Nebula Award

This novel followes the life of "Offred" who is part of the first wave of women during the Gilead regime. "Offred", whose real name is never revealed in the book, is a Handmaid whose sole responsiblity is to have children to sustain the rapidly declining Caucasion population. She tries to accept her life as a Handmaid, but is haunted by memories of the time before Gilead when she had a family and was free from the oppressive society she currently lives in.

I really liked how Atwood discloses minimal details about "Offred" which makes it clear that what is happening to her can happen to any woman. The novel is set in a utopian society, and it's very interesting to read the rationale behind the establishment of the Gilead regime and how sexism and anti-feminist retoric is a constantly looming problem in society. The novel is told through "Offred's" perspective, and personally, I felt she was a bland character, but her story itself was interesting. The book hangs off on a cliffhanger, and I'm definitely going to read the sequel and watch the Hulu adaption after!

It’s nice to know that Neil Gaiman can write engaging, modern fairy tales that are longer than the short story format. The Ocean at the End of the Lane was a delight to read, and I can see some parallels to other famous middle-grade fantasies (the Narnia series came to mind here and was mentioned in the book). Everything about this story made sense, and the character and the world-building were top notch—which I’ve just come to expect from Gaiman’s work. Truly, he continues to be the modern fairy tale maestro. One of the unique aspects of this story was how it seamlessly integrated the magical and the mundane. So often, these types of fairy tales transition to a world of magic and leave the boring, ordinary world behind. Not so in The Ocean at the End of the Lane. If anything, using the supernatural to explain some of the challenges of our childhoods helps sell the storytelling here. Sure, there are moments in magical places, but the majority of the book has cleverly-hidden magic present in the real world. It’s easy to have everything in a realm be magic; it’s much more challenging to mix the two.

I will warn those who would want to read this to their children that perhaps the children should be a little older, or you should be prepared to explain some of the content in it. Nothing is graphic, per se, it’s just better to know how to answer any questions when adult situations are described through the lens of a young boy’s experience. Of course, anyone who’s read any amount of Gaiman would know that his fairy tales are more on the “adult” side of things. However, if you haven’t dipped your toes into Gaiman’s writing before, this is an excellent place to start.

A wonderful fairy tale mixing of fantasy and reality, I give The Ocean at the End of the Lane 4.5 stars out of 5.

Little Brother is a book about what happens when in an attempt to keep citizens safe after a terror attack the government terrorizes it's own citizens. The government jails and torture teens in an effort to find terrorist. One of the teens they torture is a rebellious computer whiz and hacker name Marcus. Marcus is broken and humiliated while being detained and interrogated by home land security. When he is released he vows to get revenge.

Boneshaker is the novel that kicks off Cherie Priest's "Clockwork Century" series - one of the most widely acclaimed book series in the Steampunk genre. Boneshaker explores an alternate history of the United States during the Civil War era. The plot centers around Briar Wilkes, the widow of the infamous Leviticus Blue - inventor of the titular boring machine that he was commissioned to create, in order to retrieve the vast veins of gold that are hiding under the thick ice of Alaska in the midst of the Klondike Gold Rush. During a devastating test run, the Boneshaker destroys the foundations of a good portion of Seattle, killing many, and releasing a dangerous gas that turns survivors into zombies. Leviticus disappears, and walls are erected around Seattle to contain the "blight" gas, and the "rotters". Briar does her best to survive and raise her son Zeke in the "Outskirts" of Seattle, suffering the prejudice shown to both of them, due to her husband's actions. Zeke is convinced that he can prove that his father was innocent, and that the destruction was purely unintentional, so he journeys beneath the wall, into Seattle to find the evidence he needs. Unlike Leviticus, Zeke's
grandfather (Maynard Wilkes) is revered as a folk hero, having lost his life in the exodus of Seattle, freeing inmates from the prison. Zeke feels this may help him if he runs into trouble within Seattle's walls. When Briar finds Zeke gone, and what his intentions are, she arms herself with Maynard's accoutrements and catches an air ship over the wall, to search for her son. Separately, Briar and Zeke find people who help to save them from being devoured by the "rotters", and attempt to aid them in their respective searches. Briar learns of the mysterious Dr. Minnericht who seems to run the
doomed city within the walls, and that many are convinced that he is in fact, Leviticus Blue (something she doesn't believe). When events draw Briar and Zeke both into Dr. Minnericht's stronghold, it seems the heart of the mystery
will be resolved with this fateful meeting.

Boneshaker is an epic foray into a dystopian alternate universe, and readers of various genres, are sure to find many wonders to be fascinated by in this version of Washington's famous "Emerald City".

In addition to physical book and audiobook formats, Boneshaker can also be downloaded and enjoyed at home, in either ebook or eaudiobook form.

5 Stars(Though it’s not for everyone)

Ender's Game is a dystopian future revolving around a little boy named Ender. I like that the character is real, while everything around him is a mess. It shows him hurting others that try to hurt him. The details and unraveling suck you straight into the book. You definitely feel as though you are there. It’s like watching the ripples on a pond after you throw a rock into it.

It’s been a while since I’ve read a fantasy book with such a unique magic system in place. I truly enjoyed the amount of thought that went into a world where the main source of power was that of the earth itself. From magma to solid obelisks, the ability to control the vibrations of the planet (either to amplify or dampen) had an interesting and logical follow-through in its characters and storyline. I’m honestly looking forward to eventually starting the next book in the series since the world was built so well. It’s no wonder that it ended up winning the Hugo Award for that year.

While I suppose The Fifth Season is also partly a pseudo-post-apocalypse story, it was only shown in small snippets and references here and there. Consequently, this would make this story almost “modern fantasy” in comparison to some of the classics. Additionally, this would explain some of the character elements added with little to no explanation or relevance to the plot. It sometimes seems like the sexual encounters and fluid genders of these characters are included o merely hit a checkbox of “inclusivity.” Sure, people who relate to these characters feel like their represented, but if these traits don’t affect the plot, then it doesn’t matter about their sexuality at all.

I also found the bold choice of second-person POV to be a bit jarring when it spliced in the more traditional third-person narrative. Initially, I thought these segments were striking in the way that it pulled me into the story. That was until I was given a name and a purpose and any number of other traits that made the “you” in the story into a character that was basically repeated throughout. I get how these different characters interacted to tell a much broader story (which is again, part of the book’s strength) I just didn’t care for the reader’s identity to be given to them via the second person POV.

A uniquely written and crafted fantasy with one or two minor flaws, I give The Fifth Season 4.0 stars out of 5.

As I’ve been reading through the Tales of Alvin Maker series, I have found it interesting to see what big societal issues have been covered so far. While Seventh Son tackled religion and Red Prophet delved into politics and war, Prentice Alvin bit off a big chunk of racism and tried to address it in a way that’s half fantasy and half historical fiction. Sure, there’s still some semblance of the religion content present in this book that informs the racism dialogue. Still, these large issues end up taking a back seat to the more fascinating aspects of the titular character learning how to control his incredible powers.

In fact, this might be my favorite book of the series so far. It’s always more entertaining to watch a character come into the depth of their abilities, and Prentice Alvin has this in spades (both metaphorically and literally). While there weren’t many instances of Alvin directly being affected by a conflict that would require him to grow as a character, there were enough inevitable plot points that made me wonder how he would handle the situation. These twists helped to enforce the world-building that Orson Scott Card has excelled at for some time.

Perhaps the reason why I like this book as compared to its two predecessors comes down to how it focused more on the “magic” of this alternate history and less on the similarities to the American historical context. I’ve never been much of a fan of historical fiction, but I do appreciate explaining the events of the past through the lens of magical realism or fantasy. It’s likely why I’ll keep reading this series for the time being. At the very least, I’m curious how Alvin will grow from here, as he’s developed into a strong character who can basically do anything he wants.

A magical take on addressing the racism of America’s past, I give Prentice Alvin 4.5 stars out of 5.

Continuing from the previous book in the Alvin Maker series, Red Prophet flashes back and shows certain events from a different point of view before driving forward into some fascinating alternate history. I continue to enjoy the fantastical elements brought into American history, even to the point of explaining how certain famous historical figures were the way they were. Although, if you know enough history, you’ll realize the fates of some of the characters presented in Red Prophet (William Henry Harrison, for instance) might not need the foreshadowing missing from this text.

While Seventh Son managed to set up this alternate history and establish some of its rules, Red Prophet delves into the action and excitement that comes from some of the more “kinetic” talents of these characters. Once the plot catches up with where Seventh Son left off, I was hooked. The interactions between Alvin and the Native Americans were quite interesting, and I found everything up until the climactic battle to be top-notch storytelling. Sure, it took a little while to get there, having to first set up the eponymous “Red Prophet” and his powers of observation, but it was worth it in the end.

My one qualm with this book lies in some of its more peculiar metaphor, allegory, and allusion. Near the end of the book, several scenes and sections feel entirely disjointed from the narrative. Perhaps they were to serve some “higher purpose” to lay out the moral of the story—or even the series as a whole. These scenes had characters who suddenly were ripped out of their normal behavior and put into a completely different context. And for what? To show that the history of the Native Americans is rich and varied while also infused with war and darkness? There had to be some other way to convey this than the way it was done here.

An action-packed follow-on to Seventh Son that gets a little too “heady” at times, I give Red Prophet 4.0 stars out of 5.

If things hadn’t already turned dark in Westeros, they certainly do in A Storm of Swords. The complicated political situation in the end of A Clash of Kings gets even more complicated as this third book dives into complex armies, weddings, wars, and so much more. George R. R. Martin’s writing may be dense, but I have never encountered a fantastical world as deeply developed as his. A Storm of Swords is jam-packed with intrigue and excitement, and it left me wanting more. I would recommend this book even if you have already seen the show; reading the books adds a whole new dimension to the characters, the plot, and the world.

This book follows ex-convict Shadow, once he is released from prison and enters into a new job as the assistant to Mr. Wednesday (more commonly known as Odin). Shadow doesn’t believe the fact that he is surrounded by gods, until Mr. Wednesday introduces him to god and god and shows him undeniable evidence. Mr. Wednesday is using Shadow as a mean of amassing the older, more forgotten gods into an army ready to retaliate against the new gods of the modern era. Technology, for example, is depicted as a god, but a socially removed and young god. This has been one of my absolute favorite books to read because of how it explores the change in worshiping from ancient gods and folklore into technology, media, and trends. The book is so complicated because it brings together ancient gods of cultures from around the world.

Each have different origins and purposes, and the role Shadow plays as the representation of humanity only intensifies the surreal feeling of the book.
I liked how I was able to relate to Shadow, as bring subject to the controlling factors of society, whether they be demanding gods or media outlets. I appreciated how well-researched the cultures written about were, and how there isn't a page in the book that doesn’t bring about another point to think about, something like morality or control. The book is also very entertaining and a fascinating storyline, and I would highly recommend it to any reader. I would give it five out of five stars.