Animal Farm by George Orwell is a chilling tale of animals' uprising against humans to form an idyllic society. Without the rule of humans, animals expect equality, prosperity, and utopia. Over the course of this fable, however, the characters slowly devolve into new forms of oppression, greed, and violence against one another. Each chapter is more suspenseful than the last. The book is not entirely scary, but unsettling more than anything else. Orwell writes characters who are worth caring about, and antagonists that are easy to dislike.
The Skinner is set in a distant future where science and technology have advanced to the point where humans live nearly infinite life spans and travel the stars with ease under the unified governance of the Polity. Neal Asher crafts a complex universe in which this story seems a miniscule part of a gargantuan timeline, I could spend countless wonderful hours studying the history preceding the novel! He crafts complex main characters: Janer, an employee of an insectoid hive mind; Erlin, a scientist with a strange past; and Keech, a reanimated corpse with unfinished business. The three unlikely acquaintances set out on the planet of Spatterjay, a world covered almost entirely with water, inhabited by humans known as hoopers who are infected with a virus that gives them superhuman strength and regeneration. When a mysterious hooper myth proves true, the intrepid visitors must work together to survive in an adventure-packed and mystery-filled journey with all the best elements of Robert Heinlein but with a 21st century audience in mind.
This is the best jail break story ever! I loved this short story when i read it in "Different Seasons". I read this book after seeing the movie, and I love both of them! Its about a guy named Andy Dufresne who is sentenced to life at Shawshank for the murder of his wife and her lover. In prison, he meets Red, a guy who knows how to get things. They become good friends. Andy always said he was innocent, and after being there for almost 20 years he escapes. It's a really really good story and I would highly recommend this book to anyone!
"It" is a really good book! Although its over 1000 pages it all of it is really good! "It" is about a group of kids that live in Derry Maine. The main character, Bill, looses his brother to Pennywise the clown who terrorizes the kids of Derry every 27 years. Bill and his friends Richie, Eddie, Beverley, Mike, Ben, and Stanley try to stop Pennywise. The book's cool because it also goes back and forth between the characters when they were kids in the 1950's and when they're adults in the 1980s. Lastly, even though its from Stephen King and is a famous "horror" novel, in my opinion its not very scary. If you like stories about kids going on an adventure, then this book is for you!
An Unwanted Guest is a fantastic mystery novel that will consume readers till the very end! This book will make you want to stay up all night trying to figure out who the murderer is. An Unwanted Guest is a thriller that consumed me for many hours. This novel is set in a remote countryside motel where the main characters come to spend their weekend to serve as a getaway from their busy lives. At first everyone seems to enjoy the peace and lack of internet connection. But as the first victim is found, the uncertainty, panic, and fear kick in among the guests. A large snowstorm makes it impossible for any new guests or the police to arrive at the scene, so certainly the murderer must be among them! The question is who? I would highly recommend reading this book, especially if thrillers and mysteries are something you enjoy reading. I found this book to be surprising and I really liked the rural setting that this novel is set in. Finally, I really enjoyed the way that the dark secrets of each character is slowly unveiled to the reader throughout the course of the book.
The Crucible is an allusion to the Salem Witch Trails of 1692. The main character, John Proctor, is a well-respected farmer in the small town of Salem, Massachusetts. When the first rumors that there are witches in Salem start stirring, Proctor pays little attention to them: he doesn't particularly believe in witchcraft and believes the townspeople are simply being hysterical. However, when his wife is accused of witchcraft, John has to put aside his personal feelings and find a way to save his wife and friends from hanging.
I hated the ending, but it made the play so much better. John develops significantly as a character. In the beginning, he only cared about protecting his reputation and hiding his affair, but in the final act, John became a martyr for the people of Salem. He's my favorite character in the play, and the movie is just as good!
A Walk to Remember is set in 1958, North Carolina, and is about two seniors who fall in love despite their different personalities. Landon, the mayor's son, is fun and carefree, while Jamie, the preacher's daughter, is 'annoyingly' perfect. Jamie is often clowned by her classmates for her rigid lifestyle, feverish devotion to Christ, and her rather drab way of dressing. When Landon finds himself in desperate need of a date to the school dance, he has no option but to ask Jamie to come with him.
Landon and Jamie begin spending time together, and while Landon tries to hide his feelings, he eventually realizes he loves her for her kindness. He tells Jamie about his feelings, but Jamie responds with hesitance, leaving Landon confused.
The ending is a little sad, but it's also cute and romantic. I liked how Landon developed as a character; he was a bit of a jerk at first, but being with Jaime helped him learn compassion and kindness. Jamie and Landon's relationship is a good example of why you shouldn't take things or people for granted.
Moloka'i is a book about the undaunted and courageous spirit of humanity. At seven, Rachel Kalama is diagnosed with leprosy, a condition that would alter her life forever. She is taken from her family to spend her life in Kalaupapa, Moloka'i (imagine quarantine lasting for your entire lifetime). On the island, Rachel confronts the aura of death, as the disease progresses among residents without a known cure. Moloka'i is a tale of sadness, but also a tale of survival. In a world of death, there is warmth, love, humor, and hope. The book follows Rachels's life with many twists and turns. I absolutely loved this book and it was one of the best books that I have read this year. Reflecting on the book, it truly demonstrates how there is a lot of good in this world, even if you have to dig deeper to find it.
If you like the movie Fight Club, or are just looking for a really good book, this one is awesome. I remember after watching the movie it said that it was based upon this novel. And I had to read it! This story is about a man who's bored with himself and his life. He meets a guy named Tyler Durden, and pretty soon things get out of control. Though there is a "fight club," this story is a lot more than just fighting. And, in my opinion, this book has the best twist ending ever. Chuck Palahniuk is a really good author, and this book is a quick read. Overall, I've read this book multiple times and would highly recommend! I would say that it's not for little kids, as the movie Fight Club is rated R.
Things Fall Apart is about a Nigerian man, Okonkwo, who watches as his village is destroyed by European missionaries. Once a feared and respected man in his village of Umuofia, Okonkwo is reduced to eventually taking the orders of white men. Okonkwo is a hard and emotionless man who believes that anything that is not masculine is weak and therefore unworthy. When missionaries come to Umuofia, Okonkwo urges his fellow villagers to resist the attempts to diminish their culture and replace their government, but he's met with little support. Eventually, Okonkwo is banned, and when he returns, his village has completely changed.
I liked Things Fall Apart because it's a great book that challenged the idea of African savagery and portrays African culture, specifically Nigerian culture, as complex and intricate, and not the 'uncivilized' society many people view Africans as today. Okonkwo is an interesting character because his unwillingness to adapt to the new change represents an internal struggle many pre-colonized Africans faced in the wake of colonization. The ending is symbolic because it represents the ultimate death of culture as a result of European exploration.
Overall, the novel provides a beautiful insight into another culture often ignored in mainstream media.
No Longer at Ease is the second installment in the African trilogy series. It is preceded by Things Fall Apart and follows the life of Obi, Okonkwo's grandson. Obi leaves his village in Nigeria to pursue an education in Britain where he meets Clara and falls in love with her. He returns to Nigeria and gets a job in civil service with the help of the board of elders. Obi is conflicted between his African culture and Western lifestyle, and heavy in debt, he takes a bribe.
Just like his grandfather, Obi is strong-minded and stubborn. He intends on marrying Clara although she is an osu, and begins taking bribes when he cannot pay his debts. He questions Nigerian traditions, and often compares Africa to Britain, ultimately positioning him in a place where he finds it nearly impossible to balance both cultures. However stubborn and sometimes reckless Obi is, he's a symbol of generational growth: unlike his grandfather and father, Obi ultimately understood that one culture was not better than the other, and change was imminent. Okonkwo, Nwoye, and Obi symbolize the different industrial stages of Nigeria and the social turmoil that followed, and they show the theme of western versus eastern culture clashes.
I liked Lord of the Flies for its realism and its detail. The concept of boys stranded on an island was interesting to read, while the realism of the boys’ reactions kept it alive. The detail was fabulous, the interactions well thought out, and the diversity was well done. I loved this book, not just for reading for my writing class, but outside of school as well.
“Mexican Gothic” follows Noemí Taboada’s mission to uncover the dark secrets of the High Place. Her journey begins when she receives a mysterious letter from her cousin with talk of poison and ghosts. Upon arriving, the Doyle household proves to be untrustworthy with the exception of the family’s youngest son. The Doyle family hid prying eyes behind the walls of the High Palace but Noemí’s sleuthing unlocks a wave of violence and madness.
I enjoyed this book and was hooked from the beginning. I recommend this book for people who enjoy reading about mysteries and paranormal activity. There is a hint of romance but the plot does not revolve around that.
Frankenstein, or, the Modern Prometheus is a great gothic read. Like any other gothic novel, it is dark and mysterious, with elements of horror in it. While it had a rocky start for me, I soon got lost in the characters, with their wants and needs. The detail was amazing, while the wording was, em, very 17th century, but that makes the book no worse. All around, this is a riveting book that will capture your attention immediately.
This time-travelling story of love and genocide centers on two rival agents battling to secure the best possible future for their warring factions. It opens with a blood-covered Red, the last woman standing on a battlefield heaped with corpses. She finds a letter that starts with “Burn Before Reading” from Blue, her rival whom she has spent lifetimes trying to thwart. So it starts with a taunt followed by a challenge scratched in a lava flow and a message woven into the DNA of a tree cut down by marauding armies. These spies never meet but these compromising letters – certain death if discovered by their superiors – build upon a mutual understanding that evolves into love. Who better to understand someone weary and confused by merciless, contradictory orders than their rival? Or is this an attempt to turn the other into a double agent? Or lay a deadly trap? This novella deftly avoids the confusion that spoils average time-travel yarns by making each of the chapters into a vignette, told from either Red or Blue’s perspective, until a satisfying, meaningful conclusion.
Awards: 2020 Nebula Award for Best Novella, 2020 Hugo Award for Best Novella
A Tale of Two Cities by Charles Dickens is one of the most popular books of all time, with over 200 million copies sold to date. The novel is set in London and Paris before and during the French Revolution and depicts the plight of the French peasantry demoralized by the French aristocracy, and many unflattering social parallels with life in London during the same period. The main characters are Charles Darnay, a French aristocrat who falls victim to the indiscriminate wrath of the revolution despite his virtuous nature, and Sydney Carton, a British barrister who endeavors to redeem his ill-spent life out of his unrequited love for Darnay's wife, Lucie Manette.
A Tale of Two Cities
One of Charles Dickens's most famous novels, A Tale of Two Cities is also one of his shorter (and better) ones. It begins with an unflattering portrait of an England overrun by highwaymen and courts which are almost as rapacious, and soon shows us a France where things are even worse. Nowhere does Dickens demonstrate his marvelous ability to capture moods and sentiments better than in his depiction of a seething, oppressed populace on the verge of boiling into violence.
And now that the cloud settled on Saint Antoine, which a momentary gleam had driven from his sacred countenance, the darkness of it was heavy—cold, dirt, sickness, ignorance, and want, were the lords in waiting on the saintly presence—nobles of great power all of them; but, most especially the last. Samples of a people that had undergone a terrible grinding and regrinding in the mill, and certainly not in the fabulous mill which ground old people young, shivered at every corner, passed in and out at every doorway, looked from every window, fluttered in every vestige of a garment that the wind shook. The mill which had worked them down, was the mill that grinds young people old; the children had ancient faces and grave voices; and upon them, and upon the grown faces, and ploughed into every furrow of age and coming up afresh, was the sigh, Hunger. It was prevalent everywhere. Hunger was pushed out of the tall houses, in the wretched clothing that hung upon poles and lines; Hunger was patched into them with straw and rag and wood and paper; Hunger was repeated in every fragment of the small modicum of firewood that the man sawed off; Hunger stared down from the smokeless chimneys, and started up from the filthy street that had no offal, among its refuse, of anything to eat. Hunger was the inscription on the baker's shelves, written in every small loaf of his scanty stock of bad bread; at the sausage-shop, in every dead-dog preparation that was offered for sale. Hunger rattled its dry bones among the roasting chestnuts in the turned cylinder; Hunger was shred into atomics in every farthing porringer of husky chips of potato, fried with some reluctant drops of oil.
After spending eighteen years in the Bastille, a French country physician is released and allowed to emigrate to England, where he is reunited with the daughter he has never met. Lucie Manette, typical of Dickens women, is a pure-hearted angel who is instantly devoted to him despite never having known him. Through various plot twists, Lucie marries Charles Darnay, who turns out to be the expatriate nephew of the Marquis who had Doctor Manette imprisoned, in a backstory eventually revealed to us with an even more improbable plot twist.
Once the Revolution begins, Charles Darnay is lured back to Paris to save the life of one of his former servants. Naturally, he is promptly imprisoned and put on trial. His family, including Lucie and their daughter, as well as pretty much the entire cast of the novel thus far, follows him, and are all put in peril of meeting Lady Guillotine. It was the popular theme for jests; it was the best cure for headache, it infallibly prevented the hair from turning grey, it imparted a peculiar delicacy to the complexion, it was the National Razor which shaved close: who kissed La Guillotine, looked through the little window and sneezed into the sack. It was the sign of the regeneration of the human race. It superseded the Cross. Models of it were worn on breasts from which the Cross was discarded, and it was bowed down to and believed in where the Cross was denied.
Dickens's stories are full of improbable plot twists. Characters who met once will always meet again. The coincidences in A Tale of Two Cities almost defy the reader's suspension of disbelief -- but it's Dickens, and Dickens can be forgiven a lot. He shows the pitiless brutality of the French aristocracy and the suffering of the people until your sympathies are entirely with them, and when the tumbrils begin rolling through the streets you can't but think that the aristos had it coming and then some. But then the Terror is unleashed -- and personified in the form of Madame Defarge -- and the oppressed turn just as brutal and pitiless. This is the only way Dickens could have brought our sympathies back to the main characters, who after all, have lived pretty safe and privileged existences even if they weren't the evil "Monseigneur" who ran children beneath the wheels of his carriage. And let's face it, Charles Darnay really picks up the Idiot Ball when he goes back to Paris.
I doubt there are many people who don't know how the novel ends, but while it's a story of redemption and self-sacrifice, I was not nearly as touched by Sydney Carton's heroism as I was by the Madame Defarge vs. Miss Pross
smackdown, which I think is one of Dickens's best climaxes ever, and which none of the film adaptations (below) did justice:
"You might, from your appearance, be the wife of Lucifer," said Miss Pross, in her breathing. "Nevertheless, you shall not get the better of me. I am an Englishwoman."
Madame Defarge looked at her scornfully, but still with something of Miss Pross's own perception that they two were at bay. She saw a tight, hard, wiry woman before her, as Mr. Lorry had seen in the same figure a woman with a strong hand, in the years gone by. She knew full well that Miss Pross was the family's devoted friend; Miss Pross knew full well that Madame Defarge was the family's malevolent enemy.
"On my way yonder," said Madame Defarge, with a slight movement of her hand towards the fatal spot, "where they reserve my chair and my knitting for me, I am come to make my compliments to her in passing. I wish to see her."
"I know that your intentions are evil," said Miss Pross, "and you may depend upon it, I'll hold my own against them."
Each spoke in her own language; neither understood the other's words; both were very watchful, and intent to deduce from look and manner, what the unintelligible words meant.
The amount of description in To Kill a Mockingbird by Harper Lee is
amazing. Like, Sherlock Holmes good. The characters are well mapped out, the
interactions felt thought through, and the relationships are believable. I
personally didn’t get all the detail the first read through, just from
enjoying the characters too much. The history is realistic, considering the
time period and how poorly the blacks were treated. All things considered,
this is an engaging read with some actual history.
Rikio is a star and he likes the glamor, money and notoriety that comes with that lifestyle. His ears ring with the cheers, screams and exhortations of fans, mostly young women, who would kill for a moment with him. But it also means constant scrutiny, which has the 23-year-old celebrity struggling with his own anxieties and obsessions. What if those fans stop desiring him someday? The self-loathing star would rather be in character on a movie set than be himself.
Written shortly after starring in his first film, the late Yukio Mishima delivers a blunt, rich portrayal of a flawed young man lost between his public persona and private life. The novella, first published in 1961 and translated into English for the first time in 2019, is even more relevant now in today's 24/7 media landscape. Awards: Japan-U.S. Friendship Commission Prize for the Translation of Japanese Literature
We all struggle to figure out who we are. It’s no different for a robot that’s managed to secretly override its governor unit and develop self-aware independence. The artificial construct, made up of regenerative organic and artificial parts, privately calls itself Murderbot out an emerging sense of guilt it tries to squash by watching hours of mindless TV. But even that distraction cannot keep a socially awkward, self-conscious entity from developing feelings about the humans it serves. That internal conflict is so realistic it is easy for the reader to forget it is an artificial construct narrating. Murderbot’s deadpan humor keeps the 2017 novella from bogging down and raises it well above a familiar action/corporate malfeasance plot. The novella is the first of a five-part series, all available through PPLD, with a full-length novel, Network Effect (May 2020) continuing Murderbot’s journey of self discovery and soap operas. A sixth series entry is scheduled for April 2021.
Honors: 2017 Nebula Award for Best Novella, 2018 ALA/YALSA Alex Award, 2018 Hugo Award for Best Novella, 2017 Philip K. Dick Award finalist.
Cry, the beloved country