Part of the problem of releasing a sequel to a beloved book 55 years later is a lot of other books have been written in between them. Consequently, there have been successful books written with some of the exact same plot and motifs, thus making the sequel feel like a rip-off instead of the other way around. In the case of Harper Lee’s Go Set a Watchman, I found myself drawing plenty of comparisons to Kathryn Stockett’s The Help (2009).
While I felt the time-frame of Go Set a Watchman to be somewhat ambiguous, most of the similarities between it and The Help were in their heroines. Both were southern-born-and-raised women who smoked, were outsiders, and weren’t going to stand for racism. And while the main character of The Help did something about it, Jean Louise “Scout” Finch merely fell apart at the realization that everyone around her, including her closest family, was racist. Unfortunately, this makes for a pretty thin storyline, which was why defining moments from the last twenty years of Scout’s life are interspersed to fill in some of the character development. I almost wish there was a little more time given to the changes left unexplained in the 20-year interim, like what really happened to Scout’s brother.
Despite its weaknesses, Go Set a Watchman does share some similarities with its predecessor, and not just in setting and characters. While I was about ready to completely brush this book off as another version of The Help, the monologues at the end of the book really made the read worth it. Much like the courtroom arguments for a man’s innocence in To Kill a Mockingbird (1960), the soliloquies of these characters were deep and probing and really made me think about my place in a society with its current racial tensions.
An adequate extension of its predecessor, I give Go Set a Watchman 3.5 stars out of 5.
I managed to find this book on a table full of free books at a convention some time ago and tucked it away in my “to read” pile. Now that I’ve finished most of the Goodreads giveaways I have received, I decided to give it a read. With nothing other than the title (which doesn’t tell me much) and the cover (which gives a little more information), I honestly didn’t know what to expect from this book. Since it was on a table of free books, I didn’t have much expectation for it, but boy did it ever deliver!
With a fantastically engaging idea and a blisteringly fast execution, 7th Son: Descent pulled me in from the get-go and wouldn’t let go. Action! Espionage! Science! Without ever becoming too mired in the details (but providing enough to have the plot make sense), this book successfully made a story about cloning that wasn’t trite or cliché. The ideas and characters contained within were unquestionably too big for this book since it introduced many subplots but never concluded them. Still, there was enough of a conclusion to this book to leave me satisfied without it being too much of a cliffhanger.
My one qualm with 7th Son: Descent, other than the brief, horrifying moment of implied violence involving a pneumatic socket wrench, was that there were almost too many characters. I understand that there needed to be a well-rounded group of clones, but I honestly couldn’t tell you anything significant or memorable about at least two of them. I mean, you have the free-spirited musician, the conspiracy-nut hacker, the gay marine, the priest, and the egomaniac criminal psychologist, but I guess the U.N. employee and the other guy (I can’t even remember what he did) didn’t stand out to me. Maybe they play a bigger role in the later books, but they seemed undeveloped in this one.
An excellent, action-packed science fiction book that left me wanting more, I give 7th Son: Descent 4.5 stars out of 5.
When I first heard about Ready Player One (2011) years ago, I was excited an author would even try to capture the spirit of the hardcore pop culture lover. After I received a hardcover copy of that book for Christmas, I devoured every word and loved every moment of it. This was why, when I saw Ernest Cline had written another book appearing to be in the same vein of Ready Player One, I had to buy it and give it a read. This book was Armada.
Unfortunately, I was not nearly as impressed with Armada as I was with Ready Player One. In Armada, the pop culture references were there, but almost to the point of oversaturation. There were plenty of references I didn’t understand because I haven’t encountered the source material, which was somewhat frustrating. Furthermore, what made the references entertaining and fun in Ready Player One was that they were tied to unravelling the mystery and linking each clue to the next one; in Armada, they were merely the mating call of the nerd.
And while Armada has a few scenes of immersive action that are incredibly well written, the plot is quite lacking. The first “reveal” (if you can call it that) was predictable and the motivations of the antagonists were weak at best, almost as if he had written himself into a corner and didn’t know how to resolve the story in a satisfying way. In fact, the huge numbers of pop culture references actually made the story seem less original, as it pretty much came across as Ender’s Game (1985), and the narrator told you as much.
A story with a potential it never quite lived up to and a shadow of the author’s previous book it could never come out from underneath, I give Armada 3.0 stars out of 5.
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Ever since I discovered this series, I've been hooked. The story is just so interesting and unique. I mean, how many books do you read about man-eating giants destroying society and teenage soldiers fighting them. Not only is the plot interesting, the characters are very well developed and their backstories are very interesting. That being said, there aren't too many backstories, because most of them are dead, but still, the main characters' backstories are really creative and awesome. I have read these books so many times and I am still hooked, even though it sometimes makes me mad (because the characters I like all keep dying). 10/10. Highly recommend if you are okay with violence, blood, guts, and disturbing images.
Backman's wit and humor ties in wonderfully with a tear-jerking finale. From beginning to end, I was torn between laughing and weeping. The innocence and wonder of childhood is captured perfectly, while also conveying the struggles of not being noticed. The grandmother in this story is eccentric and diligent, striving to create beauty for her granddaughter. Backman paints a masterpiece with his words, and keeps me hooked and enthralled at every turn of this book. I recommend this book heartily!
Review: The book, One Mile Under, is about a girl, who is a white water rafting guide living in Aspen, Colorado, who finds a body on one of her rafting trips. Throughout the book the girl, with some help from a few friends, tries to prove that the death of the man was no river accident while also trying to avoid being murdered herself. I chose this book because I though the title seemed interesting, and I had read some of the author's other books and liked them. The thing I liked most about this book is that it is a murder mystery, and it is very suspenseful throughout most of the book.
However, the book seemed to drag on a lot towards the end, and most of the answers to the mystery are revealed about two-thirds through the book which makes the book feel long. This book was surprising in the beginning, but by the end everything seemed pretty predictable. Overall, it was a really good book, and I would suggest reading it if you like suspenseful murder mysteries.
Despite The Fifth Witness leaving the door open to an interesting diversion from the same defense lawyer story we’ve come to know and love from Michael Connelly’s Mickey Haller, The Gods of Guilt puts Haller back in the hot seat as the counsel protecting a digital pimp from a murder conviction. Some of the depth of the Haller character developed in previous books in this series was eliminated after his unsuccessful District Attorney run, but there was still enough humanity in him to advance his story. After all, his coping mechanisms and needs are some of what we all deal with in our own lives.
While I have come to expect a twist ending from Connelly, it was surprisingly missing from this book. For once, Haller’s client wasn’t as bad as everyone made him out to be, and that’s saying something for the digital pimp of Andre La Cosse. Perhaps that’s what made this story a little more uncomfortable than the others: the seedy underbelly of the adult entertainment industry is harder to relate to than simple foreclosures. Still, I can’t help but think that the same strawman tactics that Haller used in this case were quite similar to some of his other defense cases.
All this being said, Connelly is still a master of his craft. The pacing and advancement in the plot was excellent and the peril Haller found himself in after getting too deep into some serious side-investigations helped to make a rather standard book in the series an entertaining read, nonetheless. As was the case in The Fifth Witness, I appreciated the meta nature of this universe where the Lincoln Lawyer movie was a real part of Haller’s life.
Yet another predictable entry in the Mickey Haller series, I give The Gods of Guilt 3.0 stars out of 5.
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***THIS BOOK WAS RECEIVED FROM A GOODREADS GIVEAWAY***
William Shatner, best known for his acting in the popular sci-fi series, Star Trek, is not someone who I thought would also be a writer. Of course, after reading Zero-G, I’m still not convinced, even with the help of ghostwriter Jeff Rovin. The book had an interesting premise, but the exposition and plot were so slow and clunky that it was hard to get into it. I will say there is an appreciation of the challenges of space in this book, but it almost plays a backseat to an aged government official trying to relive his glory days (sound familiar?).
If I were to re-write this book, it would have been considerably shorter, possibly even a short story. As it is, the first third of the book is almost useless, filled with detailed explanations of the characters’ backgrounds and relationships. Even the first action sequence only emphasized that the main character is reckless and flies by his own rules. When it came to the core of the plot, I never felt a sense of urgency to take out the threat of the space-weapon, mainly because it acted “randomly” (read: whenever it might suit to move the plot along).
For a book about an FBI station in space, the mystery solved by the deputy director seemed quite a bit beneath his station. In fact, I was surprised he even handled it since the whole case appeared to be obvious right from the start. There wasn’t enough development of the lesser characters to even know who they were and why they had any motivation to perpetrate the crimes they did. Aside from the main character, most of the character focus appeared to be on the gender-switching assistant, probably to make the book “hip” and “trendy” amongst the modern and liberal-leaning readers.
An interesting concept that falls flat on its face immediately after the prologue, I give Zero-G 2.0 stars out of 5.
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Having already blasted through the rest of the Mickey Haller series, I finally arrived at a book that didn’t center around the defense lawyer. Instead, The Crossing follows Harry Bosch, Haller’s half-brother (which we learned back in The Brass Verdict). I realize that Mickey Haller is merely a spin-off series from the main Harry Bosch series, so it was interesting to finally enter the main storyline of Connelly’s longest-running character. Now I see that he writes Bosch books in third-person, as compared to Haller’s first-person, which was why I was confused when the POVs switched in one of the previous books featuring both of them.
Coming into this series at the twentieth book was a little jarring to me, but not entirely disorienting. There were plenty of references to previous books I had not read; but by the sounds of them, these predecessors were certainly exciting. What probably helped with my transition into this series was that Bosch retired from his job in the police department, thus creating a new start for the character that could be used to explore some interesting scenarios without being burdened by the bureaucracy of his job.
While Connelly’s writing is still superb and suspenseful, the one aspect I found to be a bit unbelievable was Bosch’s innate sense of what was “wrong” with the current investigation. Just based on one single, minor detail, he was able to unravel the deeper conspiracy involving other, corrupt police officers. What if he hadn’t noticed? Would he have still managed to get to the bottom of the truth? Either way, I might have to pick up the earlier books in this series, just so I can get more of the story behind the briefly referenced excitement Bosch had to go through in the past.
Proof that sometimes it’s difficult to quit a job after having done it for so long, I give The Crossing 3.5 stars out of 5.
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With the ever-increasing proliferation of “smart” technology throughout our society, the thought of a robot uprising remains fixed in the back of our minds. Since the introduction of the concept of robots decades ago, humans have feared their uprising to usurp us as the dominant sentient beings on our planet. Now, as we rely on our computers, smartphones, and connected devices to help run our lives, the threat of a full-on apocalypse resulting from their sentience seems more possible than ever.
Author Daniel H. Wilson has certainly done his research on the “what if” scenario of a robot apocalypse (or the titular Robopocalypse, if you will). He manages to build the progression of a robot-themed doomsday scenario from the machines we know and use today. Many of the machines’ decisions and strategic moves mostly make sense. That being said, I did have a few issues with the book and its structure. First off, the format of the book was remarkably similar to its zombie predecessor, World War Z. Secondly, the fact that it’s told through only a handful of characters helps to tie each piece together, but the fact that these characters are all connected to each other makes it less believable.
When it came right down to it, I had trouble connecting with these characters. In the earlier sections, it was a little easier to understand what was happening, but once the landscape of the robot war changed into one where the robots were winning; it was hard to grasp what was going on in a global sense. As it is, Robopocalypse is essentially a series of short stories with some familiar characters tying it together.
A semi-realistic look at a potential robot uprising with an already-used apocalyptic narrative format, I give Robopocalypse 3.0 stars out of 5.
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For many years, I was aware that the James Bond series of books did not follow the same order as their respective films. Given the action/adventure spy thriller genre these books were written in, it is possible to mix them around and still have a good understanding of what’s going on, even if some of the references made within the novels could only be understood by having read the previous books in the series. In some respects, it is disappointing that the film franchise didn’t capitalize on a continuous narrative that the books provided.
If the stories are out of order, then it ‘s hard to build up the constant battle between James Bond and the Soviet spy agency, SMERSH. Fortunately, since I had read a few of the first books in the James Bond series, I could appreciate Auric Goldfinger’s connection to the organization. That being said, I seemed to have jumped ahead a bit and missed what happened on the Moonraker mission, even if I have a loose idea/remembrance of what happened from its film version. Regardless, these minor references didn’t affect the plot of Goldfinger that much.
What I do find interesting with this book is the differences between it and the movie. There’s no laser threatening to cut Bond in half, there are more characters involved in the heist, and the actual heist itself has a slightly different objective. It is weird reading about the technology Bond uses and its references to “vacuum tubes” when the film makes all his tech seem futuristic. I do find it interesting how the author won’t outright swear (replacing the choice word with a “blank”) but includes two lesbian characters and a plethora of other, sexual inferences.
A fantastic story in the James Bond franchise, I give Goldfinger 4.0 stars out of 5.
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Having read Where’s My Jetpack? and Robopocalypse from Daniel H. Wilson, I had some high hopes for this book. Clearly, Wilson has a depth of knowledge about current and upcoming technologies that allows him to write succinctly both non-fiction and fiction. He can fuse the science with either humor or action and maintain an accurate sense of it without having the details bog down the plot. In Amped, Wilson explores a world where humans use technology to assist their bodies, either to overcome a disability or to overcome their humanity.
Unlike Robopocalypse, which was primarily a collection of intertwined vignettes, Amped follows a single individual through the effects of a fear-filled society charged by an inferiority complex. While the main thrust of the plot is about mental augmentation, there are mentions of other exciting technologies, including self-driving trucks and mechanical exoskeletons. Overwhelmingly, though, the brain-altering technology is the focus, as it hurtles the United States into two camps: ordinary people (aka “Reggies”) and “amps.” It was interesting to see how quickly discrimination came about in light of a clear delineation between humans and modified humans.
Even if the plot was a little hard to follow at times (perhaps due to me listening to it on an audiobook), the capabilities of the mental augmentation certainly felt realistic and plausible. While these embedded chips could solve many brain-related problems, the main point Wilson gets across is, “where does it end?” If we wipe out handicaps, can we also enhance ordinary people to super-human status? There’s certainly an interesting moral conundrum here, and I hope this fictionalized account will get people thinking about the answers before this reality is soon upon us.
Another great book warning about the potentials of future technology, I give Amped 4.0 stars out of 5.
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As someone who has to read many short story submissions for the anthology my writing group puts together each year, I can appreciate a well-written short story. I have not read much of Neil Gaiman, but in his collection of anthology short stories, Smoke and Mirrors, I was able to see what kinds of stories a professional writer writes for an anthology. While quite a few stories were interesting, not all of them were necessarily in genres I typically read. Then again, I consider erotica and stories submitted to Hustler as pornography, which is why I do not read these kinds of short stories.
Furthermore, it is a little more uncomfortable listening to erotica, as was the case with this audiobook. Fortunately, Gilbert Gottfried did not read it, but it still is uncomfortable to hear it nonetheless. Sure, the concepts in these short stories were somewhat interesting, but the sex ruined it for me. At least there were enough other stories that I found fascinating to make it worth my while to get all the way through it. The simplicity and genius of these ideas merely verify Gaiman’s writing talent, even if a few were hard to follow. At least a few of them followed the title of the book, which helped tie these separate stories together.
Perhaps my biggest qualm with this book was its structure. Moreover, maybe it was a limitation of a direct transferal to the audiobook format, but it is almost impossible to go back to the first section of the book and listen to the intro for each story before reading that story. Instead, it dispensed pertinent information on every short story before I even had a chance to get to them. If I were to appreciate each story fully, it would have been better to introduce each one with background information, so the context is fresh in the listener’s memory.
A collection of well-written short stories, I give Smoke and Mirrors 3.5 stars out of 5.
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I’ll be honest and say that I had no idea what this book was about before I started listening to it. Once I got into it, I could clearly see how the title and cover image related to the story at hand. It’s interesting to think that a mere five years after the terrorist attacks on September 11th, a book like this could be written. Of course, there is plenty of highly descriptive language that helps to cement the story to the reality of the tragedy. That being said, there are many situations in the plot that feel quite cynical, if not downright dark in their humor. Perhaps it’s this mixture of the absurd and the tragic that gives The Zero its interest.
I did find the memory gaps experienced by the main character to be an interesting literary device, especially in their transitions. For the main character to have a series of memory gaps to add to the eventual reveal at the end of the book, I almost felt like I was listening to the film, Memento (2000). Considering how much I love Memento, this was a good thing. The character only knows as much as the reader, which leaves him and us piecing together what happened at the same pace.
Despite its ability to poke at the ridiculous nature of the nationalism that resulted from this disaster, The Zero does show the effects of this national tragedy on its citizens. Loss can be hard to deal with, and everyone does so in their individual way. The poignancy of the narrative is true even today, more than 15 years after the events that transpired that day.
A cynical and often darkly humorous examination of the effects of 9/11, I give The Zero 3.5 stars out of 5.
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***THIS BOOK WAS RECEIVED FROM A GOODREADS GIVEAWAY***
While violence, action, and excitement fill stories involving tactical military operations, one element of these stories that adds realism can also alienate unknowledgeable readers: jargon. I am fortunate to know enough of the terms and acronyms from my day job, but if a story like this needs an acronym and definitions list in the back, I can see it being difficult to get into for the casual reader. They might be able to push through it and make assumptions on what’s happening, but following the discussions helps the reader to understand the level of importance for each action.
Of course, in this post-9/11 world, Islam has now taken the role of stereotypical “bad guy” that used to be held by the Nazis. I’m almost surprised by how many antagonists are Muslim in the books I read. From apocalyptic stories like Dark Ages: 2020 to science fiction novels like The Starchild Compact, these characters are always the extremist jihad warrior. Without understanding the culture in a more informed manner, I usually have to roll my eyes at the clearly stereotypical (and practically racist) representations of these characters. Tier One is no different in its portrayal of Muslims, thus resulting in rather one-dimensional antagonists.
Even though the action sequences were well written, and most of the events were tied together quite well, I only had a few qualms with the plot. The largest of these minor qualms was the “twist” at the end, which involved a character who appeared early on and was quickly forgotten. They didn’t even have much of an influence on what happened, so when the twist occurred, my only reaction was, “Huh?” Then again, I also had trouble relating to the “meathead” Tier One operator as well, but that’s probably because I related more to the character with synesthesia.
An exciting story heavily ensconced in military jargon, I give Tier One 3.5 stars out of 5.
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In this sequel to Ender’s Game, Orson Scott Card continues to provide a smartly-written plot that causes the reader to think about death in a whole new way. While the first book in the series gave some thought-provoking insights into war, simulation and the dangers of following orders, Speaker for the Dead examines cultural differences, religion, and the humanity of individuals who acted like monsters during their lives. Instead of moving on from the life of a deplorable person, Card manages to show the reader that a person’s life is made up of all its truths: the bad included with the good.
While Ender Wiggin seemed a little young in Ender’s Game, by Speaker for the Dead he’s aged into a wiser and much more complex character. His experiences in the first book helped to set him up as the universe’s devil and savior, a unique attribute set for a very cerebral character. I did appreciate how the physics of interstellar travel were used as limitations and constraints to make the situation of Ender’s age and experience much more believable. Of course, now that I’ve read the sequel to Ender’s Game, I’m not sure if the sub-plot with his siblings was nearly as important as I thought it would have been, thus making its omission from the movie a sensible choice.
What’s most intriguing about this science fiction adventure is how little science fiction is in it. Sure, there’s light-speed travel, alien creatures, and sentient computers, but when it comes down to it, the story is essentially a detective mystery solved by Ender Wiggin. Perhaps the sci-fi framework helped to create the ideal metaphor for understanding a culture different from our own, but these sci-fi elements could have easily been cut out, and a profound plot would have remained.
Another thought-provoking story in Ender Wiggin’s saga, I give Speaker for the Dead 4.5 stars out of 5.
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I’ll be the first to admit that I like sequels. Or, more accurately, well-done sequels. While the first book in a series can be great by itself, it carries the burden of exposition and world-building. A good sequel gives a light refresher of the important points and gets right into the action. I would certainly consider Stiletto to be a well-done sequel to the first book in the Checquy Files series, The Rook. Not only does it expand upon the central conflict in the first book, but it throws in the twist of the warring factions of the Checquy and the Grafters coming together to form a truce.
In making enemies into teammates, Daniel O’Malley shows the differences between them are almost superficial. The chess-based supernatural soldiers of the Checquy almost have the same strength of powers that the genetically and surgically enhanced members of the Grafters do. Since the whole plot usually revolves around a pawn of the Checquy and a young woman from the Grafters as they try and maneuver treaty negotiations, the reader gets to see both sides of the argument. Of course, as was the case in The Rook, much of the story is divided into episodic events with an overarching storyline connecting these loosely-related moments together.
Even if the humor is often bodily-related, the style continues to be quintessentially British. It casts a delicate balance between action and humor while also moving the story along to an exciting conclusion. I would almost think such a series would be perfect for a Television show adaptation since its episodic nature lends itself to be easily broken up into smaller pieces. One last thing I would like to mention is that the narration given by Moria Quirk in this book was outstanding. With many different European accents and a variety of unique characters to voice, Quirk made the story understandable and engaging in all the best ways.
A perfect sequel to one of my new favorite series, I give Stiletto 4.5 stars
out of 5.
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Hans Vollman died shorty before getting to consummate his marriage with his young wife. His spirit, full of regrets, stuck around the graveyard. The same is true for Mr. Blevins, who committed suicide because of his sexuality. No one really knows why the Reverend chose to stay in what amounts to purgatory, but he's there, and he mostly hangs around with Vollman and Blevins. Every night, those ghosts and more come out of their "sick boxes" to congregate. Until one night, a very special ghost arrives, and everything changes. Willie Lincoln arrives in the graveyard, and instead of immediately transferring to the "next place" as most young children do, he sticks around. Lincoln in the Bardo follows the ghosts and their reactions to the younger Lincoln and his very special visitor, his father, the living sitting president, Abraham Lincoln.
First, I listened to this book, and while the audio performances were stunning, it was initially extremely confusing for this listener. I had no idea what was happening for the first disk, and considered quitting the book entirely. However, after reading the synopsis on the back and a few online reviews, I stuck with it, and I'm glad I did. Like I said, the audio performances were stunning. Nick Offerman (Vollman) and David Sedaris (Blevins), in particular, deliver masterful performances. Along with exposition from the ghosts, there are interstitial segments that use actual quotes from newspapers and other sources from the time , and it's here that the narration goes into overkill. The audiobook features 160 narrators, and I think that instead of having a different person read each quote, the story would've flowed a little better had our narrator just read the quotes.
The book itself is an interesting paranormal postmodern story that has elements of historical fiction that also takes a long hard look at death, grief, and coming to terms with one's lot in life. There's a lot going on, but after the first sixth of the story, I was hooked, and I really started to care about Blevins and particularly Vollman. This book is short on plot, but that's not the point. This is a character study that also examines life, death, and whatever might lie in-between. As the book is set at the beginning of the civil war, there are some heartrending accounts from the ghosts of slaves, and some maddening accounts from dead confederate soldiers. The book is a bit of an emotional roller coaster, but as I like books that make me feel things, that wasn't a problem for me. This book will make most people feel something, be it ire, or sadness, or confusion (it's been a while since I've read a postmodern book, and the format was occasionally jarring).
While this was at first a difficult listen, I ultimately ended up enjoying it. I would recommend reading the book, and then revisiting it as an audiobook to enjoy the fabulous performances. A challenging, but worthy read. 3 stars - I liked it.
When Fox Mulder was just a kid, his little sister was kidnapped while he was babysitting her. That event has haunted him and his family ever since. So, when children start to go missing and then turn up dead from what appears to be a ritualistic serial killer, Mulder knows that he has to do something.
While I like the X-files, I'm certainly not the world's greatest fan - I've probably seen around 1/2 of the episodes, and I haven't watched the reboot. However, this book jumped out at me as I was perusing the stacks, and I'm glad it did. In fact, if you are just a fan of mysteries and/or the paranormal, this book will totally meet your needs. You can go into this without knowing anything about Mulder and the TV show, and you'll still have a great reading experience. If you are an avid fan of the show, there are several "easter eggs", cameos and cute references throughout the book (the smoking man shows up in the first chapter!). Also, it's got some entertaining historical fiction elements as the book is set in 1979, and that is very much reflected in the music and technology.
Garcia does a great job with the character development. Mulder quickly teams up with two other "genuis" types, and this book could've quickly devolved into some variation of "three teen geniuses solve a crime caper" a la a number of middle grade/YA books out there, but Garcia fleshed the characters out to the point that this pitfall was, for the most part, avoided. Mulder is, understandably, obsessed with finding his sister, and his parents are separated. His best friend, Gimble (a D&D name), has a father who is so enmeshed into conspiracy theories that he's been fired from the Air Force (he may or may not be an influence to young Mulder). His other best friend, also a love interest, was not as well developed, she was easily the weakest character, and I could've done without her and the romance. The story itself was a well done serial killer mystery, though the end felt a little abrupt with a ton of loose strings. The mystery is only mostly resolved, so I'm assuming there will be a sequel.
Anyone looking for a decent mystery with good characters, look no further. The X-files stuff is just icing on what is an already pretty tasty cake. I wanted to believe (I couldn't help myself), and this book didn't let me down. 3.5 stars.
Beautifully written - the book explores love, loss, and moving on in a way that doesn't feel like it should be a young adult novel.