Fiction
Nonfiction
Much like Armada to Ready Player One or Artemis to The Martian , I looked forward to reading Robin Sloan's follow-up to Mr. Penumbra's 24-Hour Bookstore . Unfortunately, much like the follow-up books by Ernest Cline and Andy Weir, respectively, I wasn’t entirely satisfied with Sloan’s Sourdough. I will give credit that Sloan’s quirky and charming style is still in high form here, it’s more that there wasn’t much of a central conflict that would have led to a satisfying ending. It’s almost like too many plotlines got into the mix, and it muddled everything up to the point where it would be too difficult to follow each to their logical conclusion.
Cline has video game references. Weir has accurate, hard sci-fi. If there’s one thing Sloan does well, it’s the fusion of analog and digital. From Mr. Penumbra’s 24-hour Bookstore, it was the appreciation of the printed book in the era of Google searches. In Sourdough, Sloan explores the future of food—which is perhaps the most analog of topics—by including some realistic and relatively soon-to-be-realized technological advances like nutrient gels, robotic cooking, and alternative growing environments. If this was the primary focus of the book, there could have been a great conflict between old and new instead of what felt like a rushed, gulping ending to a book I’d want to sip like great wine.
Sourdough was my “vacation book,” meaning that I was truly looking forward to reading it. I love the style Sloan uses, which is both humorous and light. This book was quite the quick read, but that was helped by the fact that I hardly put it down. It’s a little disappointing that some of the “mysteries” weren’t played up more (I never really did care who Mr. Marrow was), and that the ending felt a little out of left field, but I’m sure I’ll pick up Sloan’s next book, regardless. After all, I was still entertained with this one, even if it didn’t live up to the “Mr. Penumbra” expectation.
Another semi-adequate follow-up from one of my newer, favorite authors, I give Sourdough 3.5 stars out of 5.
For the first time, it seems that I’m reading a series backward. Of course, it was also written a bit backward, which explains why I’m going about it this way. While Pebble in the Sky was the first book in this series, it actually comes at the end of the narrative. A year later, Isaac Asimov would write the prequel, The Stars, Like Dust , which was then followed by a book that fit between the two. The Currents of Space is that book. Fortunately, there isn’t much tying this book to Pebble in the Sky, other than the universal setting for the events to take place.
It is encouraging that Asimov’s writing was able to improve in two short years between his first ever novel and this follow-on prequel. The Currents of Space has a distinct main character, apparent conflict, and well-timed plot revelations. The focus of this book helps to describe a somewhat interesting and thrilling scenario, even if it’s peppered with lots of clichés that are still present to this day. The “amnesiac expert” is by no means a new or unique storytelling device by today’s standards, but it may have been interesting back in the 1950’s.
Despite the improvement in Asimov’s writing, there were still a few choices that I felt were perhaps due to the weaknesses in Pebble in the Sky. In his first book, it was difficult to grasp everything that was happening. In The Currents of Space, one of the characters does an exposition dump that amounts to a recap of the first two-thirds of the book. While there was some added info to this information that led to the satisfying conclusion of the plot, it still seemed unnecessary if the reader was paying attention up to that point.
An improvement over his previous work in the series, I give The Currents of Space 3.0 stars out of 5.
Every day at 11pm, Evelyn Hardcastle is murdered at Blackheath, her family’s estate and her childhood home. Aiden Bishop has eight days to solve her murder. Eight of the same days. The day repeats on a loop, but each day for eight days, Aiden occupies a different body. His only escape from the never ending loop is to solve her murder.
Wow. This was a fantastic, kind of trippy thrill ride. The only thing I can really think to compare it to is The Magus by John Fowler, and that’s only in the sense that both you the reader and the main character really have absolutely no clue what is going on. Unlike The Magus, though, (almost) everything is revealed by the end of the book and it comes to a mostly satisfying conclusion.
Even if it were just a closed door murder mystery, it would still be good. The mystery itself was twisty enough to keep the reader constantly on their feet. I guessed one thing, but most of the elements of the mystery were a total surprise when they were revealed. It’s deliciously complex. The addition of the eight different perspectives along with the fact that everyone is unreliable really added to the story. Add to that the fact that someone is killing off Aiden’s hosts, and the book becomes nearly impossible to put down. I actually had to stop reading it before bed because I was staying up too late (just one more chapter!). There were a few world building things that were left frustratingly vague, but I think that was by intention, so I can’t complain.
This genre bending book will screw with your head in the best way possible. I’ve never read anything quite like it, and I really loved the reading experience. I think a lot of people will enjoy it – mystery lovers, those that enjoy high concepts and general fiction readers are going to love this one. I certainly did! 5 stars.
Thanks to Sourcebooks Landmark and Netgalley for the eARC, which I received for review consideration. The 7½ Deaths of Evelyn Hardcastle will be available for purchase in the US on 18 September 2018. You can put your copy on hold today!
1984 is a timeless classic about a dystopian future where war is constant and you are constantly watched and carefully studied by an ominous force called the Thought Police. Everyone is expected to completely devote themselves to The Party (the ruling government) and believe everything they say. If the Thought Police detects the slightest amount of dissonance in a citizen, they disappear and, according to The Party, cease to exist - and never existed. One party member, Winston Smith, has been rebelling against the Party in thought only for years. Now, he finally gets enough courage to stand up for what's right. Will Winston be able to stop the tyrannical rule of The Party or will it all be in vain? Find out in 1984!
A group of boys are stranded on an island after a plane crash. With no adult supervision, the boys are free to do whatever they want. At first this is something to celebrate. However, as their time on the island grows, the boys learn the challenges of staying alive. Eventually, some of the boys become complete savages and complete chaos reigns the island.
Lord of the Flies is full of symbolism and is at some points very difficult to understand. To follow the story, much inferring is necessary along with a fairly advanced vocabulary. I personally did not enjoy the story very much.
However, some readers may disagree. I do not recommend this book for anyone that is younger than high school.
Reviewer Grade:9
All four of these books (Breakthrough; Ripple; Leap; Catalyst) are fast paced, incredible adventure/mystery's, creative, fascinating with wonderful characters both human and animal. Michael is a great author. Can't wait for the next book in the series.
I slogged through 200+ pages of tedium to reach an absolutely ridiculous conclusion. This will be the last time I see Paris.
Her books have gotten progressively worse. I would lump her in with Ruth Ware. Modern day "thriller" writers who are popular. Why, I do not know.
Fabulous. If you are at all interested in the Romanovs as a whole (beyond Nicholas and Alexandra), this is a wonderful introduction. This book expands the story of the Romanovs from the point of view of Empress Maria Feodorovna who married the Russian Tsarevich and was the mother of the ill-fated Russian monarch Nicholas II (she was also the sister of Queen Alexandra of the U.K., King Frederick VIII of Denmark, and King George I of Greece - luckily there is a handy family tree in the front of the book for you to refer to!) Beautifully written and engrossing.
You think with an inciting incident as extreme as the one at the end of The Long Earth , the follow-on book, The Long War, would be an exciting series of battles. If you thought that, you’d be wrong. Instead, authors Terry Pratchett and Stephen Baxter take the Speaker for the Dead route by aging the main character of the first book by at least a decade and throwing in heavy doses of non-human racism (speciesism?). For a book that has “war” in the title, there isn’t much war at all. This is disappointing for many reasons.
Sure, there’s still plenty of neat science fiction ideas presented here, but The Long War exhibits the same problems that were present in The Long Earth. First and foremost, the wit and humor of Terry Pratchett is hardly to be seen in this book, only occasionally popping up to add levity to a situation. Secondly, there’s so much exposition that the book “tells” instead of “shows,” that it almost becomes a bore to read. Finally, with so many subplots strung together, it was difficult to know precisely what was going on, who these characters were, or why I should care.
I’ll still probably suffer through the rest of this series since I don’t have to think very hard when I’m listening to the audiobook. The fact that I want to get through this five-book series as quickly as possible says something, though. The real problem is that the ideas and settings presented here could have been great. If the end of the first book had transitioned seamlessly into this one, causing the people who could “step” to rise up against those who would perform the despicable act that affected datum Earth, then we’d actually have a war on our hands instead of . . . this. Don't even get me started on the ending, which I'm pretty sure had a good paragraph of dialogue copied from The Long Earth.
An overly long book with little to no war, I give The Long War 2.0 stars out of 5.
This book is the first of a 13 book series and it is FANTASTIC!!!!! It is hilarious, the characters are very well developed. The story line is very intriguing as well as entertaining. All around this book is a great mix of romance (beware it seems a little surprising how descriptive it is), supernatural and comedy!!
This book has me questioning whether or not I'm actually the straight-up extrovert I believed myself to be. Maybe it's a product of aging or of circumstances, but I find myself identifying with the introverts in some aspects of my life. My husband is a hard-core introvert, so this book reinforced what I already know about him. The anecdotes were very interesting and the presentation was more readable than your average nonfiction book. Good book!
Okay, let me just say this: All you poser dystopian teen novels 'breaking the rules' with scandalous gratuitous plot elements better just step back. Nineteen Eighty-Four, the granddaddy of all dystopian novels, just handed your butt to you. This book isn't kidding around. Danger, insubordination, illicit sex, graphic torture, this book has it all. It's not for the weak of heart. And the ending is so powerful and heart-wrenching! The only reason it doesn't get 5 stars from me is the lengthy political and philosophical treatises that appear a few times in the book. I get it, this is the quiet power behind the novel and the part that is dissected by academia. But I'm not an academic, so it didn't do it for me.
This is the first book in another story arc that takes place in the world of "the others", laid out and told from a different perspective in the Meg and Simon series beginning with Written in Red. Lake Silence takes place in another town in the world of "the others" with a whole new cast of characters and problems to solve. Anne wrote this story from the view of an ordinary woman who has survived being married to a verbally abusive husband, the divorce and now the betrayal by the same dirt bag. As a consequence, this story has real human depth without all the self pity one would expect of such a perspective, and instead shows how the problems are handled from flexibility and strength, assisted by truly helpful friends, human and "other". The story is well told and I've re-read it several times waiting for the follow on book, Wild Country. I recommend this book as a story the reader can "sink into" and identify with from multiple points of view.
Third in a trilogy, the Themis story is as gripping in this last novel as it was in the first two, the characters as real as any you've met personally. The story wraps up the trilogy with the end of the robot story. The why, who and where of it are answered and addressed. It's a particularly emotional book in that the main characters finally duke it out over their deep disagreements and yes, work something out. I'm hoping Sylvain does another series as his science fiction writing is entrancing and gripping and exciting. All the reasons for reading a good book.
***THIS BOOK WAS RECEIVED FROM THE PUBLISHER***
About seven years ago, there seemed to be a renaissance of fairy tale retellings and reimagining that swept through popular culture. From television shows like Once Upon a Time and Grimm to movies like Snow White and the Huntsman (2012) and Mirror Mirror (2012) to the books of Melanie Dickerson, it seemed that wherever you turned, you could find someone’s different take on classic fairy tales. While perhaps a little outside this bubble of pop culture, Spinning Silver has the benefit of standing out in a field of genre books that seems to have cooled in recent years.
Based partially on the story of Rumpelstiltskin, author Naomi Novik has masterfully combined elements of Jewish and Russian folklore to reimagine this story from a somewhat more modern perspective while also maintaining its fairytale settings and tropes. If anything, her strong and independent female characters highlight how chauvinistic the original fairy tales seem when compared to the culture we’re living in today. I appreciated how smart the story is, taking the concept of “turning silver into gold” from a merely economical standpoint and turning it on its head by adding in fantastical elements more akin to alchemy.
While the point of view of this book jumped around from a few of the characters, I found the interconnectedness of their stories to be incredibly well done. I probably would have left out the old woman’s POV, since it didn’t add anything other than some unnecessary backstory, but other than that, each character’s storyline had its own tone, challenges, and uniqueness to make the entire plot a well-rounded affair. Writing the story in this way helped to humanize antagonists, provide the terror of poverty, and show plenty of character growth throughout the characters. Even the fact that the “simple” solution of the climax wasn’t the best solution for the characters speaks to the depth of thinking that went into this brilliant plot.
An intelligent and well-written fairy tale reimagining, I give Spinning Silver 4.5 stars out of 5.
Ebo’s brother Kwame is missing. But Ebo knows where he’s gone: to find their sister. Life in Libya is hard, so Ebo and Kwame’s sister, Hannah, left and promised to send back money once she was installed in Europe with a new job and more money. But since she left, Ebo and Kwame have heard nothing from her. So when Ebo wakes up one morning and Kwame is gone, Ebo knows he must go after him. What follows is the harrowing, heartbreaking story of Ebo’s journey through dangerous cities, deserts, and the ocean.
Wow. Look, I cry a lot, and am no stranger to crying whilst reading. But this book made me sob. Like, uncontrollable tears running down my face. The refugee story is often a sad and intense one, and Ebo’s is certainly no exception. And then, when you think about Ebo’s story in the context of it being a real thing happening to real people in this world that we all share, and the US is actively turning away people in similar if not the same situation, well, its depressing. But importantly so. One must also consider the fact that thousands of children, thousands of people are dying, and no one seems to care. It’s a deeply sad book that will cause lots of introspection, but for me, that’s a good thing. This is an issue that needs more attention.
The stunning artwork added to the impact. Seeing Ebo’s expressions - the heartbreak, loss, and hope playing out across his face – made what was already an intense, powerful story all the more affecting. I loved pretty much everything about this book, and I hope you take the time to read it. 5 stars.
Thanks to Baker & Taylor, Netgalley and Sourcebooks for the free paper and electronic advance copies, which I received in exchange for an honest review. Illegal is available now – put your copy on hold today!
Having read a few of Sir Terry Pratchett's books before, I am no stranger to the randomness of his writing style. Usually, he has some character or object that just doesn’t fit in a normal narrative, but he manages to work it in with an explanation that’s both natural and makes sense. However, this only works if Pratchett has control over the entire story. Unfortunately, as is the case in The Long Earth, the randomness that Pratchett brings to the table sticks out like a sore thumb from the rest of the mostly sci-fi story. For instance, does an artificial intelligence have to be a reincarnated Tibetan motorcycle repairman? If you want to take the story seriously, probably not.
In the end, this book seems to be mostly written by Stephen Baxter, with only a smattering of Pratchett’s charm thrown in occasionally for levity. I haven’t read any of Baxter’s other books, but I’m not sure if I’d want to, considering how The Long Earth was put together. First off, the entire book seems to be an exposition dump about “stepping,” which is the process wherein people can move from one parallel universe into another. None of the narratives seems dedicated to anything in particular. With no goal in mind, the story will often get distracted away from the main character during little vignettes that explore some of the potentials of the multiverse theory presented therein.
I did appreciate the amount of thought that went into the limitations and peculiarities of stepping between parallel Earths, but when that’s the only focus of the book, it tended to get repetitive. So often, I’d be listening to this audiobook and realize that there wasn’t much dialogue between these characters; they were mostly spewing out more explanation about the Long Earth in a series of expository dumps of information.
A book full of sci-fi exposition, I give The Long Earth 2.0 stars out of 5.
As I pulled together some of the information for this review, I became aware that Pebble in the Sky was Isaac Asimov's first novel. To be honest, that explains a lot. I’d read a few Asimov books before— I, Robot being a personal favorite—so I was a little disappointed with this story. If anything, it showed Asimov’s potential for bigger and better stories, or at least stories that were a little more focused. As it is, Pebble in the Sky provided the groundwork for prequels and some of Asimov’s best writing, but it remains fairly rough in comparison.
Some of the ideas in Pebble in the Sky are certainly noteworthy, including an age limit for humans and telepathic abilities. We also see here the ability of science fiction to address social issues as well. In this case, racism was the topic du jour, which was definitely in the early edges of revolution in 1950. And yet, the political commentary wasn’t nearly as subtle here as it could have been. Furthermore, while the more fantastical ideas presented here had some merit, their execution probably needed a little extra work. It’s a good first book, but it’s far from perfect.
It’s weird to me that I found a book by Isaac Asimov so mediocre, but I suppose that merely accentuates how great an author he eventually became. His future works would subsequently have the greater depth of thought that went into their premises and science, but as Pebble in the Sky shows us, that wasn’t always the case. There almost seem to be too many ideas crammed into this book to allow adequate time to explore each one. Consequently, when it jumps around from one subplot to another, it can be a little easy to get lost in the transition.
Isaac Asimov’s adequate first novel, I give Pebble in the Sky 2.5 stars out of 5.
This book took me on an emotional roller-coaster! The beginning bits were so funny, I figured it was going to be more of a slapstick comedy (which I was okay with), and then the reality that this was set in London during the Blitz set in, and I found myself gasping. Plucky Emmaline is such a lovable character, I would love if the author would consider revisiting her life in the future! Strongly recommend for those who enjoyed The Guernsey Literary and Potato Peel Pie Society. While it is not written in letters, Dear Mrs. Bird packs a similar emotional punch.
2 1/2 stars. It was a fun Gothic-type novel, but nothing really memorable. If you just need something light to read with not too much substance (I call them "chewing gum" books), you may enjoy this title. This is my 3rd Ruth Ware novel to which I've given 2 1/2-3 stars so I think I'm done with her books.