In this Sci-Fi thriller sequel to the first Saucer book in the series, Stephen Coonts brings back ex-air force test pilot Charley Pine, Rip Cantrell, and some new key characters. Charley Pine is hired to fly a french spaceplane to the moon, where she finds a french Millionare by the name of Pierre Artois. Charley soon finds out what Artois and his conniving wife Julie are actually up to. A massive Anti-Gravity gun is stationed on the moon, Pierre and his wife have been planning for years for their ruler ship over the earth. All the while this is going on, Rip's uncle, saucer expert, Egg Cantrell is kidnapped by mad scientist Newton Chadwick and is forced fly him to the moon in another saucer... Rip Cantrell and Ms. Pine find out about this and steal another saucer from a Smithsonian. Soon a fierce battle in outer space takes place. Who will come out on top? This sequel to the first Saucer book should definitely be on everyone's radar. Young or old, this book will leave you all wanting more more every page you turn over!
9th Grade Review
Saucer is an amazing Sci-Fi, Adventure, Thriller, and suspense book.
Stephen Coonts is a very talented Author who uses very good word choice. This is quite evident in his Saucer Trilogy, he seems to use the best wording at the best possible time. This book is definitely a great choice for all 13+ year old Audiences. Young Rip Cantrell is put under difficult circumstances numerous times. When his life and the life of Ex-Air Force Test Pilot Charlie Pine, and his grandfather are at stake, he makes a choice that will change his life from that point on. This Novel brings not only the thrill of life and death so many times, but amazing science fiction story line for us Sci Fi geeks. Obviously this book involves a saucer, Hence the name "Saucer", and this saucer appears to be lodged in that sandstone for over 140,000 years.
Now this saucer isn't made from man, as proven when Rip and his companions explore the object after days of digging it out. Over the course of this book, action escalates quickly, as Rip ends up across the world in Australia trying to save Charlie from the 2nd richest man in the world... Saucer is a stunning, action filled, adventurous book, at what might have been and what be. Go check this book out for yourself! I guarantee you will not be disappointed!
I loved reading this book. I loved everything about how it was written, how diabolical and shrewd the main character, Amy, was. Most of the book had me at the edge of my seat, eagerly lapping up the story as fast as I could. Then I got to the last quarter or so of the book. There came a point where Amy's plans and character changed a little to drastically to be consistent with who she was throughout the majority of the book. And after that, the quality of the writing also noticeably changed, as if a different author with a different writing style picked up where Flynn left off and finished the story from there. And THEN to add further insult to injury, the ending was just terrible, and somewhat unbelievable.
The first book in the Jack Reacher series is certainly a thriller, through-and-through. I certainly can understand its appeal, especially for male readers, since it has plenty of violence and sex while also exhibiting a number of action sequences. Consequently, it felt somewhat “pulpy” in that it was entertainment for entertainment’s sake. Sure, it’s a fun thrill-ride, but certain elements didn’t invest me in the characters. Jack Reacher himself is probably the majority of this issue, as he’s a drifter with little-to-no connections to anything or anyone, merely acting as a conduit to make action/killing happen.
As for the core mystery of The Killing Floor, it was a fascinating premise and had a slow unraveling to keep me intrigued along the way. This was undoubtedly the strength of the book since it was a unique and intriguing twist on a pretty common crime. With a small cast of characters, the plot stayed pretty focused, even if there seemed to be an unusual amount of coincidence that got it there. Even the characters themselves mentioned how coincidental it was, which merely made the fact of these coincidences more obvious. This detracted from my suspension of disbelief.
For the first book in a series, The Killing Floor does its due diligence of hitting all the tropes of the thriller genre and establishing Jack Reacher as a character who could do anything and be anywhere. I’m sure the other installments in the series took advantage of this flexibility, even if I haven’t read them yet. What was somewhat troubling was how the deaths of the people in the book felt real and had real implications and consequences, but Jack Reacher wasn’t affected by much of it at all. If anything, this book establishes Reacher as a sociopath or at least someone who exhibits many traits of one.
A book filled with everything that would appeal to “guys,” I give The Killing Floor 3.5 stars out of 5.
This book is dark, and it addresses most of the situations of what is happening in the present. However it gives the reader another view besides the victims, but everybody that is affected by the circumstances. It is really good, I could not put it down.
Thr3e by Ted Dekker (great title after reading the book) is one of the greatest murder mystery novels out there. The book begins with the main protagonist, or so it seems, Kevin Parson. He receives a phone call from a psychopath in Killer named Slater saying that he has three minutes to confess his sin to the world or else his car will blow up. This is just one of the many events that take Kevin, Samantha, his greatest friend, and Jennifer, an FBI agent, through a world of mystery and motives. The twists and turns are the main attraction of this novel, as the reader won't expect what comes next. Character backstories also play a gigantic role in this novel, and all of them are well crafted to fit the plot. Anyways, I would recommend it to anyone willing to take the time to read a book.
Grade: 8
In this, the fourth installment of the Robert Langdon series, Dan Brown has continued to successfully marry science to art, albeit with the same tropes and trappings that occur in the book’s predecessors. With Inferno, we get the same race across Europe explored in Angels & Demons and The Da Vinci Code, with the ambiguity of the antagonist’s motives that fueled The Lost Symbol . All throughout this adventure, the now-standard “female who is an expert in her field” accompanies Langdon as he tries to unravel the mystery and save the world. Langdon continues to be part Indiana Jones and part James Bond, that’s for sure.
Utilizing the standard “temporary amnesia” plot device, Brown refines his style while also increasing the stakes. While previous books in the series had potential impacts on the local and national levels, Inferno takes the antagonist’s plan to a global scale. With the main character as talented with memory as Robert Langdon is, taking away his recent memories was a good way to have him re-learn the situation at the same time the audience does. This also allows for some entertaining twists and turns as characters’ motives are revealed, often taking the plot in a quick 180° turn.
While much of the historical plot of Inferno focuses on the titular work by Dante, the scientific side of the story is incredibly relevant. Previous Brown books like Angels & Demons or The Lost Symbol certainly had some interesting scientific intertwining, but Inferno examines one of the most pressing issues within the scientific community right now. This issue, much like global climate change, has no easy answer, and Brown’s solution through the book’s antagonist is certainly a terrifying answer, even if it is probably the most humane way to go about implementing it.
The best book in the Robert Langdon series to date, I give Inferno 4.0 stars out of 5.
It seems to me that the multiverse is a popular topic in fiction today. Sure, there have been plenty of stories about parallel universes and the fractal branching of our decisions, but for some reason, there’s been an uptick in the number of these stories lately. Perhaps these stories are trying to find a better universe in which to live, or perhaps they’re trying to show us that the world we have could be much worse. Either way, Blake Crouch’s Dark Matter nails the multiverse plot by exploring all the different connotations of the ability to travel between parallel universes.
Presented in a traditional, three-act narrative, Dark Matter thrusts its protagonist into another version of his reality, ripping him away from his idyllic life. Using quantum physics as a form of magical hand-waving, the narrative then turns to the main character’s relentless search for his original universe. While the result of this exploration fits nicely into the book’s natural third act, I almost would have liked to see something a little different and less predictable. Still, all three acts are entertaining as a breathless thriller driven by the emotions and resolve of the main character.
The best part about Dark Matter is how it fleshes out all the consequences of being able to travel between parallel dimensions. It’s not nearly as simple as an It’s a Wonderful Life (1946) “you-never-existed” storyline. That being said, I do question why the “original” main character had the perfect life, especially if many of the other parallel universes seemed to have relatively close representations of the life he was trying to return to.
But, in the end, the narrative is driven by the characters, and these characters are well-developed and exciting to follow.
A multi-dimensional thrill ride, I give Dark Matter 4.5 stars out of 5.
I haven't always been a big fan of mystery, but this book changed that. The Girl on the Train is about a woman with some difficult events in her past who becomes a crucial part in solving a missing person case. This book resembles a psychological thriller, which keeps the level of suspense high. It shows multiple people's perspectives, which makes following the mystery so much more intriguing. I absolutely recommend this book, whether you like mystery or not. Chances are you won't be able to put it down.
After Dan Brown’s previous entries in the Robert Langdon series had covered the Illuminati and the Catholic Church, respectively, his next target in The Lost Symbol was the Masons. Unfortunately, as both National Treasure (2004) and its sequel, National Treasure: Book of Secrets (2007), were released before this book came out, the setting and concept seemed derivative in The Lost Symbol. Especially with the focus on the Masons’ “treasure” for the better part of the book, I was half expecting the chase to be on a larger scale than just hopping from one Washington D.C. monument to the next as the puzzle unfolds.
In a bit of a combination of Angels & Demons and The Da Vinci Code, The Lost Symbol combines the exciting twists of uncovering the secrets of a Masonic pyramid with the pseudoscience of Noetics. Of course, the plot could have omitted everything about Noetics, and it would have stood just fine on its own, so I question why it was even needed at all, except for some familial drama and a series of wordplays near the end of the book. In my mind, the puzzle-solving element brought over from The Da Vinci Code was much stronger than the “science” brought over from Angels & Demons.
As for the book’s antagonist, I initially felt he was merely formulaic to the other enemies from previous Robert Langdon books. After all, when you have a self-motivated Illuminati Agent in Angels & Demons and an albino religious zealot in The Da Vinci Code when you have a tattooed Masonic muscleman as the antagonist in The Lost Symbol, you start to see the similarities. At least this time the antagonist had a great twist near the end. However, like some of the other “twists” in this book, if you were paying close enough attention, you would have figured it out before its reveal.
A procedural combination of the previous two books in the Robert Langdon series, I give The Lost Symbol 3.5 stars out of 5.
Once again, I find that the source material on which a famous movie is based is equally as good and equally as famous. What strikes me as interesting is that the quick turn on some of these literary masterpieces from page to screen has largely remained unchanged. Gone with the Wind only took three years before its film debut, The Martian took four years, and Psycho only took one. Clearly, these stories are practically screaming to be made into movies, and most have done quite well as the cultural icons of their age.
Of course, having already seen the film on which this book was based, I was well aware of the twist ending. Nevertheless, reading through this book was almost enhanced by this a priori knowledge as one would probably not have guessed the twist if they were reading it for the very first time. There are just little hints here and there that something is off, but it’s not until close to the end that we find out that everything is not as it initially seemed. Even the visuals provided in the film version helped to aid my imagination in establishing the setting and characters.
And yet, as there always is, there are some differences in the book that did not make it into the movie. I wonder if Norman Bates was made a lot slimmer in the film partly due to Hitchcock’s portly frame. In the book, his overweight body adds a layer to the character (both literally and metaphorically) which helps flesh out (Har har. OK, I’ll stop) more of the explanations as to why Bates ended up this way. Much like One Flew Over the Cuckoo’s Nest, being able to get into the mind of Norman Bates was a fascinating examination of someone with a severe mental illness.
A fantastic read equally on par with the Hitchcock classic, I give Psycho 5.0 stars out of 5.
The first time I was introduced to Alan Glynn’s writing was through the
film, Limitless (2011), which itself was based off his first novel, The Dark
Fields. While I enjoyed the film for its visuals, what really struck me as
interesting was the storytelling and characters Glynn created. Now fifteen
years after his first standalone novel, Paradime continues to show Glynn’s
talent in creating engaging plots and characters. Since I really enjoyed this
book, I will do my best to review it without spoiling it for anyone.
At its most simple level, Paradime is a modernized retelling of Mark
Twain’s The Prince and the Pauper, or at least half of it anyway. Told from
the perspective of an out-of-work and out-of-luck cook, Danny Lynch, the
pacing of each of the three acts is steady and intense. Even if some of
Danny’s vocabulary seems a little advanced at times, he is the perfect
“everyman” to convey his peculiar circumstances to the reader. Those
familiar with Limitless will probably see many parallels between the two
stories, with the main exception being how the story ends for Danny.
Glynn’s writing style is very natural and easy to read in this modern
thriller. Each chapter left me wanting to read more and I found myself having
difficulty stopping because the pull of the plot was so intense. I also
appreciated the ability of Glynn to tie things up in an almost unexpectedly
expected way so that no detail in this book was left unused. While this may
have been the first time I’ve read anything by Alan Glynn, I am now
certainly a fan and will have to go back and pick up his other books to read.
A fast-paced and thrilling read, I give Paradime 5.0 stars out of 5.
While I saw the movie before listening to the audiobook, I must say that I
still really enjoy the main character. He’s one of those guys you love to
hate, but he’s trying so hard to do the right thing, even if it means
defending a scumbag who deserves a lot worse. Of course, since I had seen the
movie already, I had an idea how it was going to end, but couldn’t remember
the specifics. Perhaps that’s a measure of a great crime drama: all the
misdirection makes it difficult to know “whodunit”, allowing future
rereads to be enjoyable.
But, back to the main character, Mickey Haller, I think one of the reasons
this book was a breeze to listen to was because the main character’s POV is
so well written. You can tell that he has some baggage from his father, which
is partly why he defends everyone, regardless if they’re guilty or not. The
fact that Haller knows his way around the legal system and uses it to his
advantage to even get the guilty an innocent ruling just shows that he takes
pride in his work, even if it labels him as someone who keeps the crime on
the streets.
The plus to this audiobook was also the narrator, who was awesome in bringing
all the different characters to life with his voice acting. Even if the story
is told from the point of view of the eponymous “Lincoln Lawyer,” there
are plenty of interesting people in this book, and each one certainly has a
different “sound” to them. It’s the attention to these details that
differentiates a narrator just reading a book to you and a voice actor who
can bring the events happening in the words he’s speaking to life.
A great start to an interesting crime drama series, I give The Lincoln Lawyer
4.0 stars out of 5.
Another book, another trial for the Lincoln Lawyer. While I appreciated the
stand-alone nature of this book, I also liked that knowledge of the events in
the first book of this sub-series helped to provide context for the
challenges Mickey Haller now faces. The main case of this novel was pretty
predictable, especially if you read into the insinuation of the title. I
would have liked a little more attention on the side-case surrounding the
death of Haller’s lawyer colleague. It seemed to be more of a Harry Bosch
story, though, so I can understand why the focus was on Haller’s case.
Once again, Michael Connelly creates an easily readable series of events that
unfold in the courtroom. Some twists at the end were exciting developments
but were definitely easily guessed if the reader was paying attention.
There’s almost a guilty pleasure in following Haller along as he embeds
that reasonable doubt into the jury’s minds. Something about the justice
system being used to make absolutely sure someone is innocent or guilty just
sits right, even if it’s in the defense of a completely unlikeable
character. This character’s final fate was equally as satisfying, even if
it wasn’t in court.
As noted above, my only qualm with the novel was that it seemed to be only
one side of the story. While we followed Mickey Haller, there was another
story unfolding with Harry Bosch that probably could have filled up another
volume. There was a lot that Bosch did behind the scenes that made his story
also seem quite interesting, even if it wasn’t expressed in these pages.
The connection between these two characters at the end of the book was also
nice, and I am curious how often Bosch will come back into play in future
Mickey Haller books.
A straightforward courtroom drama with predictable twists, I give The Brass
Verdict 3.5 stars out of 5.
After two novels of Mickey Haller defending guilty scumbags, Michael Connelly
changes it up with The Reversal. Not only does the title refer to the
reversal of a 24-year old conviction, but also to the main character’s swap
over to the prosecution. While there seems to have been a book between this
one and The Brass Verdict, I have a feeling it was mostly about Harry Bosch,
since the hinted details in this book give me a good idea of what happened
and it didn’t change the last reference point of Mickey Haller.
Now that these two main characters were tied together in this case, one of
the issues I had with this book was how often it switched between first and
third person POVs. Perhaps I was too used to the story being told from Mickey
Haller’s perspective and there was so much that happened outside of his
direct involvement that it was necessary. However, there were times where
Haller was present in the scene and it seemed to switch between the two POVs
somewhat inconsistently, adding to my confusion as to who was speaking. I
only hope the next book in the series focuses more on Haller than splitting
the time between him and Bosch.
Furthermore, while I did appreciate the change of Haller being a part of the
prosecution team with his ex-wife, the story unfolded much in the same way
the others had. Most of the trial was pretty predictable with the twists
being easily recognized well before they were revealed. The unpredictable
ending is almost part of the template now, so even though it was an exciting
development, I had come to expect it.
Another Michael Connelly standard with a few changes to make it interesting,
I give The Reversal 3.5 stars out of 5.
In the fourth installment of The Lincoln Lawyer series, The Fifth Witness
follows Mickey Haller as he navigates another murder trial. This time, the
real scenario of the foreclosure crisis is brought in to help set the stage
for the trial. Using a historical event like this helped to bring the story
together in a way that felt more real and relatable than the previous entries
in the series. Most Americans I know who were affected by the housing market
crash would certainly be entertained by this story of corruption and
underhanded dealings, if for no other reason than to justify how screwed up
the system is.
Gone from this part of the series is detective Harry Bosch, who I felt
distracted from the main storyline centering around Mickey Haller and his
court battle in the previous two books of this series. This time, it’s all
Mickey. What helped to make this book stand out from the rest was the amount
of soul-searching and character development our favorite defense lawyer does
throughout the events unfolding around this trial. Because of his work as a
defense attorney, it was easy for him to become cynical, thus making his
aloof attitude more entertaining than endearing. This time around, he starts
to become self-aware and sees that his life isn’t heading in the direction
he wants.
I appreciated the slight bit of meta-humor in this book, not only in its
title but considering it came out around the same time as The Lincoln Lawyer
(2011) movie. And while some of the numerous “sudden evidence” events for
the trial was a bit of a cheap way to add twists to the story, Connelly
expertly hid the true twist ending until the final moments of the book,
something that was somewhat missing from earlier parts of the series. With an
interesting nod toward some future storylines, I felt The Fifth Witness is
the strongest entry in the series so far.
A great courtroom drama pulled straight from the housing crisis, I give The
Fifth Witness 4.0 stars out of 5.
I managed to find this book on a table full of free books at a convention some time ago and tucked it away in my “to read” pile. Now that I’ve finished most of the Goodreads giveaways I have received, I decided to give it a read. With nothing other than the title (which doesn’t tell me much) and the cover (which gives a little more information), I honestly didn’t know what to expect from this book. Since it was on a table of free books, I didn’t have much expectation for it, but boy did it ever deliver!
With a fantastically engaging idea and a blisteringly fast execution, 7th Son: Descent pulled me in from the get-go and wouldn’t let go. Action! Espionage! Science! Without ever becoming too mired in the details (but providing enough to have the plot make sense), this book successfully made a story about cloning that wasn’t trite or cliché. The ideas and characters contained within were unquestionably too big for this book since it introduced many subplots but never concluded them. Still, there was enough of a conclusion to this book to leave me satisfied without it being too much of a cliffhanger.
My one qualm with 7th Son: Descent, other than the brief, horrifying moment of implied violence involving a pneumatic socket wrench, was that there were almost too many characters. I understand that there needed to be a well-rounded group of clones, but I honestly couldn’t tell you anything significant or memorable about at least two of them. I mean, you have the free-spirited musician, the conspiracy-nut hacker, the gay marine, the priest, and the egomaniac criminal psychologist, but I guess the U.N. employee and the other guy (I can’t even remember what he did) didn’t stand out to me. Maybe they play a bigger role in the later books, but they seemed undeveloped in this one.
An excellent, action-packed science fiction book that left me wanting more, I give 7th Son: Descent 4.5 stars out of 5.
Review: The book, One Mile Under, is about a girl, who is a white water rafting guide living in Aspen, Colorado, who finds a body on one of her rafting trips. Throughout the book the girl, with some help from a few friends, tries to prove that the death of the man was no river accident while also trying to avoid being murdered herself. I chose this book because I though the title seemed interesting, and I had read some of the author's other books and liked them. The thing I liked most about this book is that it is a murder mystery, and it is very suspenseful throughout most of the book.
However, the book seemed to drag on a lot towards the end, and most of the answers to the mystery are revealed about two-thirds through the book which makes the book feel long. This book was surprising in the beginning, but by the end everything seemed pretty predictable. Overall, it was a really good book, and I would suggest reading it if you like suspenseful murder mysteries.
Despite The Fifth Witness leaving the door open to an interesting diversion from the same defense lawyer story we’ve come to know and love from Michael Connelly’s Mickey Haller, The Gods of Guilt puts Haller back in the hot seat as the counsel protecting a digital pimp from a murder conviction. Some of the depth of the Haller character developed in previous books in this series was eliminated after his unsuccessful District Attorney run, but there was still enough humanity in him to advance his story. After all, his coping mechanisms and needs are some of what we all deal with in our own lives.
While I have come to expect a twist ending from Connelly, it was surprisingly missing from this book. For once, Haller’s client wasn’t as bad as everyone made him out to be, and that’s saying something for the digital pimp of Andre La Cosse. Perhaps that’s what made this story a little more uncomfortable than the others: the seedy underbelly of the adult entertainment industry is harder to relate to than simple foreclosures. Still, I can’t help but think that the same strawman tactics that Haller used in this case were quite similar to some of his other defense cases.
All this being said, Connelly is still a master of his craft. The pacing and advancement in the plot was excellent and the peril Haller found himself in after getting too deep into some serious side-investigations helped to make a rather standard book in the series an entertaining read, nonetheless. As was the case in The Fifth Witness, I appreciated the meta nature of this universe where the Lincoln Lawyer movie was a real part of Haller’s life.
Yet another predictable entry in the Mickey Haller series, I give The Gods of Guilt 3.0 stars out of 5.
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For many years, I was aware that the James Bond series of books did not follow the same order as their respective films. Given the action/adventure spy thriller genre these books were written in, it is possible to mix them around and still have a good understanding of what’s going on, even if some of the references made within the novels could only be understood by having read the previous books in the series. In some respects, it is disappointing that the film franchise didn’t capitalize on a continuous narrative that the books provided.
If the stories are out of order, then it ‘s hard to build up the constant battle between James Bond and the Soviet spy agency, SMERSH. Fortunately, since I had read a few of the first books in the James Bond series, I could appreciate Auric Goldfinger’s connection to the organization. That being said, I seemed to have jumped ahead a bit and missed what happened on the Moonraker mission, even if I have a loose idea/remembrance of what happened from its film version. Regardless, these minor references didn’t affect the plot of Goldfinger that much.
What I do find interesting with this book is the differences between it and the movie. There’s no laser threatening to cut Bond in half, there are more characters involved in the heist, and the actual heist itself has a slightly different objective. It is weird reading about the technology Bond uses and its references to “vacuum tubes” when the film makes all his tech seem futuristic. I do find it interesting how the author won’t outright swear (replacing the choice word with a “blank”) but includes two lesbian characters and a plethora of other, sexual inferences.
A fantastic story in the James Bond franchise, I give Goldfinger 4.0 stars out of 5.
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