Book Reviews by Genre: Science Fiction

One would begin to think that, this being the fourth very long book in a series that is known for it's long books, that the books would start to drop off a bit. But no, they seem to just get better! The Shadow Rising is the fourth book in the Wheel of Time series, and it's bigger, longer, and more actionier than ever. The book has two main side-plots within it. The first revolves around Perrin going back to the Two Rivers to help his people fend off the Trollocs and Whitecloaks that are becoming more dangerous, and the second revolves around Rand going into the Waste to unite the Aiel, fulfilling another piece of the prophecy. There are also side-plots with Elayne, Nynaeve, and Egwene and the Black Sisters, and those are equally as good. There is more characters development here that there has been in a book yet, especially around Mat, Elayne, Nynaeve and Egwene, and the book is very good for it. The battle sequences are just as good as before, and the magic is top-notch. The book is quite long, though, and it can get quite boring sometimes, so do be warned. All in all though, this is a very, very good addition to the Wheel of Time series. Recommend to: fans of fantasy, WoT lovers.

The Wheel of Time is an incredible series with incredible novels within them. The Dragon Reborn, the third book, continues this trend of epicness, and while it sin't as good as the Great Hunt, it is certainly an extremely good book and a great addition to the series. The plot revolves around Rand al'Thor, one of the main protagonists, going to the Stone of Tear to claim Callandor, or the Sword that Cannot be Touched in order to fulfill the next part of the Prophecy of the Dragon that will lead to him ultimately destroying the Dark One. The book has it all: plenty of action, magic, romance, and fantasy to keep you entertained throughout. One thing that I really liked about this book was the further development of Mat Cauthon as a character, and I really began to like him a lot more in this book, and he is a very likable and well rounded character. The third main character, Perrin Aybara, does begin to drop off a bit, but I still find him an enjoyable character. One main issue with this book is the fact that this book didn't really need it's own book; if this book and The Great Hunt were combined into one book, I think that it may have been better like that. Still, I can't really complain since this series is just so good! Recommended for: fantasy lovers, people who like really long, epic series.

The Eye of the World can be considered a masterpiece in it's own right, and was an incredible introduction into this sprawling universe of the Wheel of Time series. The second book, however, the Great Hunt, improves upon the first book in almost every aspect. Gone are the chapters that go nowhere and the filler sections. The action also really begins to ramp up in this second installment, something that was sorely lacking throughout the first book up until the very end. The plot in this book revolves around the search for the Great Hunt of the Horn, something that was mentioned very frequently in the first book (one side note that I would like to add is the amount of foreshadowing in this series--things from book one are mentioned all the way in book 14! It is just incredible). The Horn is aid to be able to bring dead heroes and soldiers back to life. The good guys want it for their own use, and the bad guys want it too. There are also some side-plots that don't pertain to the Hunt itself, but I can't complain about that since they are so engrossing in their own right. Again, I would recommend this series to fantasy lovers of people who like long, epic book series.

One of the most celebrated fantasy book series of all time, The Wheel of Time series has been critically acclaimed, and the first book, The Eye of the World, is no exception to the praise. The book itself is about the journey of a small group of villagers that must try to destroy Ba'alzamon, the Dark One, who threatens to rule time itself. Firstly, Jordan's world building is impeccable. His attention to detail is accurate, his characters are unique, the world he creates feels alive, and the magic system he creates is one of the best ever put to paper. While the book is very similar to the Lord of the Rings in it's overall themes, the book brings a multitude of creative ideas to the table and carves out it's own very special and individualistic space in the fantasy genre. I would highly recommend this book, and series, to anyone who is a fan of high fantasy, or for anyone who is simply looking for a great series to keep themselves occupied with.

I love this series! Each book gets better and better as it goes on.
Although this one might not be my favorite out of all the series, it still is an amazing book. I loved every bit of it. If you read the first book you already know that there are some scenes that are more for teens and not kids, but only a few. Overall this book was so much fun to read and go through everything with the characters.

f there's anything Daniel H. Wilson is good at, it's writing about robots. In his latest book, The Clockwork Dynasty, he takes a steampunk approach by setting the book, not in the future, but in the present and distant past. Returning to the origins of robots via the automatons created for the entertainment of the wealthy and royal, Wilson has crafted another workable piece of fiction centered on robots. Unfortunately, as is the case with some of this other writing, I didn't like a few of his stylistic choices.

The Clockwork Dynasty jumps back and forth between flashbacks and "present era" actions, which can sometimes be distracting, especially if one of the storylines is particularly interesting at the time. I almost wonder if there could have been a better way to focus on the action in the present and to reveal the details of the past in more of a "show" instead of the "tell" provided via flashbacks. Additionally, I get why some of the violence was present in this book, but it (along with the few moments of obscenity or sex) seemed a little unnecessary.

One of my other qualms with this book was with the audiobook itself. Since the individuals reading each of the sections were different between the past and the present, it did help to know where I was in the story. However, the male voice of the past was a little quieter than the female voice of the present. This meant I turned up the volume each time the story was in a flashback, only to scramble to turn it down when the timeframe switched. Some volume leveling would have made this book a little less difficult to listen to, is all I'm saying.

A steampunk story by the modern master of robot stories, I give The Clockwork Dynasty 3.0 stars out of 5.

Now that I’ve read the first three books in the Clockwork Century series, any hope I had of some cohesive narrative is essentially gone. While following a new character for each book helps to provide a different setting of the steampunk alternate universe, when I know these characters won’t matter outside their own books, I kind of stop caring about them. Even previous heroines are relegated to cameo and minor character status as the persistent series of somewhat pointless events drags on. And don’t even get me started on the zombies, which are a distraction to any actual story in my opinion.

I think the main problem I have with these books is the fact that things happen without much lead-up or foreshadowing. Sure, there are some fascinating factors involved with making a submarine work in the Civil War era, but the resulting battle and conclusion went exactly as I expected them to. This isn’t foreshadowing as much as it is conforming to clichés. There doesn’t seem to be much at stake in any of the character arcs, which is made all the more prevalent by the relatively uninteresting characters themselves. Some have distinguishable quirks, but they all feel flat in a world that could be that much more interesting.

As for the “twist” near the end involving one of the characters, I feel it was poorly executed, let alone unnecessary. Considering the medical techniques at the time, even in an alternate universe, the individual in question probably didn’t have the necessary “assets” to convincingly pull this deception off. If anything, it was only hidden via clothing, but since there were no hints or foreshadowing about this surprisingly minor character, I had no way to even know if anything was off to begin with. I can believe that some of them might exist in that timeframe, but it just felt like a cheap add-in for the sake of “inclusion.”

Another steampunk book in a series that isn’t going anywhere, I give Ganymede 2.5 stars out of 5.

For the most part, the book series I have read progress the story from one book to another. I get that there are some series with the same character in different predicaments for each book, but jumping from one character to another in each different book is an interesting tactic. Of course, I’m somewhat guilty of this, as The Fluxion Trilogy focuses on different characters for each book. As far as I can tell, The Clockwork Century series also does this, even if the connections between the characters are flimsy at best. Even so, the plot seemed to take a step backward from Boneshaker to Dreadnought.

One of my qualms with Boneshaker was that there wasn’t a lot of world-building that established what this alternate-reality Seattle was like in the scheme of the broader United States. Dreadnought solves this problem by giving the main character an opportunity to travel across the country, thus establishing some of the world-building in the process. In fact, there were a few points where I wondered if I had picked up the first book in the series, only to confirm that Dreadnought was the second book. Unfortunately, I thought the plot of Boneshaker was a little more believable since the cross-country trek in Dreadnought seemed like an obvious ploy by the author to introduce the world to the reader.

I certainly appreciated the thinking that went into the consequences of a decades-long Civil War, but I still think the “zombie” angle of this series seems out of place. I get that steampunk is the combination of some more modern technologies in a Victorian era, but the zombie genre seems so modern that combining the two never really gelled for me. Plus, through the plots of two books, I feel like I’m no closer to understanding where the gas that creates the zombies originates, or if there’s even an endgame to the zombie situation.

A book that should have come first in the series, I give Dreadnought 3.5 stars out of 5.

Although the year 1984 has long since passed, the reality created in Orwell’s novel 1984 contain aspects that our society is beginning to show. 1984 follows a society where the world is ruled by 3 superstates: Oceania, Eastasia, and Eurasia, each of which have a totalitarian english socialism government. The government of Oceania has surveillance on every citizen through monitors called telescreens that enable them to hear and see what every person is doing and every citizen is required to have a telescreen in
their homes. This enables them to see if the citizens are committing “thoughtcrime” and if they are, the thought police kidnap the person and erase them from existence. Winston Smith is our main character with a quiet rebellion against the totalitarian government of Oceania. He believes that he is an individual and should be allowed to have his own freedom. As Winston tries to avoid being erased from existence and maintain a romance with the love of his life Julia, the government slowly closes in on his treason. This is one of my favorite novels and a masterpiece by Orwell as it shows how a society with a controlling government creates fear and false order for the citizens. Aspects within the novel are present in our own government today, so who is to Orwell’s predictions aren’t slowly but truly becoming a reality.

I don’t know where to start with this review because there are a lot of different elements of the novel to discuss. The reason why I rate Ready Player One four out of five stars instead of five out of five is the overwhelming amount of 80's references mentioned in literally every line that honestly only further bored the audience. The references to Star Wars, Indiana Jones, Back to the Future, Dungeons & Dragons and more were tolerable because they were iconic - something an individual born 20 years later still understands. Then, Cline writes paragraphs on Atari consoles and Black Tiger or Joust games which just isn’t relate-able for the majority of the audience the novel is targeting (which is why I assume the director replaced the Joust scene with a car race in the movie). But the dominant issue with Cline’s writing is not even necessarily the amount of references but the fact that he explains every single one. At some points, I thought about how I might’ve read a Wikipedia article for the same informational effect. There are plenty of plot twists to contribute to a surprising manner regarding both the characters and the video game - I was never bored with the plot. Ready Player One is one of the many futuristic dystopian sci-fi novels everyone in this generation reads - which is why the 80's references bothered me. I don’t think this is the type of novel most adults born in the 60's or 70's are going to read, yet Cline tries to appeal to them anyway.
Reviewer Grade: 11

The basic formula for a thriller is as follows: one loner, one love-interest, and lots of running. The Enigma Strain is your cookie-cutter thriller, which isn’t necessarily a bad thing. The premise is somewhat entertaining, if not downright ridiculous and unrealistic. The pacing is certainly fast enough to keep the characters moving and racing against the clock of destruction (at times even literally). In the end, there were no surprises as the day is saved and the loner opens up enough to attract the love interest. The fact that the ending was predictable just meant that it delivered on the thriller formula.

One of the weaknesses of The Enigma Strain is the sense of space and time. There was plenty of driving around to different locations, which made them seem like they were quite close together. However, the love-interest kept talking about flying, which made me wonder how far away these places were. If it took a long time to drive between them, there was a lot of time these two characters were in the car together that wasn’t necessarily alluded to. I know I can get irritable after a long time in the car, and the fact these two strangers weren’t at each other’s throats after a collective eight hours (or more) of driving felt strange.

While The Enigma Strain had all the trappings and accouterments of a standard thriller, it also contained many of the “wait, why?” faults that separate a lot of thrillers from actual reality. Some of these questions were answered (like why the main character is a loner), but others were frequently touched upon but never fully explained (like why the main character is afraid of flying). In the end, if you want a fun escape from reality, a good thriller like The Enigma Strain can probably fit that bill.

A standard thriller that follows the thriller formula, I give The Enigma Strain 3.0 stars out of 5.

When I saw the movie adaptation of this book, I felt like the presentation of this somewhat interesting idea was already dated by about five years. This made me curious if the book was any better. As is probably no surprise to anyone, the book was much better. Sure, the movie cut a few things from the book that I thought were a bit too unnecessary (all the “sex,” that is) or underutilized (the “Calvin” character), but the book really hits at the intensity of the internet-addicted generation. I would even go so far as to say The Circle is the modern version of 1984 .

I’m somewhat torn when it comes to the message presented here. I understand how trying to stay on top of millions of e-mails, and thousands of social media updates can be utterly overwhelming. I also agree that a lot of ideas that seem to be beneficial to society will have the removal of personal privacy as an adverse side effect. However, the vehemence that people participate in the world does bring up a good point about apathy. Granted, I don’t think we should be nearly as extreme in our “oversharing” on social media, but if the majority of success is just showing up, then why do so many people find themselves too busy to even participate? Do they not want to engage with their fellow humans?

I did appreciate how the transition from utopia to dystopia went almost entirely unchecked. The main character’s journey really helped to show how the addicting nature of online interactions and instant feedback can get out of hand. From documenting our lives to searching for information to even searching for love (of which internet dating wasn’t included in the movie), the internet is a powerful place. If anything The Circle highlights how dangerous a true democracy can really be, particularly if the minority opinions are known at each decision point.

A terrifying look into our digital mirror, I give The Circle 4.5 stars out of 5.

One of the most classic science fiction novels ever written, Jurassic Park is a tense, action filled, and groundbreaking book that won't let you go! The novel takes place on a tropical island, where a man has invented a technique to extract dinosaur DNA from mosquitoes, and is then able to breed living dinosaurs. However, something goes terribly wrong, and the characters then have to escape the island with giant dinosaurs after them. The novel is incredible, and it displays the dinosaurs perfectly. The characters are all fleshed out and seem like real people, and the couple sub-plots are exciting and do not seem tedious at all. I would recommend this book to anyone looking for an action story, a sci-fi novel, or a good book in general.

I suppose when I chose to read this book, it would have been a little more steampunk than it was. Sure, Boneshaker has some of the trappings of a steampunk story, like the Civil War and inventions comprised of brass; but in the end, it felt more like light window dressing than something important to the plot. Surprisingly enough, this book was more along the lines of a zombie apocalypse novel than a steampunk one. In that sense, I’m disappointed that the cover didn’t completely deliver on its premise and instead decided to rely on the tropes of the post-apocalyptic genre.

The characters themselves were somewhat interesting, but their motivations seemed a little flat. The boy who wants to find his father and the mother who chases after him aren’t that compelling. In fact, the journey of both characters could have probably been accomplished via one of them, with supporting characters providing information about the other one. If anything, the plot was only used as a method to explore this semi-steampunk Seattle. This meant that, by the end of the book, there were quite a few more questions I had than answers. I guess that’s why there are two more books in this series.

I think my main problem with this book is that it isn’t more thoroughly tied to real history and real locations. Sure, there were a few mentions of the Civil War, but if you removed those few links to history, the story stands on its own pretty well. In fact, you could probably set this anywhere, even in its own, unique world, and it should still work. Because it doesn’t rely on our knowledge of history and familiar places, it doesn’t feel like the “alternate history” that steampunk can provide. In the end, this was a pretty good idea, but it’s misleading in its marketing.

A post-apocalyptic zombie book that has hints of steampunk thrown in, I give Boneshaker 3.0 stars out of 5.

While Lord of the Rings and The Hobbit have had their moments as fantasy epics, I believe that The Gunslinger, and indeed, the whole series, deserves to be placed right next to Tolkien's masterpieces as one of the greatest fantasy books/series of all time. Taking place in a medieval world that is somewhat similar to the Old West, but exists in a parallel time frame to our own, we follow the journey of Roland of Gilead as he travels across this universe in search of the nexus of the universe--The Dark Tower. The novel is filled with adventure, intrigue, suspense, humor, and action that keeps you reading, no matter what. While not a traditional horror novel like King is known for, it is still a worthy addition to the King collection. I would recommend this book to anyone looking for a great fantasy book series to read, or any Stephen King fan.

After a super virus wipes out almost 90% of the entire global population, only a handful of survivors remain. That is where The Stand takes place; an America devoid of almost all human life, as the survivors attempt to rebuild their society, all while battling the sadistic Walkin' Dude who is out to destroy them. The novel is long, epic, and deep. It is, however, over 1,000 pages; however, give it time, and you will truly enjoy this journey. I would recommend this book to fans of epics like Lord of the Rings, Stephen King fans, or anyone looking for a good read.

While Jaws may have terrified readers with it's suspense, Meg follows in Peter Benchley's footsteps for only a few steps-and then veers off in a completely different direction. This is a novel all about a small group of scientists trying to kill a gigantic megalodon shark after it escapes from it's hovel in the Marianas Trench. It also has a pinch of scientific mumbo-jumbo and horror to draw all sorts of different readers and to keep you hooked. The characters are diverse, likable, and fleshed-out, and the main antagonist, the 60 foot long megalodon shark, is so entertaining to read about. I would recommend this book to anyone who enjoys action, suspense, or sharks!

I chose this book because comics are a type of novel that I find interest in. This is a fantasy book that takes place where monsters and humans are divided after a war, and monsters who are caught by humans on the other side are used to be sold and experimented on. The main character, Maika, goes on the other side in search for hope of her mother. This is highly recommended for anyone who enjoys comics.

This book follows the story of two brothers John and William in 1340’s Medieval England who are suffering from the Black Death. But as their end draws near, they are given a choice that changes the course of their lives forever. They are told that they have six days left to live, which they can either spend with their loved ones, or search for salvation and redemption for their lives across the centuries; spending each one of their remaining days 99 years after the last. So, each day takes places one century after the last. The brothers choose the latter and are launched into an adventure that spans centuries in the time frame of a few days.

Observers of the world across centuries, John and William hardly recognize the world around them each day they wake up, and as their journey for salvation progresses, questions the world around them in a way that has readers questioning humanities true motives. Rather than focusing on the good things and advancements the world has made through the centuries, the characters, especially John, ponder how these advancements have brought humanity farther and farther away from God. As the years and days progress, the novel asks the question what is true salvation really and examines the idea of what is good verses bad?

When I received an ARC of this book in the mail from the publisher at first, I wasn’t exactly sure what to make of it, but as I read the back, I became excited, because this book deals with a sci-fi like subject of time travel in a way I haven’t seen before. This book took me a while to get through and it also is a book that really makes you think. Warning! If you are looking for only a traditional time travel sci-fi book, this book is probably not for you however, if you like historical fiction this book is probably more for you. This book deals with time travel in a highly conceptual way. It is a time travel book written by a very noted historian and reads very much like a historical novel with all the historical details you would find in a history book. But it is also very philosophical as the main character questions the world and the ideas in it. As this quote from John shows when he is discussing, with the family he is staying with, the bad things done by others around them.

“I myself wish for nothing more than to spend the rest of my days engaged in good deeds,’ I say. But how can I tell what a good deed is in this day and age? What is “good” and “bad” if God’s law is constantly changing? How can we do good if the meaning of “good” and “bad” are dependent on who wins the war? How can a man go through this world in sure knowledge that he is doing the right and proper thing?”

This is just one of many philosophical musings that the author poses through the book that seek to answer difficult questions and these details really make the reader think and ponder the difficult answers to questions like, what is good verses bad. These details I think also give the book a conceptual quality that puts it above the norm and makes it more than just another sci-fi book about time travel.

Ian Mortimer is an excellent historian and the historical detail in this book are incredible! He weaves together history and time travel in a highly original and interesting way that makes readers both question the world and presents readers with a clear picture of England’s evolution from a small underdeveloped town to a large industrial country that leads the world in more ways than one. I highly recommend this book for readers of historical fiction or anyone who likes highly conceptual, philosophical books that question the world and everything in it. I give this book a solid 5 out of 5 stars!

Thank you to the publisher Pegasus Books for an ARC of this book for review.

While I appreciated the logical nature that Daniel H. Wilson brought to the idea of a robot apocalypse in Robopocalypse, I felt the book itself was disjointed as a series of short stories that examined the various forms our robot servants would turn on us. The whole book seemed more like an academic exercise than a piece of fiction. In the follow-up to Robopocalypse, Wilson picks up right where the last book left off. With the exposition of how the robots turned on us already covered, he then is able to fully explore the fictional environment via its characters in Robogenesis.

It took me a little while to recall who some of these characters were and what had happened during the previous book, which left me confused in the early moments of each section. Once I eventually got my bearings, the stories themselves were interesting and tied together pretty well. Some of the action was a little disorienting, but overall I had a good idea what was happening. There were a few storylines I would have liked to see fleshed out more (like Matilda’s storyline), as well as some that were perhaps fleshed out too much.

And by “fleshed out,” I’m of course referring to the almost gratuitous and graphic violence that’s present in this book. I’m not sure it was really necessary, and it was more unsettling than anything else. I mean, I get that the end of the world will be violent, but it doesn’t need to be described in gory detail. At least by the end of the book, it looks like there’s a satisfying conclusion, but with the clear indication that the war is not over. This means I’ll probably have to read the next book in this series whenever it comes out.

A good sci-fi that blends realism with a few entertaining characters, I give Robogenesis 3.5 stars out of 5.