This is a republished work from The All New Mad Secret File On Spy vs Spy. Prohias' compendium of the popular comic strip Spy vs Spy, which appears in MAD Magazine, does not disappoint the Spy vs Spy fandom. Done with great detail and care, each story takes an unexpected turn and you never REALLY know which of the two spies, black or white, will actually be the victor of that particular strip. They all end creatively, typically humorously, and you'll never know how the story will develop.
Prohias is originally a refugee from Cuba and after receiving death threats from Fidel Castro moved to the USA. While it's easy to be caught up in the simplicity of this wordless story, it also is an allegory for the struggle and fruitlessness of the Cold War in the opinion of the author. I love both its simplicity and complexity contained within just a few drawings. Both those who are looking for an easy laugh and those looking for more than that should be satisfied by this collection.
The panels have been blown up so you can really soak in all the detail and hard work Prohias has put into each strip. This can either be interpreted as a good or bad thing. Individuals who are familiar with the strip might enjoy it more since you can really see all the details and take your time examining each panel, taking in all the details that MAD Magazine is famous for. That said, since each page takes up a whole panel what originally took up an eighth of a page can now last five or six full pages of the book. I could see how this could be frustrating for those who are used to graphic novels/comics that are jammed packed. Again, the beauty is in the seeming simplicity of this strip with the underlying complexity, whether it be the story or the art itself. I'd recommend fully for those who are familiar with the strip, while, if you are a Spy vs Spy novice, I might suggest something a bit denser to get a better feel for the comic. Four Stars.
High-Rise (1975) begins with one of the most memorable first lines I’ve ever read, "Later, as he sat on his balcony eating the dog, Dr. Robert Laing reflected on the unusual events that had taken place within this huge apartment building during the previous three months". Laing is a new tenant in a futuristic high rise apartment building on the outskirts of London. The high rise is a microcosm containing restaurants, playgrounds, a swimming pool, and even its own supermarket. There is social order: the wealthiest tenants occupy the building's upper floors with the best views, while the middle-class tenants reside in the lower half of the building, constantly at the mercy of falling champagne bottles from the upper floors. Before long, tensions arise between the tenants of the upper and lower floors. Alternating between Laing and another tenant, Richard Wilder, we witness first-hand the deterioration of ethics and social order within the high rise. Elevators are commandeered, rooms are barricaded, alliances are formed, and blood is shed. Little by little, the layers of human behavior are peeled back, exposing a terrifyingly animalistic core at the heart of the high rise tenants.
Set in medieval England, Adelia, a female surgeon, is hired by King Henry II as a forensic expert to investigate a series of murders taking place Cambridge. Even though it is a fictional novel, Franklin adds lots of historical details to the story, creating multiple layers to the plot. The murders are not the only mystery in this story, the characters themselves have their own veil of intrigue making the story all the more exciting!
My first thought when this book was recommended to me was, “Bees? Is that metaphor? What do the bees stand for?” NOPE. This book is literally about bees. But not in a nonfiction, documentary kind of way. Here we have a novel in which we discover the world of bees personified.
Enter our main character, Flora 717. She was born the lowest of the low: the sanitation worker bee. Ugly, underappreciated, but unlike her fellow floras, she can speak. One of the higher levels of bees, a priestess to the queen, immediately takes notice of her oddities and experiments with her in roles not typical to a flora.
Flora 717 finds herself in almost every aspect of bee life at some point of her journey through the hive, uncovering secrets as she learns, grows, experiences the most profound loss, and transcends to the highest joys. The ordinary life of these black and yellow creatures we see and often fear is re-imagined into a relatable tale that pierces the veil between bees and humans. Though humans play very little role in the book, the bees exhibit many characteristics of humanity.
The tone of this book can be a bit dark at times with graphic imagery, but I highly recommend it.
I loved this book. I've been looking for a new fantasy series for a long time now, but I haven't come across anything recently that's caught my eye. I almost gave up on The Fifth Season too, in part because the narration is in second person, which I found jarring at first, and in part because Jemisin drops you in the middle of the action with little explanation and no hand-holding. It took me a few chapters to get into the story and figure out what was going on, but I'm glad I stuck it out because the plot and characters ended up being great. Despite what I just said, I think it's almost better to go into this blind, but I'll try to describe it without giving too much away.
The continent our characters live on, "The Stillness," is a post-apocalyptic hellscape. There is near-constant seismic activity that triggers a new catastrophe (called a "Fifth Season") every few centuries -- sometimes in the form of massive crop-failures, sometimes in the form of volcanic eruptions, sometimes massive earthquakes that destroy whole regions (she includes a helpful appendix of these disasters if you're curious). In this world, there is a group of people known as orogenes (or more derogatorily as "roggas") who have some degree of control over seismic activity -- they can "sess" earthquakes, and, with training, prevent them from being too destructive. But they're also powerful, extremely dangerous, and widely despised -- many people kill their own children when they discover what they are, and it's often a race against time to see if a Guardian (their mysterious and sinister keepers) can arrive to collect the child before the family or the community has killed them. The plot isn't chronological; it moves around from chapter to chapter in order to tell three stories at three points in time: 20-odd years ago, when a young girl is taken to the capital to be trained as an orogene; some 10 years after that when a mid-level orogene goes off on a mission with her senior to investigate a disturbance in a coastal community; and "now," in the immediate aftermath of the latest apocalypse, when we follow a woman who is struggling to cope with her son's murder just as the quake hits.
I'm not going to say that it's an entirely original idea, but I think the execution was solid and I loved the dialogue and cast of characters. There's no lack of action, but Jemisin also takes the time to dig into her characters' emotional lives, and after a while the use of "you" starts to fade into the background. There's a strong focus on discrimination, both in terms of how orogenes are viewed in society and in terms of the treatment of subordinate nations and peoples by the Sanzed Empire that has conquered the continent. A lot of fantasy is set in pseudo-Europe (and often just pseudo-England), so it was refreshing to read something more diverse, and there's a wide variety of representation in terms of race, gender, and sexuality throughout. I would give this 4.5/5 stars if that were possible, but since it isn't I've left it at 4. It wasn't perfect, but it was a very strong start to the series, and I look forward to starting the second book, The Obelisk Gate, which just released this September. I would definitely recommend this to fans of fantasy.
Broken Monsters is a thriller set in Detroit in which a detective investigates a serial killer who murders people with a nail gun and then attempts to meld their bodies with those of animals -- or at least, that's how it starts out. The chapters rotate between the perspectives of Gabriella Versado, the detective investigating the case; Layla, her teenage daughter (currently embroiled in a plot to lure out and expose pedophiles); Jonno, a journalist who quit his job and moved to Detroit to reinvent himself by reporting on their art scene; TK, a homeless man working to protect his friends and community; and our serial killer, who finds himself infected by a dream that seems to have the power to rewrite reality itself. While it initially seems like a pretty standard thriller, the murders quickly veer off into the realm of the supernatural. The book is a bit uneven as a result, ending up as a mix of magical undertones plus serial killer crime investigation plus family drama that never quite came together for me. The writing wasn't amazing by any means, but it got the job done, and the plot managed to keep me turning pages. Despite having heard some rave reviews from others, I wasn't wowed by it, but if you're a fan of horror/thrillers this is definitely unique.
White Is for Witching is a difficult book to describe. I suppose you could say that it's the story of a young woman, Miranda Silver, who suffers from pica, a condition which compels sufferers to crave and eat inedible foods: chalk, plastic, metal, rubber. The story follows her life -- loosely -- from her mother's death when she was a little girl up until her mysterious disappearance in her late teens/early 20s. The story is told from the perspectives of Miranda, her twin brother, her college girlfriend, and the (possibly evil) house/bed & breakfast she lives in, along with a few brief POV sections from side characters. They're nominally piecing together the events that led up to Miranda's disappearance, but that thread often gets lost in the meandering chapters. Fair warning: the plot is difficult to follow and it wasn't until I reread the opening that the story started to click into place. There's a strange, dream-like atmosphere, none of the narrators are anything close to reliable, and it wasn't always clear to me (read: it was almost never clear to me) what was going on. To give a sample of just a few of the plot threads: There are a string of assaults/murders of refugees happening in Dover, England, where Miranda and her family live. Is she connected to them somehow? Some passages seem to suggest so, but we certainly never find out. The house she lives in seems to hate immigrants and may or may not have eaten her female ancestors to keep them from leaving, but don't expect either of these points to be brought to any sort of conclusion. The closest thing to a central thread was the obsession with the possibility that Miranda was or was controlled by a soucouyant, a sort of vampire/shape-shifter in Caribbean traditions. So race, identity, and immigration are obviously big themes, but it's less clear where Oyeyemi is going with everything.
For me, the actual story-line wasn't very satisfying, but the writing style and atmosphere made it worth it. I've read almost everything Oyeyemi has written, and a lot of her stories fall apart at the end; she's great at creating interesting characters/evoking an eerie, ominous mood, but in my opinion resolving a plot is not her strong point. This might be frustrating for some readers, but if you're interested in something a little more experimental and don't mind that it's a bit rough around the edges, you might like this book. I would recommend Oyeyemi's first book, The Icarus Girl, for anyone interested in reading something a little more accessible by her. If this had been the first thing I read by her I might not have picked anything else up, but I enjoyed it for what it was.
The Redeemer has an unusual profession: he's a "fixer," paid to calm tempers and smooth over the difficult situations that arise in the criminal underworld of the unnamed Mexican city where he lives. Armed only with a gift for talking his way out of difficult situations, he works as a sort of middle man. When our story starts, an outbreak of a new strain of flu has led to a state of emergency. The bodies are piling up, people are panicking, and most of the city is locking themselves up at home to let the illness run its course. The Redeemer would gladly join them, but duty calls. In the middle of all this, two feuding crime families have, through a strange series of coincidences, ended up with the corpses of the other's child (you might be getting some Romeo and Juliet vibes at this point). It's The Redeemer's job to set things right before more violence breaks out.
This book has been out for a while but was just recently translated into English. It's more of a novella -- just 100 pages long -- but I enjoyed the read and felt that it wrapped everything up in a satisfying way. The characters are interesting and well-drawn even in such a short space, and there was a good balance of humor and more sad, reflective moments as we move back and forth between The Redeemer's attempts to seduce his neighbor ("Three Times Blonde") and his investigation of the children's deaths. I would recommend this to lovers of noir, but I think it has a broader appeal as well.
Arden Arrowood learns that she has been willed her grandparents' grand house "Arrowood" along the Mississippi River in southern Iowa. She lived there until she was eight years old, when her two-year-old twin sisters disappeared. Arden, now an adult, has been haunted by their disappearance, since she was supposed to be watching them. Three men help or hinder her return: Ben Ferris, who was her childhood best friend next door; Josh Kyle, the founder of the website called Midwest Mysteries, who asks her help as he writes about her sisters; and Dick Heany, the caretaker of Arrowood, who claims he knew her parents. An engrossing read!
The summer of 1935 was one of unexpected changes for the Evans family at their house on the lake. The 15-year-old eldest sister defies their father and 12-year-old Lucy to make her own way. And, 6-year-old pampered Emily disappears. 60 years later, Lucy details that devastating summer in a journal, which she wills to her grandniece Justine, along with the lake house and a healthy investment portfolio. Justine grabs this opportunity to leave her unsettling live-in situation. She and her two daughters drive from California to the remote Minnesota lake. The chapters alternate between Lucy's journal entries and Justine's dilemmas: her mother arrives wanting money; her ex-boyfriend shows up; and her older daughter Melissa seems more and more drawn into Emily's story. An intense read.
This book has recommendations from heavy hitters like Lee Child and Jeffrey Deaver that make it sound like the greatest thriller they've ever read. I picked it up based on a good review and the Colorado setting, which I usually enjoy. Disappointing all the way around. Generic tough guy antics and prose that fails to capture the feel of Colorado's high country do not add up to the second coming of Elmore Leonard. And this guy's a native, so we can't blame it on the out of state writer doing it by the numbers. For a much better written crime story with a Colorado setting, read The Painter by Peter Heller.
I'm not a fantasy reader. I'm not even a fantasy watcher, but like so many other readers of Game of Thrones, the sheer awesomeness that is the series led me to read the book. This book VERY GOOD! This is high praise coming from a non-fantasy reader. I actually was glad I had seen the series because it helped me better visualize everything. I'm not going to continue on with the series because the books are really very long and I just can't commit to that. But I'll keep watching and loving the series! 4 stars because the book was too long and dragged in some places.
Peter Grant has just finished training to be a PC (police constable) in London. Right as he's about to get assigned to the paperwork unit (not his first choice) he chats up a ghost witness to a gruesome murder. After that, he discovers that he has some magical ability, and begins training to be a wizard copper whilst trying to solve the murder.
This was so fun! If I were to describe it, I'd say it's like the Dresden Files (both are urban fantasy series about crime solving wizards) but like a billion times better. It's fairly similar in premise, but different in most other ways. It has a lighter tone, a more likable protagonist, diverse characters, and was just a more enjoyable reading experience for me. The author used to write for Doctor Who, so fans of that show may also like this read. My only complaint is that it read like an ARC. Did anyone bother to edit this thing? The grammar was terrible (some of which was probably intentional, but some of it clearly wasn't), and occasionally character names were just wrong. Like, all of a sudden, a character who wasn't in a scene would "say" something and it was clear that her name was just transposed with the other lady main character - this happened at least twice.
Anyway, lack of editing aside, this book was an absolute joy to read. I've already checked out the next in the series and would strongly recommend this to urban fantasy readers. 4 stars.
Such a great story, and only 238 pages! I bought this book in an airport since I forgot to bring anything to occupy my time on a long flight. Boy am I glad I did! I could not put the book down until I finished it! Interesting tale, set over many decades, with notable references to eras that made it easy to get lost in the story. If only there were more of the story to read!
The Dog Master: A Novel of The First Dog will appeal to dog lovers, scholars and those with inventive imaginations. The novel attempts to answer the fascinating question of how and why the lives of humans and canines might have become so intertwined. W. Bruce Cameron brings to life the daily challenges of prehistoric humans so vividly that the characters become readily accessible to the reader. Despite the necessary leaps of creativity involved in writing a novel about early humanity, Cameron grounds the story with details based on his own extensive research of the time period and wolf behavior. The resulting story is both realistic and fanciful. It was fast-paced and entertaining, but also made me want to raid the nonfiction section to study ancient history after I finished the book. The book hops between timelines and story-lines, so can sometimes be a bit difficult to keep track of, but the different perspectives are relevant and add depth to the story. The subject matter appeals to our deepest curiosities of what it means to be human and its portrayal of the beginning of the human/dog relationship is relatable to anyone who has formed a bond with a dog.
Harry Potter made a return to the forefront of pop culture at the end of July with the release of Harry Potter and the Cursed Child, a screenplay of the new stage play that takes us back to the magical wizarding world. It’s a bold new direction for the story, taking place nineteen years after the events of Harry Potter and the Deathly Hallows (please note that this review will assume that you have read or, at the very least, watched the final entry in the series), and the world is a very different place for Harry and his friends.
Almost two decades have passed since the Battle of Hogwarts. Since Voldemort’s defeat, our original heroes have attempted to move on with their lives. Harry is a Ministry of Magic official now, head of the Office of Magical Law Enforcement. He’s happily married to Ginny, and father of three children. Hermione is Minister of Magic, and married to Ron, who has taken over operation of Weasley’s Wizard Wheezes. At the outset of the play, Harry and Ginny’s second child, Albus, is bound for his first year at Hogwarts. While on the train, he meets his fellow first year, Scorpius Malfoy, and despite their fathers’ history, they become fast friends. In short order, the boys arrive at school and are both sorted into Slytherin, much to Albus’s surprise.
The following years pass quickly (we are only shown hints of events during the first three years that Albus and Scorpius are in school), showing the lack of real communication between Albus and his father. Being the son of The Boy Who Lived, it turns out, is not easy. Albus has Scorpius as a friend, but neither of them seem to be the children their fathers hoped they would be. You see, a rumor has been flying about the wizarding world that Draco Malfoy isn’t actually Scorpius’s dad. Gossip is that Malfoy wasn’t able to have a child, and so he illegally used a Time Turner in order for his wife to conceive a son with Lord Voldemort. This rumor is given more credence when the Ministry of Magic confiscates what is believed to be the last Time Turner in existence, one that doesn’t appear to have the one-hour-back limit of previous ones. But if someone could go back more than one hour in time, what would they seek to do with that power?
In their fourth year, Albus and Scorpius learn about the existence of the Time Turner and ask themselves that question. When Amos Diggory arrives at the Ministry to implore Harry to go back and save his son, Cedric from Voldemort, Harry refuses, for fear of what disrupting the past might do. When given the opportunity, though, Albus and Scorpius leap at a chance to change the world in the hopes of finding their place within it. However, the threat of Lord Voldemort doesn’t only linger in the past.
Harry Potter and the Cursed Child isn’t a Harry Potter novel. It’s a play based on a story by J.K. Rowling, but the heavy lifting of the writing was done by Jack Thorne and John Tiffany. It’s a vastly different sort of read because of that, and we don’t get anywhere near the level of insight into each character. It doesn’t move in quite the same way, but it is no less magical. Cursed Child is to the Harry Potter series what The Force Awakens was to Star Wars: a return to a beloved world that retreads some familiar moments while still laying the groundwork for a younger generation. New perspectives on classic moments left me feeling more connected to the characters than I had since first finishing Deathly Hallows.
Having read through the entirety of the screenplay, I only want one more thing from Harry Potter and the Cursed Child. I want to see it on stage.
(Note: This review orignally appeared here: https://swordsoftheancients.com/2016/08/10/harry-potter-and-the-cursed-… )
This final book of the Bill Hodges Trilogy finds retired police detective, Bill Hodges, investigating a string of suicides involving survivors of the Mercedes Massacre. Along with his private investigation agency, Finders Keepers, and his partner, Holly Gibney, Bill must figure out why survivors who have spent the past five years rebuilding their lives suddenly decide to commit suicide. The only item that seems to connect the individuals is that they have all received a free handheld video game called a “Zappit”. Are the video games consoles really hypnotizing users and telling them to do something they would not normally do? Why does it only affect certain users? With the help of Holly, the tech wizard of the duo, Bill races to find answers before a suicide epidemic ensues. In classic Stephen King style, this crime thriller pits good versus evil and includes an element of supernatural suspense that makes the story even more engaging.
Once again, King takes current events and imagines a “what if” scenario that plays on some of our worst fears. King’s character development and storytelling style quickly pulls readers into the book and carries them through to the last page. Don’t let the pink and blue fish on the cover fool you. This book has some twisted, creepy characters and gore filled scenes that may be unnerving to some readers. As a life-long King fan, I found it hard to put it down. To get maximum enjoyment of the book, I suggest starting at the beginning of the trilogy with Mr. Mercedes and continuing on into Finders Keepers before diving into End of Watch.
Ithaca is an Odyssey retelling, but told from the perspective of Odysseus' son, Telemachus. The first third of the book focuses on Telemachus' experiences on Ithaca up to the present day of the book. Odysseus has been gone for 16 years, and has been missing for eight, and other, strange men have started to live on Ithaca in hopes of becoming its new chief and marrying Penelope, Odysseus' wife. Telemachus eventually decides to take a journey to see Nestor on Pylos in order to find his father, and ends up travelling a little more extensively than he perhaps originally intended. In the next third of the book, we basically get the events of Odysseus' trip home from Troy as explained by Odysseus and a bard. The last third of the book follows Telmachus as he returns from his trip to find Odysseus, and then discovers that the man himself has come home.
The decision to retell the Odyssey from Telemachus' point of view was a great one, and it's those parts of the book that were, to me, the most successful. The book actually ends up being a great coming of age tale set against the backdrop of Greek mythology and culture. It made for an interesting read, and Telemachus' character and his relationship with his parents was flawed in a really genuine way. A+ for character development. However, the second third of the book, the sum up Odysseus' return journey bit, I could've done without. I read The Odyssey ages ago (in high school, like one does), but it's still enough of a pop culture reference (and yeah, I've read the Riordan books too, so that helps) that I knew the story already, and that part felt a little disjointed. I get why it was necessary, but ultimately, it harmed the narrative a bit. You are kind of pulled out of Telemachus' story to read the "best parts" version of Odysseus' journey, and it just felt rushed.
The Odysseus part aside, though, I really liked this book. I find myself liking it more and more the more I think about it. It's one of those books that stays with you for a while. If you are looking for a fantastical, gory, and ultimately very human coming of age tale, then this is for you. 4 stars.
Ever wonder what your grandmother might be up to in heaven? Or maybe why it is that there are some people who just give the best advice? BJ Novak, writer and star of The Office, explores these topics and much more in his refreshingly hilarious One More Thing: Stories and Other Stories. Tales run the gamut of the absurd to the seemingly mundane: from a peek inside a blind date with a warlord, to a boy who is not allowed to eat sugary name-brand cereals. Each story is almost like two sides of the same coin, all at once being achingly funny and heartbreakingly human. The collection, while as a whole is mostly always humorous, ebbs and flows with a sincerity that demonstrates Novak’s keen ability to not only write about human emotion, but to make the reader feel it as well. One More Thing shows that Novak’s writing is intelligent, his command of language sharp and his wry humor at its best.
Amory Ames has left her philandering husband for a vacation by the sea with her erstwhile fiance on the pretense of talking his younger sister out of marrying her dastardly fiance. After a day of vacation, the dastardly fiance is murdered and the erstwhile fiance is suspect #1. Amory is convinced her old fiance is innocent, and works to clear his name.
At first, I was not at all sold on this book. The beginning is very slow and weighed down by constant descriptions of the sartorial choices of the many characters. The main character also initially comes off as a bit of a prickly doormat. Fortunately, about halfway through the book, the pacing picks up, the story gets really interesting, and our main character gets much less annoying. Her relationship with her husband, however, never ceases to be annoying because...did people not talk to each other in 1930s England? It was an unapologetically unhealthy relationship that was ultimately frustrating to read and was left (purposefully) unresolved at the end.
I don't read a ton of mysteries, but this one ended up being a lot of fun! Its kind of like an old school mystery where there is a cast of characters/suspects in one setting and you KNOW one of them did it...but which one? Based on what other readers have said, it's Agatha Christie-esque. I was able to guess the "who" but not the "why", and the book ended up being entertaining enough that I immediately checked out the sequel, Death Wears a Mask. I'd recommend it to mystery lovers who like their mysteries with a historical setting and a touch of fashion. 3 stars.