Award Books by Genre: Hugo Award

With this dystopian society reversing positions in society, firefighters burn books and light houses on fire. Montag, a veteran firefighter, soon meets a girl who changes his mind about life, books, and his job. Soon, this mystery girl disappears and Montag soon sets out on a risky adventure to solve the mystery of his lost friend. With him betraying society, reading intriguing literature, and meeting new friends, the society is out to find Montag. Will he escape into the unknown world or will he be caught with his fate unknown? This book is an adventure worth reading!

Reviewer Grade: 9th

The book, The Lion, The Witch, and The Wardrobe, by C. S. Lewis, is a wonderful read. The classic can be read by any ages and provides a fulfilling story in a fantastical world. The straightforward plot and character development also add nicely to the book's universe. The book also provides illustrations adding to the imagery of Narnia, the world in which the book is in. Overall, The Lion, The Witch, and The Wardrobe is a phenomenal book that can give any reader a great experience.

Leviathan Wakes is the first novel in the science fiction series, the Expanse. It follows the stories of Jim Holden and Detective Miller as they attempt to uncover a plot to start a war within the planets. This book is incredible. Every character feels alive and unique, and you really begin to connect with them as the plot moves forward. The plot itself is stellar, and is relentless in its suspense, intrigue, and action. I would highly, highly recommend to anyone who loves science fiction, or is just looking for an amazing book to read.

Lord of Light, winner of the 1968 Hugo award for best novel, is a fascinating excursion into a expertly crafted science fiction world involving both Hindu mythology and the struggle to free humanity from the oppressive rule of false gods. This book is exciting as well as thought provoking and an overall interesting read. The characters are well flushed out, the setting is both believable and fantastical, and every instant of the book engaging. For those not familiar with Zelazny's writing style, the book may become confusing at certain points. However, the reader is never lost completely and can easily catch back up with the story. This book is a must read for those interested in the science fiction genre.

"Animal Farm" by George Orwell is about a seemingly normal farm that turns against their farmer. The animals take over the farm with the help of their leaders who are pigs. After all the humans are gone from the farm they continue under the rule of the pigs and create a system of rules to follow as a guideline for their new life. Everything goes well until one of the pigs, Napoleon, uses the dogs he trained to remove the other leader, Snowball, from the animal farm. With Snowball gone Napoleon takes complete control of the farm. He alters the rules made by Snowball, abuses his power, and makes poor decisions that negatively affect the other animals. One of their rules/guidelines was that humans were evil and not to be associated with.

Napoleon breaks that rule many times starting with making a trade of wood with another farm run by a farmer. They get scammed from the exchange with the human, but that doesn't stop Napoleon from dealing with humans. He goes to the extent of not telling the fellow animals the truth and putting all pigs above everyone else. From there things get progressively worse until Napoleon eventually befriends the humans along with the other pigs. They become so much like the humans that it gets to the point that the pigs are basically humans.

I would recommend the book. "Animal Farm" is interesting and in my opinion is in a sense satire, so I really enjoyed it. I read this book because I was planning on reading 1984 by the same author for a BTS theory and wanted to read other books by George Orwell. I kind of could relate to some of the animals because when they disagreed with Napoleon they brought up good points, but no one listened to them. The ending is very surprising and the book isn't predictable.

After the refreshing sci-fi The Long Way to a Small, Angry Planet , I was ready to follow the crew of the Wayfarer to their next adventure. Unfortunately, the sequel, A Closed and Common Orbit, decided to take a path more akin to The Godfather Part II (1974). Instead of following the main characters of the first story, this sequel delved into the new life of the AI now known as Sidra, while also interspersing a quasi-related prequel story of one of the new characters introduced in this book. Fortunately, these two stories were well paced against each other.

Even though I feel readers could pick up this book without having read The Long Way to a Small, Angry Planet, there are certainly a few details about the diverse races found in this universe left out of this book—probably for the sake of brevity. This didn’t necessarily detract from the enjoyment of A Closed and Common Orbit, but having that previous knowledge certainly helped to bring these alien creatures to life in my mind. Still, the main characters are basically humans, so the interactions with the aliens would be the main reason to know how these creatures communicate.

While this book is only tangentially related to the one that proceeded it in the series, the universe the author has created is solid enough to support a few more additional stories like the ones found here. With fewer characters to focus on in this book, A Closed and Common Orbit was able to dive deep into some pretty heavy topics, including child slavery and artificial intelligence. The writing still retains its casual dialogue style that genuinely helped bring these few characters to life. If anything, the author’s writing is what will keep me coming back to this series.

A mostly unrelated, but still expertly written sequel, I give A Closed and Common Orbit 4.0 stars out of 5.

Nobody Owens (Bod for short) grows up in an ancient cemetery, raised by the spirits who reside there. As he becomes older, along with his school lessons and the special abilities given to him with the “freedom of the graveyard”, Bod must discover the secrets behind the death of his birth family, and the "Jacks of All Trades” (a dangerous secret society). Along the way Bod learns from various night creatures in addition to his extended family of ghosts, including ghouls, a witch, a werewolf, and a vampire. He must use all the knowledge that he acquires to fulfill his pivotal role in defeating the Jacks.

Animal Farm is a dystopian novel about a farm overrun by the farm animals. The animals revolt and create their own hierarchy, which poses an overarching metaphor for humanity. Like many of Orwell’s books, this book exposes the flaws of mankind in an allegorical manner. I chose this book for its dystopian nature, and it did not disappoint. It is artful in its satire, and Orwell takes a clear stance on tyranny. This is among the best dystopian books I have read.
Reviewer Grade: 12

A stout story, a rich song, a tale for all times. Tolkien heard the gorgeous music of narrative, with all its valleys and hilltops, with all the grit of the fight, all the glory of overcoming, all the long, drawnout parts of day-in and day-out small faithfulness. He heard a musical narrative and he composed a symphony. But like all great masterpieces, one’s affections and tastes must be enlarged and strengthened to enjoy wine this strong. Such a stout story is not for the faint in heart. In an era where our literary sensibilities are cheapened by bland paperback fiction, reality TV, inane tweets, texts, and Facebook posts, we are a society easily pleased by cultural fast food, and we often can’t appreciate with the robustness of a story told this well. There are answers in this story to questions we’ve never thought to ask. This story explores places in the heart we’ve never thought to search, depths of the human soul we’ve never considered worth pluming. If we don’t resonate with this story it is because there is much that the author wants to tell us that we are not yet ready to hear.

Search the world over, and I don’t believe you’ll find another piece of fiction as epic, as moving, as heart-transforming, as the Lord of the Rings Trilogy. What sets the literary genius of Tolkien above most other authors of fiction is his ability to make his imaginary world shine with such brilliance that the affections of the heart will come to love its shores, its stories, its struggle to stay in the light. Story is one thing that cannot be faked by a shallow writer. Either an author has within him an tale of inspiring beauty, of struggle, of overcoming, of fighting and conquering, of living and dying for what one believes in—or he does not—and what comes out instead is flat, bland, one-dimensional.

But if one is willing to be a patient learner, one can have one’s mind and heart expanded by being a slow and thoughtful reader. If your heart does not sing by the end of the book, if you do not have a new resolve to overcome the evil in your own heart, if you are not transformed to live for truth and beauty by the end, then I wonder that you have a pulse.

The only precaution I give you is the peculiar feeling of sharp disappointment that will pang you as you read the last line of last volume, knowing that the book is over and there will never be another like it. The only solace I allowed myself was the thought that soon my children will be at an age to appreciate it and I can relive the volumes through their imaginations. Be prepared to mourn for the series' finitude even as you enjoy every brilliant page.

I suppose when I chose to read this book, it would have been a little more steampunk than it was. Sure, Boneshaker has some of the trappings of a steampunk story, like the Civil War and inventions comprised of brass; but in the end, it felt more like light window dressing than something important to the plot. Surprisingly enough, this book was more along the lines of a zombie apocalypse novel than a steampunk one. In that sense, I’m disappointed that the cover didn’t completely deliver on its premise and instead decided to rely on the tropes of the post-apocalyptic genre.

The characters themselves were somewhat interesting, but their motivations seemed a little flat. The boy who wants to find his father and the mother who chases after him aren’t that compelling. In fact, the journey of both characters could have probably been accomplished via one of them, with supporting characters providing information about the other one. If anything, the plot was only used as a method to explore this semi-steampunk Seattle. This meant that, by the end of the book, there were quite a few more questions I had than answers. I guess that’s why there are two more books in this series.

I think my main problem with this book is that it isn’t more thoroughly tied to real history and real locations. Sure, there were a few mentions of the Civil War, but if you removed those few links to history, the story stands on its own pretty well. In fact, you could probably set this anywhere, even in its own, unique world, and it should still work. Because it doesn’t rely on our knowledge of history and familiar places, it doesn’t feel like the “alternate history” that steampunk can provide. In the end, this was a pretty good idea, but it’s misleading in its marketing.

A post-apocalyptic zombie book that has hints of steampunk thrown in, I give Boneshaker 3.0 stars out of 5.

I chose this book because comics are a type of novel that I find interest in. This is a fantasy book that takes place where monsters and humans are divided after a war, and monsters who are caught by humans on the other side are used to be sold and experimented on. The main character, Maika, goes on the other side in search for hope of her mother. This is highly recommended for anyone who enjoys comics.

Uprooted by Naomi Novik was an interesting read - with magic and mythical creatures - but I found that in the first few chapters I stepped away from the novel several times. The beginning was slow with not much action, more setting up the scenery and the laws of the land than anything else. The novel follows a girl named Agnieszka living in a quaint village called Dvernik by a magic infested forest where every ten years a mysterious and immortal wizard called the Dragon, who lives in a nearby tower, visits to pick one woman as payment for protecting Dvernik from The Wood. Agnieszka is chosen to her surprise, but her interactions with the infamous Dragon are almost boring - they share a typical, overused trope in a love-hate relationship that frustrates the reader. The two are also locked away in the tower where there are minimal outside interactions from any other characters for almost the entire first half with the exception of one of Agnieszka‘s bedridden friends. I found that the last half of the novel was the most interesting because that was when other characters from the faraway capital were introduced and the scenes were more fast-paced. Because the world building aspect in the beginning was making me impatient, the problem was that later when Agnieszka returns to her village, I spent a long time away from there that the characters and their relationships were hard to remember and I personally did not care for them. There were definitely characters I met in the last half that I empathized or was absolutely lucid with and I did enjoy all the plot twists because, of course, they were unexpected and added some excitement to Uprooted. Overall, the beginning takes off one star for me due to the inaction and some common young adult tropes were utilized, but I loved most of the characters and the plotline anyway regardless of the latter.

A fascinating and dark book. The premise is enjoyable. I adored the thought of a home for kids who went to other worlds. The kids could be summed up in one word: PTSD. And they were perfect, with complex backstories and hopes and dreams. The world's were even better, from the silent Hall of the Dead to the Moors, a world hovering between the lightning strike and the resurrection. I couldn't put the book down. In fact, I wish it was longer so I could spend more time in the rich world with its people. From a dapper mad scientist to a girl who ran on rainbows, they are all unique. And I love them for it. I love their interactions and their longing for the world's they had seen. The question was, who would murder to go back to the place they considered home.
Reviewer Grade: 10

Much like authors Jules Verne and H.G. Wells were well ahead of their time in their science fiction writing, Orson Scott Card once again shows that he understood some of the key concepts of our universe. Written in 1991, Card’s Xenocide deepens and furthers the continuing adventure of Ender Wiggin that he began back in Ender’s Game . Picking up where Speaker for the Dead left off, Xenocide adds a powerful adversary while also tying plot points back to the first book in the series. In this sense, the tight intertwining of Xenocide with its predecessors makes it difficult to separate and review by itself.

I appreciate what Card has done by creating a multi-book narrative that requires the reader to have started from the very beginning of the story.
While Xenocide is not nearly the end of the series, as made clear by the astounding twist near the end, it does pull enough unresolved threads from Ender’s Game and Speaker for the Dead to create the next segment of the story. In this sense, the whole story is a multi-book epic so well-written that no detail or specific piece of continuity is overlooked. Plus, with so much history behind it, Xenocide reads at a frenetic pace, just trying to “beat the clock” of an almost assured planetary destruction.

Surprisingly, if you told me that there was a sci-fi book comprised almost entirely of dialogue and profound, philosophical arguments, I would probably assume it was boring (or at least written by Robert Heinlein). And yet, Card has brought the reasoning proposed in the previous books of this series and pulled them through to their logical conclusions, creating an engaging discussion of artificial intelligence and sentience, while wrapping the whole thing in the context of moral arguments for and against exterminating an entire species. There are no easy answers in this book, but Card has masterfully included concepts like cloud computing, interdimensional travel, and genetic engineering to get his point across.

A fantastic continuation of Ender Wiggin’s story that leaves the reader begging for more, I give Xenocide 5.0 stars out of 5.

Ender's Game is an enthralling and thrilling sci-fi following a young boy as he is prepped to save the world. Ender departs for battle school at the ripe age of 6, where he is thrust into a world were children go head to head in a competition to be the best, fight in an all out war, and earn all the glory.
Although young and inexperienced, Ender is the best. But things seem to be stacked against him....
Orson Scott Card writes with incredible dexterity and Ender's Game pulls you into a new world.
(Reviewer Grade: 12)

If you love fantasy/adventure books PLEASE READ THIS BOOK! This is such an awesome book! It is not predictable and contains a cliffhanger at the end.
Some of the characters’ drama is relatable to the reader (such as the teenager dating scene). This is the fourth book in a seven book series. The books will make a lot more sense if you read the books in order. This was definitely one of the best books I have read this year!
Reviewer Grade: 8th

“Harry Potter and the Prisoner of Azkaban” is an amazing book to read. It is a fantasy book with some adventure in it. It is the third book in a seven book series. The story will make a lot more sense if you read the books in order. This book is not predictable and does not have a cliffhanger. However, there are some parts of the book that will leave you on the edge of your seat in suspense. Some of the characters are relatable to the reader but the story isn't at all. This was one of the best books I have ever read!
Reviewer Grade: 8th

Certainly well ahead of his time, Robert A. Heinlein remains one of the definitive writers of the science fiction genre, even today. In The Moon is a Harsh Mistress, Heinlein covers such topics as artificial intelligence, extraterrestrial colonization, and interplanetary warfare. Even today, most of these subjects are accurately depicted in the narrative, even if some of the technology has advanced past where it was thought to be in 1965. Part of me is almost jealous at Heinlein’s ingenious use of Earth’s gravity well, and I know any attempt I might make to replicate the idea will merely seem derivative in comparison.

As is the case with some of his other works, Heinlein makes many socio-political statements via his writing. His stance on taxes, revolutions, and independent governing bodies is a critical section of the plot in The Moon is a Harsh Mistress, and I can certainly see the theoretical benefits he puts forth in this context. That being said, his views on polygamy and polyamorous relationships are certainly on display again, with his previous work, Stranger in a Strange Land exploring these themes in greater detail. I can only assume the "free love" culture of the 1960's shaped these opinions.

Overall, the book wasn’t quite what I expected. The initial chapters made me hope the plot would center on the relationships between man and artificial intelligence (AI). If anything, AI is shown to be a powerful tool that can influence society in ways we can’t even begin to comprehend. At the very least, the main character was quite entertaining, if not hard to understand at times with his “accent.” If we do eventually colonize the moon, I can hope we do so peacefully and in a way that doesn’t lead to an uprising of its native inhabitants. After all, I do like living in a Colorado Springs devoid of meteoric bombardment.

A well-thought out sci-fi story decades ahead of its time, I give The Moon is a Harsh Mistress 4.0 stars out of 5.

Not only has the release of George R.R. Martin's "Song of Ice and Fire" book trilogy garnered international acclaim, but it has also brought together a diverse community of fans, all of whom share an appreciation for the masterpiece they see in Martin's work. From novel to novel, Martin has continued to enthrall his fans with plots upon counter-plots, timeless lore, and brutally realistic characterization. Suffice it to say, fans were displeased when the six-year waiting period struck between the third and fourth installment. Now, with "A Dance with Dragons" well past its release, fans beg the question, "How does the fourth novel stack up to its prequel 'A Feast for Crows' and the other books?" To answer that question, I would say A Dance with Dragons has trumped the three previous novels, and exceeds the quality of Martin's previous work.

In A Feast for Crows, the plot left out the happenings of Tyrion, Jon, and Daenerys. Luckily, however, this new novel pays most of its 1000+ pages to these plotlines. With the war over, attempts for peace in King's Landing are made, but as Tyrion reaps havoc in the capitol, he flees across the Narrow Sea to meet with the rumored "Daenerys Targaryen".

She has done quite well for herself, having managed to take power, wealth, and respect form the former masters of Slaver's Bay. Though as old conflicts are settled, new ones arise, and Daenerys soon finds that governing over a foreign city is a challenge.

Up in the North, the 998th lord commander of the Night's Watch, Jon Snow, faces distrust among his brothers. Yet in spite of their squabbling, a bigger threat looms across the Wall, with the Others inching closer to the Seven Kingdoms.

In addition to these major plotlines, there are of course reappearances from a range of other characters. Their plots are befit to twists, turns, and outright bewilderment, able to surprise even some of the most observant readers.

I read this book immediately after finishing the last, and can say that I am pleasantly surprised with it. The plotlines continue to complicate, and intrigue readers ever-further in this timeless trilogy.

One complaint I would file with this novel is that due to Martin's fragmented writing style, for which certain books focus primarily on particular plotlines, I felt that some information was hard to remember or keep track of. I would definitely recommend brushing up on a summary of "A Storm of Swords" beforehand, as a way to refresh yourself on those details.

If you decide to not continue with the trilogy, my recommendation has to go to J.R.R Tolkien's "Lord of the Rings" trilogy. While it's true that the novels are highly similar, Tolkien's work makes up for some of the imperfections in Martin's.

Overall, from my opinion, A Dance with Dragons is certainly an improvement on the last installment in the trilogy, and stands to be one of the better "Song of Ice and Fire" novels. If you are this far into the series already, I would have to say that it's worth continuing. The timeless and rich storytelling found in Martin's novels makes for a read that simply cannot be passed up!

Reviewer Grade: 10

"A Feast for Crows", the fourth installment in George R.R. Martin's "A Song of Ice and Fire" book trilogy, takes up the challenge of transitioning the narrative from "A Storm of Swords". Readers were left off at the end of the War of the Five Kings, which had drawn havoc to all of Westeros. Throughout the course of this new story, attempts are made to unify the country, but as some relationships are mended- others are torn, and the tale of Westeros continues to grow ever more colorful with Martin's next installment.

The narrative focuses mainly on the happenings of central Westeros, with exclusions to Jon Snow and Daenerys Targaryen's plotlines (which are saved for the next novel.) Cersei Lannister's youngest son, Tommen Baratheon, now sits atop the Iron Throne, and takes guidance from his family members. Cersei and her children mourn the death of Joffrey and Tywin, whose demise is believed to be at the hands of the family Dwarf, Tyrion. However, even as Cersei attempts to make rational decisions, it becomes clear that her mind is clouded with vengeance.

In light of the fact that Martin killed off a number of main characters in his last novel, he pulls his readers into new storylines such as those with Brienne of Tarth as well as characters in Dorne and the Iron Islands. Arya Stark explores a new story arc in Bravos and all across the realm, religion emerges to have an even bigger impact on the plot. Overall, Martin does a fantastic job of bringing up new plot points and transitioning the trilogy into its next narrative.

I began reading this book immediately after the last, and while it’s true that it isn’t nearly as eventful as A Storm of Swords, the plot is equally as engaging. Players in the game of thrones continue to make political powerplays and hidden sabotages, all the while grounding their feet to climb the ladder of power.

One complaint I have with this novel is that its slow pace contrasts poorly with that of the last installment. Readers were left with suspense and eager anticipation for A Feast for Crows, and while they weren’t entirely disappointed, I felt that the beginnings of this book missed a few major fan expectations. This, in part, is due to the fact that there is a 5-year jump from A Storm of Swords to A Feast for Crows. Of course, some details are clearly left out over such a large gap.

If you decide not to continue with this series, I would recommend trying J.R.R. Tolkien’s “Lord of the Rings” trilogy, as it makes up for some of the imperfections with Martin’s work. With all that having been said though, I would certainly recommend continuing on to read this book. Its slow pace may at first deter you from reading, but, from my experience, if you stick through and finish the book, you will be glad to have done so. There are so many rich story-telling devices Martin imbeds into his writing, and paired with the fantastic plot of A Song of Ice and Fire, this book makes for a tremendous read!

Grade 10