Kingdom of Copper is the sequel to City of Brass, and there are spoilers for that book ahead.
Kingdom of Copper picks up about five years after the events of City of Brass. Nahri is married to Muntadhir and is navigating court politics and learning to use her skills as magical healer. Ali, after getting exiled from Daevabad following the events of City of Brass, has managed to survive several assassination attempts and has made a life for himself in a small village. Forced to return to Daevabad, Ali quickly returns to his post as resident trouble maker/possible emir (which in this case means heir to the throne), and Nahri finds her world rocked once again.
The complex, Middle Eastern inspired world and world-building that were the best part of City of Brass are still present in this book, while they are less of a focal point. Overall, I much preferred Kingdom of Copper to City of Brass. My short review of City of Brass read as something like: "great worldbuilding, annoying characters, promising ending." But because we had that time jump of five years, our characters have separated, matured (at least a bit), and the love triangle that brought down the first book died a satisfying death. The worst part of the first book to me was the romantic angst, and little of that exists in this sequel to the betterment of the book.
TLDR: If you liked the first book, you’ll love this one. If you were on the fence about City of Brass as I was, know that the sequel is much improved.
Kingdom of Copper would appeal young, new and other adults and fantasy readers who like rich world building and a unique setting. 3.5 stars.
Thanks to HarperVoyager for the advance edition, which I received in exchange for an unbiased review. Kingdom of Copper is available now!
Every 10,000 years, an ancient dragon rises to give one mortal a wish (in exchange for their soul) and the world changes. Two characters, a kitsune-hybrid and a ninja, find themselves trying to keep the path to the dragon out of the hands of several interested and nefarious parties. Shadow of the Fox follows our heroes as they travel to and from different monasteries dodging monsters in their quest to protect ancient scrolls.
Shadow of the Fox was a ton of fun! It gave me Percy Jackson vibes, but was definitely for a slightly older audience and the mythology in this book was Japanese, which I found to be very cool. I liked both of the characters – the kitsune must hide her fox nature from her ninja travelling companion as he is a monster killer, and kitsune are a type of…if not monster, then non-human trickster. The ninja is trying to resist becoming possessed by the evil demon that occupies his sword. Their relationship is thus a bit fraught, but adds a really interesting dynamic. Their other travelling companion (a disgraced Samurai who spends most of the book amusingly drunk) provided some levity. Some of the mythology was completely new to me, which made for a engaging reading experience. I liked it enough that I read one of Kagawa’s other books, The Iron King, as well. If you enjoyed that one, you’ll likely like this – I found the formats to be similar, though I personally found the Japanese mythology more interesting than the fairies.
TLDR: This is a really entertaining and action packed fantasy for fans of Percy Jackson and Kagawa’s other books. I loved it, and am excited to get my own copy! 5 stars.
Thanks to Harlequin Teen and Netgalley for the eARC, which I received in exchange for an unbiased review. Shadow of the Fox is available now!
In his book "Norse Mythology", author Neil Gaiman retells the stories of Norse myth with incredible wit. He renews classic characters such as Thor and Odin with personality and charm. Gaiman updates the tales for modern times to help bring their magic to a new audience. I immensely enjoyed this book -- every story was captivating and fresh -- every character was wonderfully well-written -- and I loved the whimsical writing style. I honestly have nothing negative to say about this book -- except that, perhaps, it was too short. I simply wanted even more! If you love mythology, definitely pick up this book. I promise you -- you will not regret it!
***THIS BOOK WAS RECEIVED FROM A GOODREADS GIVEAWAY***
It’s been a while since I’ve read a book as profound as The Essex Serpent. Perhaps it’s because they don’t write books like this anymore.
While written in the last few years, the style of The Essex Serpent is distinctly Victorian. It holds callbacks to the greats of gothic literature, including the physiological studies of Frankenstein and the back-and-forth letter writing of Dracula . All the while, the ever-present gloom of the muddy and foggy Essex shoreline hides the eponymous serpent just outside the reader’s view, providing anticipation of its reveal. Is the Essex Serpent real or is it a figment of so much imagination?
Of course, in staying with the Victorian style, the book does suffer somewhat in readability. The vocabulary and description are certainly more voluminous than modern volumes, but my biggest qualm seems to be more along the lines of the seemingly endless talk that occurs in the first half of the book—perhaps trying to mimic one of Jane Austen's romances—that only seems to be present for character exposition. There are also a few sub-plots that sound incredibly important, but don’t end up having much sway on the outcome of the plot.
Still, despite having to get used to the style, the characters and their drama is expertly crafted. In particular, the “friendship” between the widow Cora and the married clergyman Will was positively heart-pounding.
Cora’s son was delightfully peculiar, as was Will’s wife. If The Essex Serpent was more predictable, I’m sure the ending would have been different. I’ll have to settle for the conclusion as written, instead of having to read a more serious version of Sense and Sensibility and Sea Monsters . At least, the plot surrounding the Essex Serpent is exciting and was what kept me reading through the muddy first half.
A modern book expertly written in the Victorian style, I give The Essex Serpent 4.0 stars out of 5.
The mighty hero triumphs over evil and saves the people from utter destruction. Sound familiar? Of course it does, it’s the basic plot line of the cliche hero’s tale that everybody knows. However, all of these tales most likely spawned from Beowulf, the oldest surviving English poem written in Anglo - Saxon around the 11th Century A.D. Beowulf is an epic poem that begins with Hrothgar, King of the Danes. Hrothgar’s people live in peace when they are attacked and threatened by a monster named Grendel, who kills off the Danes everynight in their mead-hall, Heorot. So in comes Beowulf son of Ecgtheow, a mighty warrior from Geatland who promises to defeat Grendel and bring prosperity back to the Danes. Beowulf is an amazing poem as it not only tells the classic tale of the epic hero and his journey, but contains hidden meanings aside from literal. Beowulf has no known author, but contains elements of factual history, which tells us this may be a tale describing actual events. This piece of literature is a traditional master piece and should be preserved as an example of how words and tales can evolve over decades. Reviewer Grade 12.
Katherine Arden's The Girl In The Tower is just as good, if not better, than the first book, The Bear and The Nightingale. Filled with more Russian Fairy tales, atmospheric literary prose, rich and strong characters, and the same enchanting setting of Medieval Russia, this book picks up right where the first one left off. It follows the story of Vasya, now a grown up woman she, instead of conforming to the role woman in her day usually play, of marriage or life in a convent, chooses instead a life of adventure. Leaving her home and traveling the vast Russian Wilderness while dressed as a boy, she soon is called upon to defend the city of Moscow and finds the threat greater and more deadly than she imagined. While fighting this threat, only she can stop, she is also forced to protect her secret as she comes upon her brother and attracts the attention of the Grand Prince of Moscow.
Part of what drew me to this book is the fairy tales, yes, but also the historical setting of Medieval Russia. Katherine Arden does a masterful job of weaving fantasy elements with real life historical details only a great historian would discover. Blurring the line between history, fantasy, and reality this book and, more importantly this series, is contemporary historical fantasy at its best. It is a sketch not only of real life in Medieval Russia, but also displays the power of story and demonstrates the importance of fairy tales and the lessons they can teach us.
A perfect winter read! A beautiful atmospheric retelling of the fairytale Jack Frost set in a wintry town on the edge of the Russian wilderness in Medieval Russia. Plus a strong independent female protagonist who risks everything to save her family from the evil forces all around her! What's not to love! Katherine Arden's The Bear and the Nightingale is a must read! This novel has it all mystery, magic, adventure, and love! With well developed characters and beautiful, atmospheric, lyrical writing that makes you almost feel the cold wind on your skin and see the snow flakes falling this book cannot be passed up! I cannot wait for the next book in the series to come out, The Girl in The Tower!
The Bear and the Nightingale is a Russian fairy tale(s) retelling that follows Vasilisa (Vasya) as she comes of age in the harshly beautiful Russian countryside. After her mother dies in childbirth, Vasya develops a kinship with the house spirits that protect her home, village and the surrounding countryside from any evils that lurk in the woods. All is well until her father decides to remarry. Her new stepmother is deeply religious and sees the house spirits as demons; a newly arrived monk further enforces these believes. The townsfolk become afraid, and stop minding the house spirits. This leads to disaster and death as the evil lurking in the woods begins to creep ever closer. Vasya must work with the spirits to restore balance to her town, lest her town be completely consumed by evil.
As someone who grew up on a steady diet of Disney and fantasy books, I am a sucker for a good fairytale and this one hits the mark. It's very much a fairy tale for adult(ish) readers and the writing was so lovely and hauntingly atmospheric that it sometimes felt like I was the one traipsing through the Russian countryside. Vasya was a very likable character - headstrong and intelligent in a time where women were still viewed as a commodity, Vasya is not ok with her lot in life. She wants more than to just pop out babies for some lord; she wants to live her own life on her own terms. That struggle, set against the wintry backdrop of a magical Russian countryside, made for a very entertaining read.
While the writing and most of the characters were fantastic, I did have a few issues with the book. I loved the beginning and ending, but struggled mightily with the middle. Many side plots that barely had anything to do with the story were introduced and never resolved. This is explained by the fact that this book is the first in a series, but I feel like the story would've been better served to focus on the main plot.
Meandering middle aside, this was a great read. This book demands to be read under blankets or near a fireplace on a cold day. Pick it up and prepare to be transported to the snowy fields of the Russia of yore. 3 stars.
This Arthurian tale is about noble knights, impossible quests and miracles. Camelot has fallen. King Arthur Pendragon and his Round Table of invincible knights have been destroyed. For tens years now the land has spiraled into chaos and destruction. Ruled by the evil Morgana and her hired barbarians, the people have no hope - all is lost. Guinevere, the Queen of the Britons, is hidden away in a far away abbey, safe from the assassins of Morgana - or is she? And where is Merlin the Wise, Arthur's trusted adviser? That old wizard was at the Battle of Camlann when the King fell, but has disappeared. Morgana's spies are searching the land for him and has vowed to take his head. A merchant ship approaches the shores of Albion hoping to avoid the Saxon Sea Wolves that hunt these waters now. But they're spotted, boarded and the butchering begins. Then two passengers emerge from the ship's hold. Like banshees from hell they move in deadly unison, destroying everyone in sight. Sir Percival, the last Knight of the Table, has returned.
This series is really a must-read for fans of modern fantasy, mythology and pop culture. The Wicked + the Divine takes place in a world where a phenomenon called the Recurrence occurs every 90 years, causing a Pantheon of twelve deities from across human cultures to awaken within the bodies of young adults, granting them tremendous superhuman abilities. They will be loved, they will be hated, but two years after awakening, they will all be dead. The year is 2014 and the Recurrence has come again, and this new crop of gods blurs the line between the way deities were worshipped in ancient times and the way humankind worships its popular icons in the modern day. Though they are reincarnations of figures from antiquity- Lucifer, Woden, and Minerva, for example- their personas and appearances invoke modern musical icons like Daft Punk, David Bowie and Prince, and their worshippers stalk their instagram feeds and attend sold-out concert-like performances of their miracles.
However, all is not divine within the ranks of the Pantheon. Skeptics dismiss their claims of "godhood" and "miracles" as delusions, hallucinations or special effects, and point to the last Recurrence - which took place during the 1920s - as the product of the same sort of hoax as those performed under the umbrella of Spiritualism during that era. And, these new gods have all the hormones, the petty selfishness and the capriciousness of the teenagers and young adults they used to be, only now they have superhuman powers at their fingertips, and the weight of the knowledge that for all their strength they will all die before two years have passed. The mysterious goddess Ananke, who exists outside the cycle of the Pantheon, is the only being who seems to understand the forces at work behind the Recurrence, and she acts as something of a guiding light for the gods, though a cryptic and guarded one, at best. Into this tumultuous mix enters Laura, our narrator, a god-obsessed superfan who idolizes the Pantheon to the point of distraction. Though Laura wants nothing more in this life than to be a god herself, she settles for attending their tours, buying their merchandise and following them obsessively on social media, getting as close to them as she possibly can. That is, until she unexpectedly befriends the young Lucifer at a concert and finds herself suddenly drawn into the beautiful, deadly and miraculous world of intrigue that surrounds the members of the Pantheon.
This comic is incredible, both in terms of its writing and worldbuilding, and its art, which is both stunning and incredibly consistent. It is also a wonderful example of diversity and inclusiveness in what is, essentially, a superhero comic - Laura is part of a loving biracial family, Lucifer is a polyamorous, genderfluid woman who is a dead ringer for Bowie, and representation of queer characters, women and people of color abound. I collect this comic religiously (hah!) in both its individual issues and its trades, and I really cannot recommend it enough. However, when our rating says M/Mature, we MEAN it. While there isn't much in the way of graphic sexual content, there is some gore, frequent adult language, and a whole lot of adult situations.
Real Rating: 4.5, rounded up. 6 stars for the Olympians!! Not so many stars for Orion and some of the other creative choices here regarding Diana's origins (that's personal, though -- you may disagree with me.) BUT THE OLYMPIANS, THOUGH.
Brian Azzarello’s work isn’t always my cup of tea, but I have to say I really appreciate a lot about his recent run on Wonder Woman, beginning with “Wonder Woman Volume One: Blood.” A lot of my appreciation for this comic stems from its creative portrayals of the Greek gods – Dionysus can twist the world as a proper god of madness, Apollo is made out of sizzling magma-ish sun stuff, with an obsidian skin hardened over his fiery insides, and Artemis is literally shaped out of fluid moonlight. It’s gorgeous, and a ton of fun. If you love Greek folklore but have always wanted to see Poseidon represented as a barnacle-crusted sea monster, this may be the perfect series for you. Cliff Chiang's art is also very modern and playful, which fits the optimistic tone of the book perfectly. Diana is fierce and loyal, here, a heroine truly worthy of the name “Wonder Woman.” Some of the characters didn't mesh with me so well (>:( I'm looking at you, Orion!!! Augh!!) but despite that I eagerly awaited every volume of this series as I was reading it, so… Consider it hereby recommended for the fun-factor alone. Watch Hera try ice cream for the first time! Watch Artemis run rampant through a tube station! ALL IN DC COMICS CANON! Yes!
I'm not going to try to describe this book, because there is a lot going on and I wouldn't really know where to start. Here's what you need to know:
It's a companion novel to American Gods, but you do not need to read American Gods first. In fact, I found this book to be vastly superior to American Gods, though the internet does not necessarily agree with me on that one.
Do you like Loki? Or like, the idea of Loki? Or just trickster gods in general? Anansi is the African trickster god, and this book is a TRICKSTER god of a novel: its clever, tricky and pure fun.
I listened to this book, and the narration was stellar. Lenny Henry nails the Caribbean accents, the humor, the eeriness, and well, all of it. I'd strongly recommend consuming this in audiobook format.
Oh, and while the characters never felt super fleshed out to me, it didn't matter, because this book was all about stories. And Anansi's stories are the best stories.
The villain was absotively the worst in the best kind of way.
Anyway, if you are looking for a funny, fast, excellently crafted mythological type of read, look no further. 5 stars.
Though skeptical at first, I pushed on through the first few chapters hoping for a convincing Arthurian novel but doubting it would be unlike any others. In the end, I absolutely loved this take on Taliesin and the world that was created before Arthur or Merlin were even born. If you are a huge fan of Arthur, Merlin, a different type of magic, interesting characters, and daring action, then check out this book. The book itself seemed like a whole series combined into one, but without any boring sections. The end astonished me and the beginning intrigued me; the middle kept me going and interested. Definitely give this one a try.
NOTE: This title is only available as eMaterial or CD Book.