Science Fiction

I loved this book. Jerry Aubin has written a sci-fi masterpiece that is the perfect combination of Orson Scott Card's Ender's Game and Star Trek. Landfall follows the life of Zax, a fifteen-year-old cadet on a ship with the last human survivors 5,000 years in the future. Landfall is full of non-stop action and is an absolute page-turner. I couldn't put this book down and neither will you. I highly recommend this book for any middle or high school aged reader who loves a wonderful sci-fi adventure.

this book is a really good read. i would not recommend this book for readers under 10. it is not really scary but does include the FBI.

***THIS BOOK WAS RECEIVED FROM THE PUBLISHER***

There seem to be a few cardinal sins most writers are cautioned to avoid at all costs. Two of these sins are exposition dumps and “show, don’t tell.” While the entire book doesn’t necessarily fall into these pitfalls, Lightless spends a big chunk of its 300 pages in telling the reader about all the exposition to the story that’s currently playing out. Instead of reading an interrogation, I would have much rather seen the events that led to the current state of the solar system. On top of all this, I failed to care about any of the characters or their plights because this method of storytelling was so impersonal.

I’ll admit that I almost gave up reading this book right before it became interesting again. The ending does a pretty good job of re-invigorating the plot, but it might be a case of too little too late. Furthermore, not only were there plenty of weird logical leaps, accents that were told to the reader but not shown in dialect, and actions that didn’t make much sense, but there was almost too much coincidence in the appearance of certain characters. The fact that I thought it would have been a more interesting story if the System interrogator was the terrorist all along, coming to tie up loose ends, says something about the standard nature of the plot.

In the end, this book suffers from being the first of an intended trilogy, as well as being this author’s first work. The amount of exposition crammed into this book is merely a setup to something that’s likely more interesting to read, not that I’ll continue with this trilogy. Additionally, there were quite a few times where the awkward wording of a sentence or the repetition of a particular word pulled me out of the narrative. Finally, I felt it took way too long for the computer specialist to figure out what the problem was. The clues were evident almost from the start, but she only “got smart” about it when the plot demanded it.

An interesting climax that required an expositional slog to get to, I give Lightless 2.0 stars out of 5.

It’s almost fitting how the follow-on book in the spin-off series to Ender’s Game takes the same tactic as Speaker for the Dead and transforms itself into a completely different genre. While Speaker for the Dead and its sequels still maintained a level of science fiction for the Ender saga, Shadow of the Hegemon pivots into a political thriller with almost no hints of sci-fi to be seen. The strength of the characters helped make this transition relatively smooth, but it still highlights how these child-aged individuals hardly have any child-like qualities.

While the Shadow saga certainly needed to start out focusing on Bean, I did appreciate how Shadow of the Hegemon developed many of the supporting characters. For the first time in both series, I felt like the reader was able to know Petra and Peter while also seeing what Achilles was capable of accomplishing. The results of bringing back children war heroes to Earth had a logical feel to its progression, even if I didn’t really care much about southeastern Asian politics to really engage with the politics of the plot. That’s not to say the whole “cat and mouse” between Achilles and Bean wasn’t interesting; it just wasn’t what had brought me to this series in the first place.

Of course, having read the Ender saga first, I can already see the early ripples of how this side-series will start to wrap up. Now that Ender is less of a presence in the Shadow series, other characters finally have a chance to show what they can do. While I’ll reserve my predictions might change with what actually happens, I get the sense that Peter’s tenure as Hegemon changes the world just as Bean changes into some super-intelligent giant. I will admit that some of Orson Scott Card’s predictions from 2000 still seem plausible today, given the political climate, it’s clear that the author did his research before playing with the ever-important sci-fi “what if” scenario.

A political pivot from a well-known sci-fi series, I give Shadow of the Hegemon 4.0 stars out of 5.

After a NASA crew member is left behind on planet Mars, he has a huge to-do list. First, come in contact with NASA to prove he is alive, don't starve, don't die, then make it home alive. I'm not a huge fan of any science fiction type book, however, this was indeed an exception. I loved the perspectives the author chose to include, and the humor he shot into his characters gives the story personality. I suggest this book to an eighth grade audience; there is some inappropriate language and all of the science attributes are complex to understand. I strongly suggest to you this book if you want to be left on the edge of your seat with every new chapter, right up until the end.

Michael Grant has written a thrilling conclusion to his Gone series. Light is the perfect ending to a phenomenal series. Over the past five books, Sam, Astrid, Edilio, and all the others have survived every obstacle the FAYZ has thrown at them. However, will they be able to survive a final epic battle with the Gaiaphage itself? With suspense around every corner, Light brings the same energy and intensity found in all of the other Gone books. I thoroughly enjoyed Light and highly recommend it to any high school aged reader.

Michael Grant continues the Gone series with another spectacular novel. The kids of Perdido Beach have survived many obstacles thrown at them by the FAYZ, but now they must face their biggest fear yet: complete darkness. Will these kids be able to survive when they can't see what's coming for them? Fear is another hit by Grant. With twists and turns around every corner, Fear is a suspense thriller you won't be able to put down.

It’s been a while since I read this far into a series, and I can start to see why I like trilogies and stand-alone books. If I didn’t know any better, I’d think this series had evolved into a courtroom drama instead of a historical fantasy. At this point, the whole premise of this series seems to have veered off course and has lost its focus to tackle unrelated issues that were somewhat prominent at the time. Or, at least it’s merely acting as a chance to name drop historical figures and take the side of history against well-known issues that haven’t aged well over time. If anything, Heartfire could have easily been the fourth book in the series, since Alvin Journeyman added nothing to the story. Even so, Heartfire didn’t feel as strong as earlier books in the series. It almost seems like there’s more of a focus on world-building. There is less focus on actually progressing the story—like the path toward the Crystal City. Certain plot elements were almost entirely forgotten as well, even if there was a whole legal battle in the last book to re-hash how Alvin came into possession of a sentient golden plow (which itself is still unclear why it’s important).

By now, I’m merely reading the series on autopilot just to see if there is any conclusion to the alternate history presented here. I still think there are clever takes on historical figures, but by now, they seem added in as a heavy winking nod to the reader, most of whom will already know the referenced individual. Perhaps the lack of overall character growth in this book is what made it such a so-so read for me. Sure, there were baby steps toward some redemption arc, but in the end, nothing ended up changing the drive of the overarching story.

Another weak link in the Alvin Journeyman series, I give Heartfire 3.0 stars out of 5.

As a crew of astronauts leave from Mars, Mark Watney, an astronaut is left behind as he was presumed dead. Watney is forced to survive on Mars with the limited resources and supplies that he has with him. As he is doing so, NASA on Earth are diligently working to bring him home for a rescue mission.

The Martian is a fictional story that interests those who are interested in either science and/or action. Bringing both of these together, it illustrates a stressful novel that will keep the reader on.

Reviewer Grade: 11

1984 introduces Winston Smith as the primary character. Smith is a middle-aged man that lives within a dystopian society in April of 1984. Being nearly 4 decades after World War II and just a couple of years after the apparent Atomic Wars, Smith lives through the totalitarian state of Oceania, where is activity is consistently surveyed. At this point, Smith attempts to relocate himself from this totalitarian state in order to put him back to normal behavior.

1984 is another novel involving a dystopia, however, it stands out for its strong character development. The premise of the story is heavily shown through the setting, as it demonstrates a controlled and tyrannical lifestyle.

Reviewer Grade: 11