Mystery

What a difference three years makes! Even though it contains all the same tropes and motifs that Angels and Demons did, The Da Vinci Code eliminates the fluff and focuses on the strengths of these individual pieces to create an enthralling adventure through Christian history. I will admit that I first read this book because I was curious about the controversy that surrounded it. While Dan Brown is a fantastic storyteller, and many of his connections and links to Christianity made sense, I still maintain that, at its core, The Da Vinci Code is just well-written fiction.

This time around, Robert Langdon is much better suited for the task of finding the “Holy Grail” instead of being a glorified Roman tour guide. His expertise in symbology certainly helped to drive the plot forward, even if it sometimes was in a misleading direction for the sake of a twist. I did appreciate how, even if a clue didn't immediately come into play, it became useful later to help round out the plot. It wasn’t just a series of “find me a rock” exercises but had a parallel set of intersecting strings and subplots that drove the story forward to its exciting conclusion.

And while the female protagonist was much more developed than the one in Angels and Demons, the villains also had more depth to them as well. Instead of a few individuals using the name of a huge organization like the Illuminati to create the conflict, a singular man with a singular goal helped to create the “chase” that propelled Robert Langdon across Christendom to find the Holy Grail. While both The Da Vinci Code and Angels and Demons share almost identical plot structures, the former shows that the execution of such a story is precisely what makes one a great read and the other an exercise in eye-rolling.

An exciting treasure hunt filled with fictional historical connections, I give The Da Vinci Code 4.0 stars out of 5.

It's not that good.

Fans of Bartimaeus will not be disappointed by Jonathan Stroud’s series, Lockwood & Co. The “Problem” started about 50 years ago in London. Ghosts became true, dangerous, and very real threats to the living. Only young people have the ability to “see” and eradicate these creatures of the night. Enter Lockwood & Co., a company of three who go out nightly to defend the city. Great adventure, ghost story, and humor interweave for perfect storytelling in The Screaming Staircase, the first in the series.

This book is about a 12 year old boy named Ben Ripley. He got invited into a spy school beacuse he is smart. When he got in, he has to find a double agent. Also he has to prove he belongs to stay in the school. This double agent tried to kill him while he is sleeping and many other times. After he finds this agent the agent offers Ben the opportunity to go evil.

This book is in a series and I can't wait for the next book.

Despite The Fifth Witness leaving the door open to an interesting diversion from the same defense lawyer story we’ve come to know and love from Michael Connelly’s Mickey Haller, The Gods of Guilt puts Haller back in the hot seat as the counsel protecting a digital pimp from a murder conviction. Some of the depth of the Haller character developed in previous books in this series was eliminated after his unsuccessful District Attorney run, but there was still enough humanity in him to advance his story. After all, his coping mechanisms and needs are some of what we all deal with in our own lives.

While I have come to expect a twist ending from Connelly, it was surprisingly missing from this book. For once, Haller’s client wasn’t as bad as everyone made him out to be, and that’s saying something for the digital pimp of Andre La Cosse. Perhaps that’s what made this story a little more uncomfortable than the others: the seedy underbelly of the adult entertainment industry is harder to relate to than simple foreclosures. Still, I can’t help but think that the same strawman tactics that Haller used in this case were quite similar to some of his other defense cases.

All this being said, Connelly is still a master of his craft. The pacing and advancement in the plot was excellent and the peril Haller found himself in after getting too deep into some serious side-investigations helped to make a rather standard book in the series an entertaining read, nonetheless. As was the case in The Fifth Witness, I appreciated the meta nature of this universe where the Lincoln Lawyer movie was a real part of Haller’s life.

Yet another predictable entry in the Mickey Haller series, I give The Gods of Guilt 3.0 stars out of 5.

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Having already blasted through the rest of the Mickey Haller series, I finally arrived at a book that didn’t center around the defense lawyer. Instead, The Crossing follows Harry Bosch, Haller’s half-brother (which we learned back in The Brass Verdict). I realize that Mickey Haller is merely a spin-off series from the main Harry Bosch series, so it was interesting to finally enter the main storyline of Connelly’s longest-running character. Now I see that he writes Bosch books in third-person, as compared to Haller’s first-person, which was why I was confused when the POVs switched in one of the previous books featuring both of them.

Coming into this series at the twentieth book was a little jarring to me, but not entirely disorienting. There were plenty of references to previous books I had not read; but by the sounds of them, these predecessors were certainly exciting. What probably helped with my transition into this series was that Bosch retired from his job in the police department, thus creating a new start for the character that could be used to explore some interesting scenarios without being burdened by the bureaucracy of his job.

While Connelly’s writing is still superb and suspenseful, the one aspect I found to be a bit unbelievable was Bosch’s innate sense of what was “wrong” with the current investigation. Just based on one single, minor detail, he was able to unravel the deeper conspiracy involving other, corrupt police officers. What if he hadn’t noticed? Would he have still managed to get to the bottom of the truth? Either way, I might have to pick up the earlier books in this series, just so I can get more of the story behind the briefly referenced excitement Bosch had to go through in the past.

Proof that sometimes it’s difficult to quit a job after having done it for so long, I give The Crossing 3.5 stars out of 5.

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I’ll be honest and say that I had no idea what this book was about before I started listening to it. Once I got into it, I could clearly see how the title and cover image related to the story at hand. It’s interesting to think that a mere five years after the terrorist attacks on September 11th, a book like this could be written. Of course, there is plenty of highly descriptive language that helps to cement the story to the reality of the tragedy. That being said, there are many situations in the plot that feel quite cynical, if not downright dark in their humor. Perhaps it’s this mixture of the absurd and the tragic that gives The Zero its interest.

I did find the memory gaps experienced by the main character to be an interesting literary device, especially in their transitions. For the main character to have a series of memory gaps to add to the eventual reveal at the end of the book, I almost felt like I was listening to the film, Memento (2000). Considering how much I love Memento, this was a good thing. The character only knows as much as the reader, which leaves him and us piecing together what happened at the same pace.

Despite its ability to poke at the ridiculous nature of the nationalism that resulted from this disaster, The Zero does show the effects of this national tragedy on its citizens. Loss can be hard to deal with, and everyone does so in their individual way. The poignancy of the narrative is true even today, more than 15 years after the events that transpired that day.

A cynical and often darkly humorous examination of the effects of 9/11, I give The Zero 3.5 stars out of 5.

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When Fox Mulder was just a kid, his little sister was kidnapped while he was babysitting her. That event has haunted him and his family ever since. So, when children start to go missing and then turn up dead from what appears to be a ritualistic serial killer, Mulder knows that he has to do something.

While I like the X-files, I'm certainly not the world's greatest fan - I've probably seen around 1/2 of the episodes, and I haven't watched the reboot. However, this book jumped out at me as I was perusing the stacks, and I'm glad it did. In fact, if you are just a fan of mysteries and/or the paranormal, this book will totally meet your needs. You can go into this without knowing anything about Mulder and the TV show, and you'll still have a great reading experience. If you are an avid fan of the show, there are several "easter eggs", cameos and cute references throughout the book (the smoking man shows up in the first chapter!). Also, it's got some entertaining historical fiction elements as the book is set in 1979, and that is very much reflected in the music and technology.

Garcia does a great job with the character development. Mulder quickly teams up with two other "genuis" types, and this book could've quickly devolved into some variation of "three teen geniuses solve a crime caper" a la a number of middle grade/YA books out there, but Garcia fleshed the characters out to the point that this pitfall was, for the most part, avoided. Mulder is, understandably, obsessed with finding his sister, and his parents are separated. His best friend, Gimble (a D&D name), has a father who is so enmeshed into conspiracy theories that he's been fired from the Air Force (he may or may not be an influence to young Mulder). His other best friend, also a love interest, was not as well developed, she was easily the weakest character, and I could've done without her and the romance. The story itself was a well done serial killer mystery, though the end felt a little abrupt with a ton of loose strings. The mystery is only mostly resolved, so I'm assuming there will be a sequel.

Anyone looking for a decent mystery with good characters, look no further. The X-files stuff is just icing on what is an already pretty tasty cake. I wanted to believe (I couldn't help myself), and this book didn't let me down. 3.5 stars.

Written on My Heart tells a tale of young Florine Gilham and Bud Warner, a couple soon to be married. As the wedding approaches, Florine's memory is drawn back to her mother. She disappeared when Florine was only twelve years old. Florine and Bud face the challenge of trying to solve the mystery of her vanishing mother all while raising a family. It comes to a path that shows them the power of families, not only the one's you are born into, but the one's that are because of friendship.
Overall, this fiction was fun to read, but does get a little bit boring in the beginning. It does speed up, and the author's impressive writing creates the whole scene for the book.
Reviewer Grade: 8

I often have a hard time with mysteries, but And Then There Were None was classic, suspenseful and just plain enjoyable. The audiobook version was especially entertaining, perhaps because the original story was written as a play under an alternate (and controversial) title. The characters feel like they were the predecessors to the characters found in the game Clue. They are equally sinister and sympathetic. I am particularly intrigued with the connecting reason all of them have been brought to the island and the psychological effects of that reason. To the very end Agatha Christie teases your deductive reasoning skills. You always feel like you are on the cusp of finding out who the killer is, and then you're wrong! I was completely at a loss by the end. Thanks goodness for the epilogue. This is a timeless mystery classic.