Thrillers/Suspense

I loved reading this book. I loved everything about how it was written, how diabolical and shrewd the main character, Amy, was. Most of the book had me at the edge of my seat, eagerly lapping up the story as fast as I could. Then I got to the last quarter or so of the book. There came a point where Amy's plans and character changed a little to drastically to be consistent with who she was throughout the majority of the book. And after that, the quality of the writing also noticeably changed, as if a different author with a different writing style picked up where Flynn left off and finished the story from there. And THEN to add further insult to injury, the ending was just terrible, and somewhat unbelievable.

The first book in the Jack Reacher series is certainly a thriller, through-and-through. I certainly can understand its appeal, especially for male readers, since it has plenty of violence and sex while also exhibiting a number of action sequences. Consequently, it felt somewhat “pulpy” in that it was entertainment for entertainment’s sake. Sure, it’s a fun thrill-ride, but certain elements didn’t invest me in the characters. Jack Reacher himself is probably the majority of this issue, as he’s a drifter with little-to-no connections to anything or anyone, merely acting as a conduit to make action/killing happen.

As for the core mystery of The Killing Floor, it was a fascinating premise and had a slow unraveling to keep me intrigued along the way. This was undoubtedly the strength of the book since it was a unique and intriguing twist on a pretty common crime. With a small cast of characters, the plot stayed pretty focused, even if there seemed to be an unusual amount of coincidence that got it there. Even the characters themselves mentioned how coincidental it was, which merely made the fact of these coincidences more obvious. This detracted from my suspension of disbelief.

For the first book in a series, The Killing Floor does its due diligence of hitting all the tropes of the thriller genre and establishing Jack Reacher as a character who could do anything and be anywhere. I’m sure the other installments in the series took advantage of this flexibility, even if I haven’t read them yet. What was somewhat troubling was how the deaths of the people in the book felt real and had real implications and consequences, but Jack Reacher wasn’t affected by much of it at all. If anything, this book establishes Reacher as a sociopath or at least someone who exhibits many traits of one.

A book filled with everything that would appeal to “guys,” I give The Killing Floor 3.5 stars out of 5.

This book is dark, and it addresses most of the situations of what is happening in the present. However it gives the reader another view besides the victims, but everybody that is affected by the circumstances. It is really good, I could not put it down.

Thr3e by Ted Dekker (great title after reading the book) is one of the greatest murder mystery novels out there. The book begins with the main protagonist, or so it seems, Kevin Parson. He receives a phone call from a psychopath in Killer named Slater saying that he has three minutes to confess his sin to the world or else his car will blow up. This is just one of the many events that take Kevin, Samantha, his greatest friend, and Jennifer, an FBI agent, through a world of mystery and motives. The twists and turns are the main attraction of this novel, as the reader won't expect what comes next. Character backstories also play a gigantic role in this novel, and all of them are well crafted to fit the plot. Anyways, I would recommend it to anyone willing to take the time to read a book.

Grade: 8

Jasper "Jazz" Dent is the son of the world's most notorious serial killer. After his father was captured, Jazz has just been trying to live like a usual 17 year old. But when a new killer appears who seems to be trying to mimic his father, Jazz knows that it's only a matter of time before people start to believe he's the new killer. So he decides to join the police in tracking down the murderer, not only to convince the town he isn't like his father, but himself. I Hunt Killers has a good mystery, with plenty of twists, and is difficult to predict. However, it isn't the mystery that makes the story addicting; it's Jazz. While some of the minor characters suffer from a lack of proper development, Jazz's interesting (and disturbed) mind makes this book difficult to put down. He is a morally gray character, incredibly messed up, but sympathetic. His fears of being a sociopath are not without reason. In the hands of a different writer, his struggles could be seen as heavy handed or melodramatic. But here, he is written as completely believable. The mystery is a good one, but it's the protagonist (the likes of which you rarely see in a young adult story) that makes this book really good.

In this, the fourth installment of the Robert Langdon series, Dan Brown has continued to successfully marry science to art, albeit with the same tropes and trappings that occur in the book’s predecessors. With Inferno, we get the same race across Europe explored in Angels & Demons and The Da Vinci Code, with the ambiguity of the antagonist’s motives that fueled The Lost Symbol . All throughout this adventure, the now-standard “female who is an expert in her field” accompanies Langdon as he tries to unravel the mystery and save the world. Langdon continues to be part Indiana Jones and part James Bond, that’s for sure.

Utilizing the standard “temporary amnesia” plot device, Brown refines his style while also increasing the stakes. While previous books in the series had potential impacts on the local and national levels, Inferno takes the antagonist’s plan to a global scale. With the main character as talented with memory as Robert Langdon is, taking away his recent memories was a good way to have him re-learn the situation at the same time the audience does. This also allows for some entertaining twists and turns as characters’ motives are revealed, often taking the plot in a quick 180° turn.

While much of the historical plot of Inferno focuses on the titular work by Dante, the scientific side of the story is incredibly relevant. Previous Brown books like Angels & Demons or The Lost Symbol certainly had some interesting scientific intertwining, but Inferno examines one of the most pressing issues within the scientific community right now. This issue, much like global climate change, has no easy answer, and Brown’s solution through the book’s antagonist is certainly a terrifying answer, even if it is probably the most humane way to go about implementing it.

The best book in the Robert Langdon series to date, I give Inferno 4.0 stars out of 5.

It seems to me that the multiverse is a popular topic in fiction today. Sure, there have been plenty of stories about parallel universes and the fractal branching of our decisions, but for some reason, there’s been an uptick in the number of these stories lately. Perhaps these stories are trying to find a better universe in which to live, or perhaps they’re trying to show us that the world we have could be much worse. Either way, Blake Crouch’s Dark Matter nails the multiverse plot by exploring all the different connotations of the ability to travel between parallel universes.

Presented in a traditional, three-act narrative, Dark Matter thrusts its protagonist into another version of his reality, ripping him away from his idyllic life. Using quantum physics as a form of magical hand-waving, the narrative then turns to the main character’s relentless search for his original universe. While the result of this exploration fits nicely into the book’s natural third act, I almost would have liked to see something a little different and less predictable. Still, all three acts are entertaining as a breathless thriller driven by the emotions and resolve of the main character.

The best part about Dark Matter is how it fleshes out all the consequences of being able to travel between parallel dimensions. It’s not nearly as simple as an It’s a Wonderful Life (1946) “you-never-existed” storyline. That being said, I do question why the “original” main character had the perfect life, especially if many of the other parallel universes seemed to have relatively close representations of the life he was trying to return to.
But, in the end, the narrative is driven by the characters, and these characters are well-developed and exciting to follow.

A multi-dimensional thrill ride, I give Dark Matter 4.5 stars out of 5.

I haven't always been a big fan of mystery, but this book changed that. The Girl on the Train is about a woman with some difficult events in her past who becomes a crucial part in solving a missing person case. This book resembles a psychological thriller, which keeps the level of suspense high. It shows multiple people's perspectives, which makes following the mystery so much more intriguing. I absolutely recommend this book, whether you like mystery or not. Chances are you won't be able to put it down.

One of Us is Lying is like The Breakfast Club, as it it involves a bunch of "teen movie stereotypes", during an interesting detention. These include Bronwyn, the "brain", Nate, the "criminal", Addy, the "beauty", Cooper, the "athlete", and Simon, the "outcast". However, the similarities end there, as one of them, Simon, dies from a suspicious allergy attack during the detention. Simon was the creator of the gossip app known as "About That," which shared other students' secrets and gossip. He had been planning to post about the other four before his death, making them all suspects in his murder. Or is it all a frameup? The reader has to decide whether one of the incredibly likable four leads is a lying murderer, or if they're all victims.

This book was very addictive. McManus' writing was detailed, and she was able to distinguish the four's voices as their own. No one sounded or felt the same, and each of their narratives were equally enthralling. Each lead character is a deconstruction of the stereotype they're based off of, and in a way, this is a deconstruction of the mystery genre in general; unlike most, it's more character driven than plot driven.

My main complaint is that some of these students seem overly capable in a way. Not just the four, but the supporting character's talents are beyond most high schoolers. It may have made more sense if the setting was in college. However, this is something I see a lot of in YA fiction today, so it doesn't overly bother me, and it didn't lessen my enjoyment of the book.

I recommend this if you like mysteries and character driven stories where every character, both leading and supporting, are developed, fleshed out characters.

Reviewer Grade: 12

After Dan Brown’s previous entries in the Robert Langdon series had covered the Illuminati and the Catholic Church, respectively, his next target in The Lost Symbol was the Masons. Unfortunately, as both National Treasure (2004) and its sequel, National Treasure: Book of Secrets (2007), were released before this book came out, the setting and concept seemed derivative in The Lost Symbol. Especially with the focus on the Masons’ “treasure” for the better part of the book, I was half expecting the chase to be on a larger scale than just hopping from one Washington D.C. monument to the next as the puzzle unfolds.

In a bit of a combination of Angels & Demons and The Da Vinci Code, The Lost Symbol combines the exciting twists of uncovering the secrets of a Masonic pyramid with the pseudoscience of Noetics. Of course, the plot could have omitted everything about Noetics, and it would have stood just fine on its own, so I question why it was even needed at all, except for some familial drama and a series of wordplays near the end of the book. In my mind, the puzzle-solving element brought over from The Da Vinci Code was much stronger than the “science” brought over from Angels & Demons.

As for the book’s antagonist, I initially felt he was merely formulaic to the other enemies from previous Robert Langdon books. After all, when you have a self-motivated Illuminati Agent in Angels & Demons and an albino religious zealot in The Da Vinci Code when you have a tattooed Masonic muscleman as the antagonist in The Lost Symbol, you start to see the similarities. At least this time the antagonist had a great twist near the end. However, like some of the other “twists” in this book, if you were paying close enough attention, you would have figured it out before its reveal.

A procedural combination of the previous two books in the Robert Langdon series, I give The Lost Symbol 3.5 stars out of 5.