Fiction
Nonfiction
For many years, I was aware that the James Bond series of books did not follow the same order as their respective films. Given the action/adventure spy thriller genre these books were written in, it is possible to mix them around and still have a good understanding of what’s going on, even if some of the references made within the novels could only be understood by having read the previous books in the series. In some respects, it is disappointing that the film franchise didn’t capitalize on a continuous narrative that the books provided.
If the stories are out of order, then it ‘s hard to build up the constant battle between James Bond and the Soviet spy agency, SMERSH. Fortunately, since I had read a few of the first books in the James Bond series, I could appreciate Auric Goldfinger’s connection to the organization. That being said, I seemed to have jumped ahead a bit and missed what happened on the Moonraker mission, even if I have a loose idea/remembrance of what happened from its film version. Regardless, these minor references didn’t affect the plot of Goldfinger that much.
What I do find interesting with this book is the differences between it and the movie. There’s no laser threatening to cut Bond in half, there are more characters involved in the heist, and the actual heist itself has a slightly different objective. It is weird reading about the technology Bond uses and its references to “vacuum tubes” when the film makes all his tech seem futuristic. I do find it interesting how the author won’t outright swear (replacing the choice word with a “blank”) but includes two lesbian characters and a plethora of other, sexual inferences.
A fantastic story in the James Bond franchise, I give Goldfinger 4.0 stars out of 5.
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Having read Where’s My Jetpack? and Robopocalypse from Daniel H. Wilson, I had some high hopes for this book. Clearly, Wilson has a depth of knowledge about current and upcoming technologies that allows him to write succinctly both non-fiction and fiction. He can fuse the science with either humor or action and maintain an accurate sense of it without having the details bog down the plot. In Amped, Wilson explores a world where humans use technology to assist their bodies, either to overcome a disability or to overcome their humanity.
Unlike Robopocalypse, which was primarily a collection of intertwined vignettes, Amped follows a single individual through the effects of a fear-filled society charged by an inferiority complex. While the main thrust of the plot is about mental augmentation, there are mentions of other exciting technologies, including self-driving trucks and mechanical exoskeletons. Overwhelmingly, though, the brain-altering technology is the focus, as it hurtles the United States into two camps: ordinary people (aka “Reggies”) and “amps.” It was interesting to see how quickly discrimination came about in light of a clear delineation between humans and modified humans.
Even if the plot was a little hard to follow at times (perhaps due to me listening to it on an audiobook), the capabilities of the mental augmentation certainly felt realistic and plausible. While these embedded chips could solve many brain-related problems, the main point Wilson gets across is, “where does it end?” If we wipe out handicaps, can we also enhance ordinary people to super-human status? There’s certainly an interesting moral conundrum here, and I hope this fictionalized account will get people thinking about the answers before this reality is soon upon us.
Another great book warning about the potentials of future technology, I give Amped 4.0 stars out of 5.
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As someone who has to read many short story submissions for the anthology my writing group puts together each year, I can appreciate a well-written short story. I have not read much of Neil Gaiman, but in his collection of anthology short stories, Smoke and Mirrors, I was able to see what kinds of stories a professional writer writes for an anthology. While quite a few stories were interesting, not all of them were necessarily in genres I typically read. Then again, I consider erotica and stories submitted to Hustler as pornography, which is why I do not read these kinds of short stories.
Furthermore, it is a little more uncomfortable listening to erotica, as was the case with this audiobook. Fortunately, Gilbert Gottfried did not read it, but it still is uncomfortable to hear it nonetheless. Sure, the concepts in these short stories were somewhat interesting, but the sex ruined it for me. At least there were enough other stories that I found fascinating to make it worth my while to get all the way through it. The simplicity and genius of these ideas merely verify Gaiman’s writing talent, even if a few were hard to follow. At least a few of them followed the title of the book, which helped tie these separate stories together.
Perhaps my biggest qualm with this book was its structure. Moreover, maybe it was a limitation of a direct transferal to the audiobook format, but it is almost impossible to go back to the first section of the book and listen to the intro for each story before reading that story. Instead, it dispensed pertinent information on every short story before I even had a chance to get to them. If I were to appreciate each story fully, it would have been better to introduce each one with background information, so the context is fresh in the listener’s memory.
A collection of well-written short stories, I give Smoke and Mirrors 3.5 stars out of 5.
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I’ll be honest and say that I had no idea what this book was about before I started listening to it. Once I got into it, I could clearly see how the title and cover image related to the story at hand. It’s interesting to think that a mere five years after the terrorist attacks on September 11th, a book like this could be written. Of course, there is plenty of highly descriptive language that helps to cement the story to the reality of the tragedy. That being said, there are many situations in the plot that feel quite cynical, if not downright dark in their humor. Perhaps it’s this mixture of the absurd and the tragic that gives The Zero its interest.
I did find the memory gaps experienced by the main character to be an interesting literary device, especially in their transitions. For the main character to have a series of memory gaps to add to the eventual reveal at the end of the book, I almost felt like I was listening to the film, Memento (2000). Considering how much I love Memento, this was a good thing. The character only knows as much as the reader, which leaves him and us piecing together what happened at the same pace.
Despite its ability to poke at the ridiculous nature of the nationalism that resulted from this disaster, The Zero does show the effects of this national tragedy on its citizens. Loss can be hard to deal with, and everyone does so in their individual way. The poignancy of the narrative is true even today, more than 15 years after the events that transpired that day.
A cynical and often darkly humorous examination of the effects of 9/11, I give The Zero 3.5 stars out of 5.
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Upon a recent re-watch of The Social Network (2010), I came to the realization that the story was based on the book, The Accidental Billionaires by Ben Mezrich. In standard fashion, I put this book in my “to read” list and waited until the audiobook was available. Even though both the book and the movie were created shortly after the meteoric rise of Facebook into the mainstream, the story is still intriguing and captivating. In fact, I think the strength of both works is due to the irony of the whole situation: an anti-social computer genius creates the largest social network ever.
While the book doesn’t use Mark Zuckerberg’s legal troubles as a framework to break up the story as the movie does, both hold very closely to the same narrative. The one thing the book manages to emphasize more than the film is the “romantic” aspect of the whole endeavor. Essentially told from Eduardo Saverin’s perspective, the impetus to attain coveted social connections so as to increase the chances of meeting girls is made clear right from the get-go. The fact that college is the best place to do this is probably why the events of Facebook’s creation (as well as the Winklevoss’ failed website) took place there.
Partly because this story is so incredibly entertaining (in a soap opera drama kind of way), I do have my doubts about the accuracies of its plot. Because depositions and other legal documents comprised the majority of the research, some of the inner thoughts of the characters remain the speculation of the author (except Saverin, who provided consultation for the book). Nevertheless, Zuckerberg’s genius is evident in this book, especially since the portrayal of his character is a mostly apathetic computer programmer who wasn’t out to create “the next big thing” but instead saw a gap and ably filled it.
An enthralling story of one of the most culture-changing inventions of our lifetime, I give The Accidental Billionaires 4.5 stars out of 5.
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***THIS BOOK WAS RECEIVED FROM A GOODREADS GIVEAWAY***
While violence, action, and excitement fill stories involving tactical military operations, one element of these stories that adds realism can also alienate unknowledgeable readers: jargon. I am fortunate to know enough of the terms and acronyms from my day job, but if a story like this needs an acronym and definitions list in the back, I can see it being difficult to get into for the casual reader. They might be able to push through it and make assumptions on what’s happening, but following the discussions helps the reader to understand the level of importance for each action.
Of course, in this post-9/11 world, Islam has now taken the role of stereotypical “bad guy” that used to be held by the Nazis. I’m almost surprised by how many antagonists are Muslim in the books I read. From apocalyptic stories like Dark Ages: 2020 to science fiction novels like The Starchild Compact, these characters are always the extremist jihad warrior. Without understanding the culture in a more informed manner, I usually have to roll my eyes at the clearly stereotypical (and practically racist) representations of these characters. Tier One is no different in its portrayal of Muslims, thus resulting in rather one-dimensional antagonists.
Even though the action sequences were well written, and most of the events were tied together quite well, I only had a few qualms with the plot. The largest of these minor qualms was the “twist” at the end, which involved a character who appeared early on and was quickly forgotten. They didn’t even have much of an influence on what happened, so when the twist occurred, my only reaction was, “Huh?” Then again, I also had trouble relating to the “meathead” Tier One operator as well, but that’s probably because I related more to the character with synesthesia.
An exciting story heavily ensconced in military jargon, I give Tier One 3.5 stars out of 5.
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In this sequel to Ender’s Game, Orson Scott Card continues to provide a smartly-written plot that causes the reader to think about death in a whole new way. While the first book in the series gave some thought-provoking insights into war, simulation and the dangers of following orders, Speaker for the Dead examines cultural differences, religion, and the humanity of individuals who acted like monsters during their lives. Instead of moving on from the life of a deplorable person, Card manages to show the reader that a person’s life is made up of all its truths: the bad included with the good.
While Ender Wiggin seemed a little young in Ender’s Game, by Speaker for the Dead he’s aged into a wiser and much more complex character. His experiences in the first book helped to set him up as the universe’s devil and savior, a unique attribute set for a very cerebral character. I did appreciate how the physics of interstellar travel were used as limitations and constraints to make the situation of Ender’s age and experience much more believable. Of course, now that I’ve read the sequel to Ender’s Game, I’m not sure if the sub-plot with his siblings was nearly as important as I thought it would have been, thus making its omission from the movie a sensible choice.
What’s most intriguing about this science fiction adventure is how little science fiction is in it. Sure, there’s light-speed travel, alien creatures, and sentient computers, but when it comes down to it, the story is essentially a detective mystery solved by Ender Wiggin. Perhaps the sci-fi framework helped to create the ideal metaphor for understanding a culture different from our own, but these sci-fi elements could have easily been cut out, and a profound plot would have remained.
Another thought-provoking story in Ender Wiggin’s saga, I give Speaker for the Dead 4.5 stars out of 5.
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I’ll be the first to admit that I like sequels. Or, more accurately, well-done sequels. While the first book in a series can be great by itself, it carries the burden of exposition and world-building. A good sequel gives a light refresher of the important points and gets right into the action. I would certainly consider Stiletto to be a well-done sequel to the first book in the Checquy Files series, The Rook. Not only does it expand upon the central conflict in the first book, but it throws in the twist of the warring factions of the Checquy and the Grafters coming together to form a truce.
In making enemies into teammates, Daniel O’Malley shows the differences between them are almost superficial. The chess-based supernatural soldiers of the Checquy almost have the same strength of powers that the genetically and surgically enhanced members of the Grafters do. Since the whole plot usually revolves around a pawn of the Checquy and a young woman from the Grafters as they try and maneuver treaty negotiations, the reader gets to see both sides of the argument. Of course, as was the case in The Rook, much of the story is divided into episodic events with an overarching storyline connecting these loosely-related moments together.
Even if the humor is often bodily-related, the style continues to be quintessentially British. It casts a delicate balance between action and humor while also moving the story along to an exciting conclusion. I would almost think such a series would be perfect for a Television show adaptation since its episodic nature lends itself to be easily broken up into smaller pieces. One last thing I would like to mention is that the narration given by Moria Quirk in this book was outstanding. With many different European accents and a variety of unique characters to voice, Quirk made the story understandable and engaging in all the best ways.
A perfect sequel to one of my new favorite series, I give Stiletto 4.5 stars
out of 5.
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Hans Vollman died shorty before getting to consummate his marriage with his young wife. His spirit, full of regrets, stuck around the graveyard. The same is true for Mr. Blevins, who committed suicide because of his sexuality. No one really knows why the Reverend chose to stay in what amounts to purgatory, but he's there, and he mostly hangs around with Vollman and Blevins. Every night, those ghosts and more come out of their "sick boxes" to congregate. Until one night, a very special ghost arrives, and everything changes. Willie Lincoln arrives in the graveyard, and instead of immediately transferring to the "next place" as most young children do, he sticks around. Lincoln in the Bardo follows the ghosts and their reactions to the younger Lincoln and his very special visitor, his father, the living sitting president, Abraham Lincoln.
First, I listened to this book, and while the audio performances were stunning, it was initially extremely confusing for this listener. I had no idea what was happening for the first disk, and considered quitting the book entirely. However, after reading the synopsis on the back and a few online reviews, I stuck with it, and I'm glad I did. Like I said, the audio performances were stunning. Nick Offerman (Vollman) and David Sedaris (Blevins), in particular, deliver masterful performances. Along with exposition from the ghosts, there are interstitial segments that use actual quotes from newspapers and other sources from the time , and it's here that the narration goes into overkill. The audiobook features 160 narrators, and I think that instead of having a different person read each quote, the story would've flowed a little better had our narrator just read the quotes.
The book itself is an interesting paranormal postmodern story that has elements of historical fiction that also takes a long hard look at death, grief, and coming to terms with one's lot in life. There's a lot going on, but after the first sixth of the story, I was hooked, and I really started to care about Blevins and particularly Vollman. This book is short on plot, but that's not the point. This is a character study that also examines life, death, and whatever might lie in-between. As the book is set at the beginning of the civil war, there are some heartrending accounts from the ghosts of slaves, and some maddening accounts from dead confederate soldiers. The book is a bit of an emotional roller coaster, but as I like books that make me feel things, that wasn't a problem for me. This book will make most people feel something, be it ire, or sadness, or confusion (it's been a while since I've read a postmodern book, and the format was occasionally jarring).
While this was at first a difficult listen, I ultimately ended up enjoying it. I would recommend reading the book, and then revisiting it as an audiobook to enjoy the fabulous performances. A challenging, but worthy read. 3 stars - I liked it.
When Fox Mulder was just a kid, his little sister was kidnapped while he was babysitting her. That event has haunted him and his family ever since. So, when children start to go missing and then turn up dead from what appears to be a ritualistic serial killer, Mulder knows that he has to do something.
While I like the X-files, I'm certainly not the world's greatest fan - I've probably seen around 1/2 of the episodes, and I haven't watched the reboot. However, this book jumped out at me as I was perusing the stacks, and I'm glad it did. In fact, if you are just a fan of mysteries and/or the paranormal, this book will totally meet your needs. You can go into this without knowing anything about Mulder and the TV show, and you'll still have a great reading experience. If you are an avid fan of the show, there are several "easter eggs", cameos and cute references throughout the book (the smoking man shows up in the first chapter!). Also, it's got some entertaining historical fiction elements as the book is set in 1979, and that is very much reflected in the music and technology.
Garcia does a great job with the character development. Mulder quickly teams up with two other "genuis" types, and this book could've quickly devolved into some variation of "three teen geniuses solve a crime caper" a la a number of middle grade/YA books out there, but Garcia fleshed the characters out to the point that this pitfall was, for the most part, avoided. Mulder is, understandably, obsessed with finding his sister, and his parents are separated. His best friend, Gimble (a D&D name), has a father who is so enmeshed into conspiracy theories that he's been fired from the Air Force (he may or may not be an influence to young Mulder). His other best friend, also a love interest, was not as well developed, she was easily the weakest character, and I could've done without her and the romance. The story itself was a well done serial killer mystery, though the end felt a little abrupt with a ton of loose strings. The mystery is only mostly resolved, so I'm assuming there will be a sequel.
Anyone looking for a decent mystery with good characters, look no further. The X-files stuff is just icing on what is an already pretty tasty cake. I wanted to believe (I couldn't help myself), and this book didn't let me down. 3.5 stars.
Beautifully written - the book explores love, loss, and moving on in a way that doesn't feel like it should be a young adult novel.
Octavia Butler's Kindred broke so much ground both as a flawless time travel novel and visceral retelling of the slave experience. As an African-American author writing science fiction, her body of work changed the field while winning its top honors -- the Nebula and Hugo awards -- and the author herself was awarded a MacArthur genius grant. This graphic novel is an excellent introduction to her work, and is highly recommended for YA and adult readers alike.
Set in 17th-century Amsterdam, the book follows the life of young bride, Nella Oortma, and her marriage to the wealthy merchant trader, Johannes Brandt. Johannes is kind but distant, leaving Nella feeling alone in his large estate. Nella receives an elaborate wedding gift from Johannes—a cabinet-sized dollhouse replica of the Brandt estate. Nella’s life takes a mysterious turn after she employs a local miniaturist to furnish the tiny house with replicas of the residents of the estate. I enjoyed the book and found it to be a fast read. The author’s rich description of people and places made the Old World setting come alive. Every chapter, the reader is reminded that not everything is what it appears to be.
In "The Devil's Highway" Urrea shares the stories of people making great sacrifices to provide for their families. Urrea interviewed the family, friends, coyotes, doctors, and Border Patrol agents linked to the 26 men crossing the border from Mexico to Arizona. Only 12 men survived the journey through the unforgiving desert. Urrea gives insights into the daily lives and aspirations of people wanting a better chance to make a living. He also explains the procedures Border Patrol follows to find people in desperate situations.
Jason Dessen is a physics professor who lives with his wife and son in Chicago. One night as he is walking home, he is abducted by a man in a geisha mask, made to drive to an abandoned building on the outskirts of town, and drugged. He regains consciousness surrounded by strangers who say they’ve been anxiously awaiting his return.
The title itself is a bit of a spoiler for what it takes Jason the first 100 pages to figure out, which is an unrealistically long time, as he is purportedly a “brilliant experimental physicist.” The narrative is tainted with passive misogyny as well, and the whopping total of two female characters are barely characters at all, and the author makes it quite clear how easily disposable either of them are. Once Jason’s situation becomes clearer, the description of the book's technology is both imaginative and logical (really the only part of the book I enjoyed). Following this plot point, the squishy-brained version of Jason whom we have no option but to see as the protagonist makes stupid decisions as overgenerously as Peter Jackson makes Hobbit films.
The story Crouch attempts to tell has literally limitless potential, yet he explores, well… not very much of it. The strongest characters fail to live up to even their basic outlines, and overall the book falls face-first into disappointment and unintentional humor. It’s a science-fiction story written in the style of a supernatural drama. Crouch should not have strayed so far from Wayward Pines.
To Kill a Mockingbird shows us that growing up can not always be as easy as it seems. Especially when you live in Maycomb, Alabama, and your father is a lawyer defending a black man. Scout grows up not knowing much about the real world it is not until the trial that turns the whole town upside down that she really discovers how the South is really run. I love how relatable the characters are to teenagers like us today. I love how simple the story line is and the literature is beautiful. It tells you simply how things should be, it states things blatantly through Scout's eyes. The only thing I did not like about the book is that at some points it was hard to follow the story line. Although the story is very simple it got more complex when reading further. I chose this book because I had heard from many people that this was an incredible book and decided to see for myself. The book itself did surprise me as it did have a rather twist ending that was rather unpredictable. The characters were extremely relatable, I could see that in certain situations I would have acted similarly. I would say that it is definitely one of the best book I have read this year or even ever for multiple reasons. It can relate to old and young and describes an issue that still exists today.
Reviewer Grade: 9
Kathy Griffin is remarkably well spoken. I enjoyed reading this book because it seemed like she was just talking to me. She dishes on celebrities, which is fun. It will come as no surprise that she's funny, but she's also very smart and loyal to her friends and family. Good memoir!
Written on My Heart tells a tale of young Florine Gilham and Bud Warner, a couple soon to be married. As the wedding approaches, Florine's memory is drawn back to her mother. She disappeared when Florine was only twelve years old. Florine and Bud face the challenge of trying to solve the mystery of her vanishing mother all while raising a family. It comes to a path that shows them the power of families, not only the one's you are born into, but the one's that are because of friendship.
Overall, this fiction was fun to read, but does get a little bit boring in the beginning. It does speed up, and the author's impressive writing creates the whole scene for the book.
Reviewer Grade: 8
The Martian tells a tale of a man named Mark Watney who is abandoned on Mars. Watney was one of the first people to walk on Mars in the Ares III spacecraft. After a dust storm nearly kills Watney and leaves his crew members no choice but to evacuate the planet, Mark is left all alone on an unknown planet with no contact to the Earth world. With his humorous personality, will Watney survive the harsh conditions that Mars has to offer?
This book is absolutely incredible. Completely accurate facts about Mars, humor, and all around just amazing to read. The Martian is definitely one of my favorite reads.
Reviewer grade: 8
Do you love libraries? Who doesn't? So everyone should love this book. Baker and Taylor are two Scottish Fold cats adopted by a small library in Nevada. This library has a mouse problem so Jan Louch, Assistant Librarian, researches good cat breeds for libraries. First Baker is adopted and the fun is doubled when Baker's nephew, Taylor, is added to the staff. Patrons, staff and even a fan club comprised of a 4th grade class add to these heartwarming tales. Adorable pictures complete the delightful mix.