Science Fiction

Considering that A Closed and Common Orbit was only loosely related to the first book in the Wayfarers series, I knew that I shouldn’t expect the third book in this series, Record of a Spaceborn Few, to have any significant connection to the previous books. Unfortunately, even the several different storylines in this book were hardly connected, seeming more like a series of short stories that were inter-cut between themselves. While Chambers’ world-building and dialogue are still top-notch, there isn’t anything in this book other than some boring characters living their boring lives.

I understand that any author worth their salt will develop vast amounts of details about the universe they create. However, most authors leave the aspects of the minutia and banal day-to-day lives out of their writing in favor of an actual plot with actual conflict. Instead, this book is filled with the details of world-building and nothing else. If these characters were better connected, or there was a stronger plot driving their stories, it would have maintained my interest. Unfortunately, most of the stories of these characters’ sub-plots are too generic and trope-like for me to care about any of them.

About the only reason I’m giving this book as high a rating as I am is due to the aforementioned writing on the part of the author. The actions and consequences are clearly thought out, and there is a realism to the dialogue that continues from the previous two books (but by this point makes a lot of the characters sound the same). If anything, this book should have been the first in the series. It should have introduced the universe and the stakes that anyone who ventures out into space is sure to face. The fact that it’s (in my opinion) the weakest in the series is probably why more exciting adventures were written for books one and two.

A disappointing and boring record of space, I give Record of a Spaceborn Few 2.5 stars out of 5.

The journey of a girl who only had a mere spark, but soon let it engulf in flames.
Beatrice Prior lives in a dystopian world where people are categorized by personality and lifestyle preferences. There are five sections: Dauntless, Amity, Erudite, Abnegation, and Candor. Beatrice lives in the abnegation faction, with nothing to her name but her father's presence in the council.
That becomes an issue when Beatrice discovers that she is different from everyone else. Something inside of her has been trying to tell her that, but she left it to simmer. When she makes a life-altering decision to change her faction, she fears that she has disappointed her family. Beatrice soon learns to let go of what once held her back and fight for what she truly wants. In, "Divergent," the reader sees first-hand how grueling life can be and how becoming completely and utterly obsessed with the things you want only sets you up for success. In a dystopian world of chaos and mayhem, Beatrice not only sets out to find herself but is desperate to find the truth. Who is really behind all of this destruction? And how brave do you need to be to figure it out?
(Reviewer Grade: 9)

George Orwell depicts a horrific and terrifying alternate reality of 1984.
After years of war and conflict, the world is governed by three totalitarian regimes. The one that our main character, Winston Smith, resides under is ruled by the “party” and its leader “Big Brother”. The narrative follows Winston as he meets a mysterious woman named Julia, and the two begin to secretly rebel.
When I first started reading this book, I was a little bit disappointed. I had such high expectations (I think that was the problem) ,and it just didn’t live up to them. In the beginning, I thought Winston’s character was somewhat flat, and I didn’t feel a lot of sympathy for what he was living through. I thought Julia was unrealistic and a bit obnoxious. But in the second half of the book, my opinions had changed. The book becomes quite disturbing, and it makes you question what is actually real and what is just a fabrication of the party. It’s terrifying to say the least. Despite the fact that I enjoyed parts of this book, I have to rate it 3 stars because I wasn’t engaged in the first half of the narrative.

The thrilling Gone series continues with this fourth book, and Grant does not disappoint. This series has been one of my favorites and Plague is no exception. As a highly contagious, fatal illness spreads at an alarming rate and predatory insects terrorize Perdido Beach, morale continues to drop.
However, Sam, Astrid, and even Caine are determined to find a way to survive.
Everyone must make difficult decisions when it comes to saving themselves and those they love. Grant has written another phenomenal dystopian horror with suspense around every corner. I highly recommend this book to all high school aged readers.

After my slight disappointment with Mecha Samurai Empire , I was pleased to find that a book that actually knows how to do "mecha" right already existed years before Mecha Samurai Empire was released. Taking a somewhat unique approach in its narrative structure, Sleeping Giants uses a series of interview transcripts to tell the story of discovering the parts of an ancient, giant robot and learning how to pilot this unique piece of equipment. There aren't any dialogue tags. There aren't any direct action sequences. There are just words describing the events as they happened. Somehow, it totally works.

I seriously couldn't get enough of this book and basically devoured every word. I was a little disappointed with the semi-cliffhanger ending, though. Just as everything was starting to finally come together, it just kind of ends. Sure, many of the large plot movements reached a momentary conclusion but now I really want to know what happens next. My only other qualm was the "exposition character" who was dropped into the narrative about half-way through to explain all the unexplainable bits of the story. It seemed like a cheap way to give information that wouldn't have been naturally revealed. What's perhaps the most interesting with the minimalist way the story is written in Sleeping Giants is how strong the characters come across. Even if it's only interview transcripts, the pauses, snark, and other personality traits are just as obvious as if I could see them talking across the table from me. Judging by the acknowledgments section of this book, I certainly can't wait for this to be made into a movie. I'm sure it will be just as exciting to see everything on the big screen as it was to read about it line-by-line.

A unique narrative method that had me ravenously reading, I give Sleeping Giants 4.5 stars out of 5.

Back in college, my first introduction to Heinlein was Stranger in a Strange Land. I had to read this book for my “Science in Literature” course, and I found it moderately interesting. Since then, I’ve read other Heinlein books like Starship Troopers and The Moon is a Harsh Mistress, but I didn’t realize how dedicated Heinlein was to some of his “supernatural” themes until I read Assignment in Eternity. Sure, most authors will have some concept or idea that they like to revisit. Still, the fact that a majority of Assignment in Eternity ’s included short stories deal in some way with “superhumans” must mean something.

The whole concept of ESP and “evolved” humans isn’t interesting to me since I don’t think there’s much that can be done with the concept. While Stranger in a Strange Land covered most of the bases, Assignment in Eternity doesn’t really expand the ideas any further. If anything, Stranger in a Strange Land was the culmination of Heinlein’s obsession with this topic. I think, in the end, the whole idea of telepathy and other mind powers isn’t science fiction as much as the ideas explored by Ray Bradbury or Isaac Asimov.

Because Heinlein could fill a book with short stories mostly centering on this theme speaks volumes about the overall topics in his writing. If you’re into this kind of story, then Assignment in Eternity is an excellent addition to the classic that is Stranger in a Strange Land. If anything, Heinlein is consistent in his style, even if it makes short stories like this somewhat repetitive to the other stories and books he’s written. Like other short story collections, I would have liked to see some more variety in what was presented here, but I suppose beggars can’t be choosers.

More of the same Heinlein, just in smaller chunks, I give Assignment in Eternity 3.0 stars out of 5.

As I’ve been working my way through Ian Doescher’s Shakespearean adaptations of pop culture movies, I think I’ve hit the point where the novelty has worn off. For whatever reason, I didn’t feel like The Force Doth Awaken had the same charm as other entries in this quirky mash-up series. I have a sneaking suspicion that this may be due to one of two factors: 1. The newer movies have more “modern” dialogue that seemed as if it was directly plopped into the Shakespearean format, or 2. The original trilogy had more time to be ingrained in my psyche, and the translation to Shakespearean felt appropriate.

I don’t want to downplay the novelty of this adaptation, though. The voice acting is still superb, and the sound effects add a little something extra that immersed me as I listened to this audiobook. Plus, it’s not like these books are that lengthy anyway. If anything, I’m out a little over an hour of my time to listen to it (since I listen at 2x speed). I did appreciate that Chewie finally received the internal monologue that R2-D2 originally had since these un-translatable individuals still have something to add. I was, however, disappointed that BB-8 didn’t have the same treatment.

One of the other factors with this “translation” that I wasn’t too keen on was the meta aspect that kept winking at the reader and saying, “See? Do you get that reference?” I understand that everything exists in the Star Wars universe, but I think most people who will pick up this book will already know those references anyway and don’t need the coy allusions to other parts of the series. Of course, I’ll still end up listening to the rest of these when I can get them from my library, but The Force Doth Awaken felt like a low point (at least until I get into the prequels).

An almost too modern and meta Shakespearean adaptation, I give The Force Doth Awaken 3.5 stars out of 5.

In yet another case of watching a movie first before reading the books, I finally got around to reading Mortal Engines after absolutely loving the 2018 movie. While I understand middle-grade or Young Adult readers are the intended audiences, it left me wanting in its presentation. Sure, most of the elements that made it into the film were there (with some less-than-necessary parts being cut from the screenplay for obvious reasons), but the way it was written felt a bit too flowery for my tastes. In fact, the engineer in me would have loved a lot more world-building than I got in this short volume. I did still appreciate the post apocalyptic steampunk world of Mortal Engines—if for no other reason than its ridiculous premise. The idea that whole cities would transform into moving monstrosities that devour lesser towns in a “predator and prey” relationship is such an intriguing notion that I had to give it a chance. Even if I don’t expect there to be movies to finish out the adaptation of the quartet of books, I can definitely look forward to exploring the rest of this series to have my world-building needs satiated in the next volume.

While the young protagonists were flat and singularly minded, some of the adults had enough meat on them to make their actions reasonable and realistic. Sure, there are always going to be clichés in stories meant for younger audiences. However, I don’t usually tolerate character-based clichés as much as I do plot-based ones. And while the writing certainly had a creative bent to its vocabulary, it became tiresome having to sit through it for a whole book. Purple prose is good in short bursts, but too much of a good thing can ruin the immersion of the reader.

A fantastic idea with semi-flat characters and far too flowery language, I give Mortal Engines 3.5 stars out of 5.

Onyii and Ify live as sisters in an all-girls refugee/war camp on the edge of the Redlands, an area riddled with radiation from a long-ago nuclear disaster. Nigeria, their home, is in the midst of a civil war. Children are conscripted as soldiers and pilots for mechanized warrior robots. Onyii and Ify are separated, and as truths are revealed to each of them, they must decide where, and with whom, their loyalties lie all while trying not to die a terrible death in a bloody civil war.

Going into this, I knew nothing about the Nigeria - Biafran civil war of the 1960s, which is at the heart of this novel. Personally, I enjoy learning about parts of history that I know nothing about (I typically don’t gravitate to one of the 1,983,784,767 WWII novels, for example), and I really enjoyed the unique setting. The book is set in the future, and the futuristic elements really added a lot to the plot and were well employed by the author. Onyii, for example, is an Augment, meaning that she’s a little bit of a bionic woman. While I didn’t really relate to the main characters, I did really like them. They didn’t always make the best decisions, but their decisions made sense to their characters and their respective arcs. They were easy to root for. Really, my only complaint was that it felt overlong, and I skimmed through some of the battle scenes, but that’s more a matter of personal preference.

TLDR: Looking for something to read after Children of Blood and Bone? You’ve found your next great Nigerian inspired read! (And, honestly, if you haven’t read Children of Blood and Bone but it’s on your TBR, I’d suggest replacing it with War Girls, which is a much more original, engaging book). For readers who like apocalyptic novels and futuristic sci-fi battles. 4 stars.

Thanks to Netgalley and Razorbill for the eARC which I received in exchange for an honest review. War Girls will be available for purchase on 15 October, but you can put your copy on hold today!

"Mirage", an immersive and captivating book, tells the story of a girl stolen from her home to become identical stand-in for an intergalactic princess with a target on her back. The main character Amani is a simple and traditional girl who is kidnapped and tortured for the soul fact that she looks exactly like the hated princess of the galaxy. An incredibly intriguing story about self, love, and revolution, "Mirage" captures the conflict of learning to love someone you shouldn't and coming to love the person who enslaved you. "Mirage" incorporates South-East Asian culture along with subtly hinting at the tensions between Europeans and South-East Asians. A beautiful book, "Mirage" is certainly a great read if you want a beautiful and empowering story.