Fantasy

I’m all for interesting ways to write books, but using a game of “Twitter
telephone” is a new one for me. In fact, can we even call this book written
by Gaiman at all? Sure, he’s great at these types of modern fairy tales
(like Stardust , for instance), but he only got the ball rolling on this
story and let the internet write the rest of it. Granted, he was the one who
chose which segments to include next, to help guide it into some limited form
of coherence, so maybe he “wrote” it after all?

It’s not that Hearts, Keys, and Puppetry isn’t an utterly incoherent
story; it’s that it lacks focus at times. Plenty of interesting subplots
could have been explored but were quickly abandoned as the story switched
over to a different writer. I’m almost glad this book was as short as it
was because otherwise, I don’t know how much more of the plotline whiplash
I could take. Perhaps it’s a good thing for readers everywhere that stories
aren’t normally created 140 characters at a time. Not that it can’t be
done, but that the longer scope of the project is lost in the changing points
of view.

If anything, this book reminds me a bit of Forum Role-Playing stories. Each
individual controls a character, and everyone writes a segment at a time to
advance the plot. The problem with this approach (other than people not
committing to contributing) is that each individual has an idea in their mind
of where the story should go. Rarely do those ideas match with the rest of
the group. If this story were edited down to a few base ideas that Neil
Gaiman would then use to create a longer-form and coherent story, then maybe
this experiment would have merit. As it is right now, Hearts, Keys, and
Puppetry displays the true randomness of the internet.

A crowd-sourced story that has all the problems of a crowd-sourced story, I
give Hearts, Keys, and Puppetry 3.0 stars out of 5.

When I started reading Wizard and Glass, it became abundantly clear why The Waste Lands ended with a cliffhanger. While it would have been nice to have a short conclusion at the end of The Waste Lands, Wizard and Glass needed a small amount of framing. That way, it didn’t become a book entirely devoted to a flashback. Granted, the large majority of this book is a flashback, even to the point that I’d consider it to be a prequel. Fortunately, Roland’s backstory was something that desperately needed to be expounded upon in this series.

I know most writers are discouraged from using flashbacks, but in the context of a more extensive series, Wizard and Glass is an integral part of understanding how the Dark Tower universe works. Plus, Stephen King can get away with a lot since he’s so well established. In the end, this book works well because it is relational. Understanding Roland’s past and how he had loved and lost helped to make him not only more relatable but more human as well. Up until now, he was this stark, emotionless gunslinger whose only drive in life was to get to the Dark Tower.

While Wizard and Glass is undoubtedly one of the stronger books in the series, I felt there were a few elements that I didn’t like as much when compared to say, The Drawing of the Three (my current favorite in the series). There was plenty of sex in this book that, while somewhat necessary to the plot, was a bit over the top at times. Additionally, for a book that was as long as it was, I would think that more would have happened in it. As it is, there was a lot of talk about stuff happening, but no real action about it until near the end of the book. Still, I look forward to what will happen next.

A much-needed flashback/prequel for the Dark Tower series, I give Wizard and Glass 4.0 stars out of 5.

My knowledge of Norse mythology is passable at best. Granted, much of it I “learned” from movies like Thor (2011), so I understand that there’s an amount of fictionalization to my knowledge. That being said, Mist seemed to take this pop-culture understanding of Norse mythology and transplant it into modern-day San Francisco. While solidly in the New Adult genre (there is plenty of sex and allusions to it here), I can’t say that anything is interesting here in terms of story. Sure, there are a few things that happen, but they all seem to be alluding to much more exciting developments that won’t happen until later in the series.

One of my biggest qualms with this book was that I didn’t connect with the main character. Mist felt very “Mary Sue” to me. I found the more common elements of her existence (e.g., her employment, grocery shopping, laundry, etc.) were mentioned in passing but never given much weight to ground her in the reality of San Francisco. Additionally, there were plenty of illogical or unexplained actions that she took that I only assumed were to progress the story in the way that it was supposed to happen.

As for the action in this book, it is certainly hectic. At times, it’s also confusing as to what is precisely going on, even to the point of being action for action’s sake. Sure, it’s paced pretty well throughout, and it helps show the growth of the titular character, but I started skimming over these sequences after a while. In the end, maybe Norse mythology isn’t for me. Or at least I am not really into the modern-setting Norse mythology presented in books like this. It’s an interesting concept, but it feels too constrained to the urban and doesn’t allow more of the fantasy to shine through.

A passable New Adult Norse urban fantasy, I give Mist 2.5 stars out of 5.

This is a series for children/teens. but I loved it. It really does combine the best of Harry Potter, Percy Jackson, and every fantasy story that you know and love into one amazing series with characters that you just can't help but love. Highly recommend.

Pretty darn good! Light urban fantasy/paranormal with some romance, good pacing & character development, good grammar & proofreading (unlike this review), good action scenes. Really liked the reader for the audiobook. Not the depth of story of Briggs, Butcher, or Huff, but not just fluff waiting for the next romantic scene either. So glad our library is awesome and constantly offering new and interesting things.

Nizhoni Begay is a normal seventh grader in many respects, minus the thing where she can see monsters. One day, she gets home from school to see a monster in her kitchen masquerading as her dad's potential boss. Sure enough, the boss-monster kidnaps her dad, and Nizhoni, her brother Max and their best friend Davery take off on a race to the House of the Sun to find weapons they can use to defeat the boss-monster and save Nizhoni's dad.

I really liked this one! All of Rick Riordan's books and the books on his imprint have something of a sameness to them, but that's not necessarily a bad thing (I'd compare it to the Marvel Cinematic Universe). You know you're going to get a snarky teenager narrating an epic quest to save the world where they'll be attacked non-stop by monsters from some sort of mythology. That's what you get here, but its the Navajo edition. I liked it a lot - I think it helps when the mythology being referenced originated more or less in your backyard, and as a Coloradan, it was a lot of fun to read. Plus, the mythology itself is just cool; Black Jet Girl, Spider Woman, and Crystal Rock Boy were particularly fun.

For readers who like mythology, action, adventure and snarky main characters. I really enjoyed this one, and will add this series to the list of books I listen to while I run! 4 stars - I really liked it.

Thanks to Disney-Hyperion and Netgalley for the eARC, which I received in exchanged for an unbiased review. Race to the Sun will be released on 14 January, but you can put your copy on hold today!

This book contains a captivating world in which angels and demons exist, and there are two in particular we follow who roam the Earth. Their goal: to stop the apocalypse. Their respective sides endeavor for the apocalypse to occur, but the angel Aziraphale and the demon Crowley have grown very fond of Earth.
The story follows several humans as well, including the Witchfinder Newton Pulsifer, the witch Anathema Device, and the Them. It also follows the story of the Antichrist, and the four horsemen. It is an absolutely spellbinding read.

A co-worker of mine suggested I check this book out, and I have now finally gotten around to it. While he gave this series of books a glowing review, I can only hope that the other books in this trilogy fare better than this one. For what it was worth, A Darker Shade of Magic didn’t seem to be original enough for me to care much about what happened in it. It’s filled with so many fantasy and YA tropes that I could almost swear I’d read the same book somewhere else before.

Perhaps part of my problem comes with the audiobook production of this story. I generally liked Lila, except when she was particularly annoying. There were quite a few times the narrator made her sound like Audrey Hepburn in the early part of My Fair Lady (1964), and that’s not much of a compliment. Overall, though, I can understand how the first book in a series can be dry just based on the fact that it has so much exposition and world-building to do to lay a foundation for the next books.

And maybe the “generic” feel of this book comes from the logical nature of a magic system closely tied to blood? I like the concept of the parallel Londons, and the action sequences near the end were reasonably exciting, so there is some merit to this book. It’s more that everything felt so flat and uninteresting, even with a compelling topic like blood magic tying everything together. While I wasn’t necessarily impressed with this book, I’ll continue to be my stubborn (or perhaps masochistic) self and continue with the rest of the series to see what all the commotion is about.

A generic YA fantasy with a few shining moments, I give A Darker Shade of Magic 3.0 stars out of 5.

It’s almost fitting how the follow-on book in the spin-off series to Ender’s Game takes the same tactic as Speaker for the Dead and transforms itself into a completely different genre. While Speaker for the Dead and its sequels still maintained a level of science fiction for the Ender saga, Shadow of the Hegemon pivots into a political thriller with almost no hints of sci-fi to be seen. The strength of the characters helped make this transition relatively smooth, but it still highlights how these child-aged individuals hardly have any child-like qualities.

While the Shadow saga certainly needed to start out focusing on Bean, I did appreciate how Shadow of the Hegemon developed many of the supporting characters. For the first time in both series, I felt like the reader was able to know Petra and Peter while also seeing what Achilles was capable of accomplishing. The results of bringing back children war heroes to Earth had a logical feel to its progression, even if I didn’t really care much about southeastern Asian politics to really engage with the politics of the plot. That’s not to say the whole “cat and mouse” between Achilles and Bean wasn’t interesting; it just wasn’t what had brought me to this series in the first place.

Of course, having read the Ender saga first, I can already see the early ripples of how this side-series will start to wrap up. Now that Ender is less of a presence in the Shadow series, other characters finally have a chance to show what they can do. While I’ll reserve my predictions might change with what actually happens, I get the sense that Peter’s tenure as Hegemon changes the world just as Bean changes into some super-intelligent giant. I will admit that some of Orson Scott Card’s predictions from 2000 still seem plausible today, given the political climate, it’s clear that the author did his research before playing with the ever-important sci-fi “what if” scenario.

A political pivot from a well-known sci-fi series, I give Shadow of the Hegemon 4.0 stars out of 5.

Ximenia Rojas has been the decoy for Condesa Catalina ever since the usurper Atoc overthrow the Illustrarians a decade ago. Ximenia's family, along with the Condesa's, perished during the civil war, and Ximenia and her fellow Illustrians want revenge. When Atoc summons the Condesa to the palace to be his bride, Ximenia goes in Catalina's place and uses her weaving magic to send messages to the Illustrians via tapestry. With only eight weeks before the wedding, Ximenia must find intel about a magical gem that is the Illustrian's only hope.

My literary 2020 is off to a great start with this gem of a historical fantasy YA novel! I went in with fairly low expectations as 2019 was, on the whole, not a great year for YA fantasy. This was very good and felt like something of a course correction. The "historical" aspect covers Bolivian politics and the introduction of cocaine, at least somewhat (I know nothing about Bolivia and the eARC didn't have an author's note at the end, but the author does reference her two Bolivian parents) and deftly weaves a story of magic, moonlight and betrayal. The moon magic is subtle, but well utilized. Ximenia's ability is, for lack of a better phrase, quite cool. The author took a familiar story of rebellion and a headstrong girl and combined those seemingly stale tropes with magical realism and Bolivian flavor to create a book that felt like something new. The romance was earned. The main character grows a lot throughout the course of the book. Ximenia's story is tied up by the end, but there's an intriguing jungle based thread that's left dangling (not a spoiler!) that I'd be willing to bet will be a second book. I'll read it.

Also, I dare you to read this book and not want some tasty Bolivian treats. The food sounds amaaaaaaaaaaazing and it's mentioned a lot.

TLDR: Woven in Moonlight takes a familiar tale of revolution and spices it up with excellent character development and creative magical realism. I'm having trouble thinking of something to compare it to, because I like it better than most books that I've read that are similar (The Bird King by G. Willow Wilson for example - this is in the same zone, but I enjoyed it a lot more). Recommended for readers who like their fantasies to be revolutionary (ha) with a strong female lead and a touch of magic. 4 stars - I really liked it.

Thanks to Netgalley and Page Street Books for the eARC, which I received in exchange for an unbiased review. Woven in Moonlight is available for purchase or you can put your copy on hold today!