an adventure story. Yet the stories focus on the female main character of Max, took the story into the realm of woman’s fiction. However, Max’s musing on her loving relationship with Ory, made the story delve into the realm of a romance. Taking her readers across a large geographic space, different cultures, different people, and different genres, she attempts and succeeds in a telling an ambitious and complicated story that seeks to display the power of the human spirit and ask what it is, to be human.

This story is beautiful, poignant, powerful, dark, filled with adventure, romance, and magic. The long story short, it has something for everyone. This book comes out June 5 but you can put it on your holds list today! If you haven't, please do! You won’t regret it!

Thank you to William Morrow a imprint of Harper Collins Publishers for an ARC of this beautiful novel in exchange for an honest review!

Hey y’all. It’s been a while since my last book review, so I’m going to talk to you for a minute about Neal Shusterman’s Thunderhead. Minor spoilers for Scythe will likely occur throughout, given that this is book #2 in trilogy.

Thunderhead is set in a future world of plenty, where death and poverty and illness and war have been eliminated by the Thunderhead, an artificial intelligence developed from what we currently call “the cloud.” Every human has nanites in their blood that reduce pain from any injury, and slowly repair any damage. And if by some unfortunate accident, you happen to die, a drone will recover your body and take you to the nearest facility where you can be revived (your first one’s free!).

However, in order to curb overpopulation, the Thunderhead allows for the Scythes. Scythes are an order of highly skilled assassins (of sorts) who exist to keep humanity’s numbers in check. They maintain a quota of gleanings, permanent deaths for a chosen few to remind people of the mortality that the entire race once faced. Anyone who is gleaned by a Scythe earns immunity for their family for a year.

Book one in the series, Scythe, follows Rowan and Citra, two young teens who are chosen as apprentices to Scythe Faraday, who intends for one of them to become his successor. Their training leads to the widening of schisms within the Scythedom, and soon they find themselves pitted against each other over the right and wrong ways to go about their duties of gleaning.

Thunderhead picks up several months after the events of Scythe, with Citra now serving as Scythe Anastasia, and Rowan operating in the shadows, gleaning other Scythes who he deems to be immoral and corrupt. Dubbed Scythe Lucifer, he lives a life on the run while Anastasia is honored for her rather benevolent take on gleaning (giving her victims a month’s warning, and allowing them to choose the means by which they will die).

This book introduces more perspectives from the Thunderhead itself, giving the reader powerful insight into the all-powerful AI’s thoughts and concerns. We also meet Greyson Tolliver, a young man who has devoted his entire life to serving the Thunderhead, and has his loyalty tested to the extreme. While this can feel like it’s drawing attention away from Rowan and Citra, it contributes to the worldbuilding. And while Scythe had a phenomenal dystopian feeling, there were many questions left unanswered that are picked up in these chapters and monologues.

Now Anastasia and her current mentor, Scythe Curie, have been targeted by a mysterious attacker who seems intent on ending them both permanently, while Rowan grapples with the consequences of his actions as Scythe Lucifer. The Thunderhead muses on the Separation of Scythe and State, lamenting its decision to refrain from interfering with the actions taken by members of the Scythedom, finding clever ways to work around the various safeguards that it has installed in society (and maybe finding out more than it was ever meant to know).

All in all, Thunderhead is a powerful followup to Scythe, a worthy companion and, to my simultaneous joy and rage, the second book in a trilogy. Book three is due in 2019, and I can’t wait to see how this all wraps up.

This book follows the story of two brothers John and William in 1340’s Medieval England who are suffering from the Black Death. But as their end draws near, they are given a choice that changes the course of their lives forever. They are told that they have six days left to live, which they can either spend with their loved ones, or search for salvation and redemption for their lives across the centuries; spending each one of their remaining days 99 years after the last. So, each day takes places one century after the last. The brothers choose the latter and are launched into an adventure that spans centuries in the time frame of a few days.

Observers of the world across centuries, John and William hardly recognize the world around them each day they wake up, and as their journey for salvation progresses, questions the world around them in a way that has readers questioning humanities true motives. Rather than focusing on the good things and advancements the world has made through the centuries, the characters, especially John, ponder how these advancements have brought humanity farther and farther away from God. As the years and days progress, the novel asks the question what is true salvation really and examines the idea of what is good verses bad?

When I received an ARC of this book in the mail from the publisher at first, I wasn’t exactly sure what to make of it, but as I read the back, I became excited, because this book deals with a sci-fi like subject of time travel in a way I haven’t seen before. This book took me a while to get through and it also is a book that really makes you think. Warning! If you are looking for only a traditional time travel sci-fi book, this book is probably not for you however, if you like historical fiction this book is probably more for you. This book deals with time travel in a highly conceptual way. It is a time travel book written by a very noted historian and reads very much like a historical novel with all the historical details you would find in a history book. But it is also very philosophical as the main character questions the world and the ideas in it. As this quote from John shows when he is discussing, with the family he is staying with, the bad things done by others around them.

“I myself wish for nothing more than to spend the rest of my days engaged in good deeds,’ I say. But how can I tell what a good deed is in this day and age? What is “good” and “bad” if God’s law is constantly changing? How can we do good if the meaning of “good” and “bad” are dependent on who wins the war? How can a man go through this world in sure knowledge that he is doing the right and proper thing?”

This is just one of many philosophical musings that the author poses through the book that seek to answer difficult questions and these details really make the reader think and ponder the difficult answers to questions like, what is good verses bad. These details I think also give the book a conceptual quality that puts it above the norm and makes it more than just another sci-fi book about time travel.

Ian Mortimer is an excellent historian and the historical detail in this book are incredible! He weaves together history and time travel in a highly original and interesting way that makes readers both question the world and presents readers with a clear picture of England’s evolution from a small underdeveloped town to a large industrial country that leads the world in more ways than one. I highly recommend this book for readers of historical fiction or anyone who likes highly conceptual, philosophical books that question the world and everything in it. I give this book a solid 5 out of 5 stars!

Thank you to the publisher Pegasus Books for an ARC of this book for review.

When I picked up this book, I have to admit, I was surprised, because sci fy steam punk fantasy stories is not the type of book I usually read, yet it ended up being so much more than I had imagined. The Clockwork Dynasty is not just a book about a race of humanlike mechanical creatures or avtomats that secretly live among us and are fighting a war that has raged for centuries, but it’s a story about life and the constant search for meaning and purpose.

This book waffles back and forth between present day Orgon, Washington and other places, and the 1700’s beginning in Russia and taking the reader on a journey through history and time. And while this may bother some people, the non-linear storytelling I think, adds so much more to the book and allows the author to unfold the story in a deeper more meaningful way.

In present time it follows the story of June someone who has made a career in ancient technology, ever since an encounter she had a child with her grandpa changed her perception of the world and started her fascination with this avtomat technology. A couple years after her grandfather’s death she receives a avtomat artifact that will cause her to team up with an avtomat named Peter, launch her into a great adventure in the secret avtomat
world, and ultimately determine this race’s extinction or survival. In
the 1700’s it follows the story of brother (Peter) and sister (Elena) two humanlike avtomats that were resurrected by a Russian clock maker using something called an anime which serves as the Avtomat’s heart and soul. As they live through the years they spend it hiding their secret, trying to blend into society, and fighting a war that has been raging among their own race for centuries.

This story explores the character’s constant search for meaning in a way that is both at times sad and extremely insightful. In the book each avtomat’s anime is marked with a Pravda or a special word that is their bond and command. As long as they satisfy their Pravda, they are at peace, otherwise they suffer. In Peter’s case this word is justice. As the book progresses we see his idea of justice shift and change as he lives through the years. Through a fascinating inner dialogue, Peter perception shifts from gaining justice simply by serving rulers in war to something far deeper and more moving, as this quote, when he encounters a dying soldier on the enemy’s side in the battlefield, suggests:

“Once Pravda was clear to me. By obeying my emperor all was well. But what was simple is becoming complex. I can see no evil inside this grievously wounded man, only honor. And though no clockwork flutters beneath his throat, I can see the inevitable forces that led him here, through no fault of his own, fating him to die in the shadow of this crumbling wall.”

As the book progresses a new perspective of right and wrong emerges leaving him questioning not only who he is but why he was made.

Another major theme this story also explores is the theme of war. As Peter recounts from his past, countless experiences on various battlefields throughout his life, and in the present, his own thoughts on his own race’s war; the reality of war is pressed heavy on the reader making this book at times very depressing, sad, and dark.

This reality is made even more real by the moving prose and incredible worldbuilding that takes place throughout the book. Another reason I love this book is the incredible character development between Peter and Elena.
How she is treated by him as a little sister at the beginning of the book, and how he sees her changes through the book from a little girl needing his protection to a sophisticated, wise learned, woman who’s one desire is to make her own way in the world is absolutely incredible. Daniel H Wilson does an amazing job of weaving together past and present into an engaging literary story that has something for everyone. Thank you to Doubleday books and Netgalley for an e- ARC in exchange for an honest review!

In this creative, futuristic graphic novel all technology has been stolen by a species known as the Pipers. When a young girl and two of her friends stumble into a hidden cache of robots, they become the targets of a wild chase. This book is exciting, unique, and includes a battle in outerspace! Recommended for grades 3-6.