Science Fiction

Starship Troopers exemplifies the signature writing style of Heinlein: an outrageous setting that still manages to capture familiar aspects of everyday life. I marveled at the intricate universe Heinlein crafts. He describes every aspect of political relations with alien species and the intricacies of a military that ranges across the stars. The book follows a boy named Juan Rico as he comes of age and joins the infantry. Heinlein describes every aspect of Juan’s life in basic training and the great battles of his career like an ancient epic; sparing no detail and giving elaborate descriptions of the enemies of humanity and the battles in which they were defeated. Starship Troopers is the perfect science fiction novel for someone who is looking for heaps of action combined with drops of philosophy and social commentary, all brought together into one spectacular and dazzling universe.

The Skinner is set in a distant future where science and technology have advanced to the point where humans live nearly infinite life spans and travel the stars with ease under the unified governance of the Polity. Neal Asher crafts a complex universe in which this story seems a miniscule part of a gargantuan timeline, I could spend countless wonderful hours studying the history preceding the novel! He crafts complex main characters: Janer, an employee of an insectoid hive mind; Erlin, a scientist with a strange past; and Keech, a reanimated corpse with unfinished business. The three unlikely acquaintances set out on the planet of Spatterjay, a world covered almost entirely with water, inhabited by humans known as hoopers who are infected with a virus that gives them superhuman strength and regeneration. When a mysterious hooper myth proves true, the intrepid visitors must work together to survive in an adventure-packed and mystery-filled journey with all the best elements of Robert Heinlein but with a 21st century audience in mind.

Taking place a few years after the events of Mortal Engines , I was aided somewhat in my read-through of Predator’s Gold by the fact that I didn’t have a movie to compare against. While the first book in this series helped set the stage, I felt the real story didn’t start until book two. After all, this series really is about the relationship between Hester and Tom. In Mortal Engines, they had only just met; in Predator’s Gold, we see how far they’ll go for each other, even if most of the story beats are somewhat predictable.

I appreciated how thoroughly real this ridiculous concept of monstrous towns roaming the world and devouring each other seems in this book. This post-apocalyptic setting felt thought-out by adding the main setting of Anchorage and the introduction of a charlatan author who cons everyone around him for his sole benefit. So often, an additional concept is added to the world-building, and I’d think, “That makes sense in this context.” I also appreciated how previous ideas were integrated into this story, showing how nothing is a “throwaway” idea.

Despite the excellent world-building, the root of this story is Hester and Tom’s relationship. While the more “romantic” elements were merely alluded to—as this is a series meant for children, after all—I was slightly annoyed with how stubborn these two characters were. If they’d been together for a few years, you’d think they’d have figured out some of these simple relationship issues before they become lynchpins tied to the survival of entire cities. I also felt the “will of God” was in a lot of the plot developments, as these two characters always seemed to be brought to the right place at the right time so they could continue to be together.

Excellent world-building with so-so character relationships, I give Predator’s Gold 3.5 stars out of 5.

Wow. OK. Maybe this series isn’t for children as much as I thought it was. Sure, a post-apocalyptic world has many subjects that can be considered dark—death being the main one—but Infernal Devices certainly went all in here and pushed the ugliness of humanity to the forefront of the plot. Of course, one wonders if the POV change to focus on the progeny of the two characters who comprised the first two books is part of why the tone of this book changed so drastically. Sure, there was violence in the previous two books; it just didn’t seem so gratuitous then. Aside from all the killing, which I suppose was meant to signify Hester’s character development, there wasn’t too much new in terms of world-building in this book. I appreciated all the developments in Mortal Engines and Predator’s Gold, but the addition of the African and Middle Eastern cities didn’t expound the “city-eat-city” world that much. Sure, there was more exploration of the Lost Boys concept, but it didn’t necessarily go any deeper than the basic idea presented in Predator’s Gold.

Despite the huge time gap between book two and Infernal Devices, I did find a few things to stand out in this part of the series. First was the epic battle between automatons. I felt the action in this scene, along with the other action scenes in this book, were well-described. Second, I don’t want to give away too much, but the twist ending was a bit of a shock—even if it made complete sense. For a series that usually hits many clichés and tropes of relationships, I was honestly shocked that the author went for this ending. Of course, the ending also leaves things unresolved enough to require another book, so there is that aspect to it which I can understand.

A jump ahead in time and the amount of violence, I give Infernal Devices 3.0 stars out of 5.

Frankenstein, or, the Modern Prometheus is a great gothic read. Like any other gothic novel, it is dark and mysterious, with elements of horror in it. While it had a rocky start for me, I soon got lost in the characters, with their wants and needs. The detail was amazing, while the wording was, em, very 17th century, but that makes the book no worse. All around, this is a riveting book that will capture your attention immediately.

This time-travelling story of love and genocide centers on two rival agents battling to secure the best possible future for their warring factions. It opens with a blood-covered Red, the last woman standing on a battlefield heaped with corpses. She finds a letter that starts with “Burn Before Reading” from Blue, her rival whom she has spent lifetimes trying to thwart. So it starts with a taunt followed by a challenge scratched in a lava flow and a message woven into the DNA of a tree cut down by marauding armies. These spies never meet but these compromising letters – certain death if discovered by their superiors – build upon a mutual understanding that evolves into love. Who better to understand someone weary and confused by merciless, contradictory orders than their rival? Or is this an attempt to turn the other into a double agent? Or lay a deadly trap? This novella deftly avoids the confusion that spoils average time-travel yarns by making each of the chapters into a vignette, told from either Red or Blue’s perspective, until a satisfying, meaningful conclusion.
Awards: 2020 Nebula Award for Best Novella, 2020 Hugo Award for Best Novella

We all struggle to figure out who we are. It’s no different for a robot that’s managed to secretly override its governor unit and develop self-aware independence. The artificial construct, made up of regenerative organic and artificial parts, privately calls itself Murderbot out an emerging sense of guilt it tries to squash by watching hours of mindless TV. But even that distraction cannot keep a socially awkward, self-conscious entity from developing feelings about the humans it serves. That internal conflict is so realistic it is easy for the reader to forget it is an artificial construct narrating. Murderbot’s deadpan humor keeps the 2017 novella from bogging down and raises it well above a familiar action/corporate malfeasance plot. The novella is the first of a five-part series, all available through PPLD, with a full-length novel, Network Effect (May 2020) continuing Murderbot’s journey of self discovery and soap operas. A sixth series entry is scheduled for April 2021.

Honors: 2017 Nebula Award for Best Novella, 2018 ALA/YALSA Alex Award, 2018 Hugo Award for Best Novella, 2017 Philip K. Dick Award finalist.

Welcome to ‘Sal and Gabi Break the Universe’, a book that will take you on an awesome universe-tearing adventure! This book will show the life of a middle-school magician, named Sal. I especially loved this book because of the time put into the descriptions of the magic tricks. Another thing that makes this book shine is the humor. There was enough humor in this book to keep me laughing the whole time I read it. This book is high up on my book list. I would suggest this to anyone, and I mean anyone.

This book is about Ember, a post-apocalyptic city that is built underground to save the human species. Lina Mayfleet, and her best friend, Doon Harrow try to follow a set of clues left behind by the creators of the City of Ember, known as the builders, to get to the real outside world, where nobody dares to go.

But now they must go outside as the 2 centuries of rations of food and water that lasted an extra 40 years, are now coming to an end. But after many generations of living in the enclosed, walled city, nobody knows how to get to the outside world.

Lina and Doon find a box that has the instructions of how to get out of Ember, but Lina’s baby sister, Poppy makes it hard on them. She makes sure that Lina and Doon solve a puzzle because the pieces of paper have been torn, ripped, and eaten by Poppy.

Another challenge the Lina and Doon face is terminology. Because the letter on how to get out is now some 240 years old, the terminology has changed, it has words that are familiar to us like ‘boat’ or ‘candle’, but not familiar with the people of Ember. Lina and Doon figure out what these words mean to solve the already torn up piece of paper.

This book definitely keeps you wondering about the past and the future, and with many intriguing parts, I'm going to go with 4/5 stars for City of Ember.

It can be difficult to judge a book, especially one as critically acclaimed as Ringworld, with 50 years of scientific and societal progress between when it was written and today. On the one hand, there are many scientific concepts explored in this book that we almost take for granted in modern sci-fi. On the other hand, the stink of 1970s misogyny doesn’t age very well, and this book is a prime example. Even today, sci-fi authors are still trying to dig out from the sexist tropes that books like this perpetuated throughout the genre. It’s a complicated, uphill battle, but we’re trying to be better than this.

For 1970, I do have to admit that the science presented here is relatively revolutionary. Unfortunately, the descriptions were occasionally a bit dry and felt more like reading a textbook than a sci-fi adventure. I could appreciate how Niven described the indescribable scale of something as massive as the Ringworld. Additionally, the alien races were well-rounded and had complex physiologies and backstories that made the group dynamic entertaining to read. However, the only thing well-rounded about the women in this book were their bodies.

Aside from the considerable age difference between the two romantic leads being an acceptance of pedophilia, it’s clear that Niven only thought of women as objects. This is disappointing because the story could have been more interesting if the female characters had any agency other than being driven by pleasure or luck. I have to recognize that this book is still a snapshot of its temporal circumstances, but that doesn’t necessarily excuse it in today’s society. Acknowledging that it’s from the 1970s, modern works should be more aware of these flaws when using such a pivotal science fiction book as a base for today’s books.

Some great science with not-so-great misogyny, I give Ringworld 3.0 stars out of 5.