In the early hours of the morning, a man places a phone call to the local police station reporting that a woman has fallen down and hit her head in her living room. He asks for an ambulance to be sent but hangs up before the officer receiving the call can ask any more questions. When the first responders arrive at the scene, they find a young woman lying against the fireplace, dead. Junior Detectives Antoinette Conway and Stephen Moran are assigned to the case, but as they dig into the facts they start to suspect that there’s more to it than a simple domestic dispute. Try as they might, though, every new lead seems to dry up when they look into it. And it isn’t just the case that’s causing problems; everything seems to be going wrong in Conway’s life. She’s being relentlessly hazed by the other detectives on the squad; her relationship with her friends is deteriorating between the long hours and her own depression; and no matter how high their clearance rate is, neither she nor Steve are having any decent cases thrown their way. Conway is tough as nails and dedicated to her job, but the animosity of the rest of the squad and the constant scut work are starting to make her doubt her career path. This case seems like their best chance to get back on track and finally win some respect -- provided they can prove that there’s more to it than meets the eye.
This is the most recent entry in Tana French's Dublin Murder Squad series. If you're not familiar with the series, I'll say that, while each book can be read as a stand-alone without issue, there are some recurring characters that make it rewarding to read them in order. The lead in this book, Antoinette Conway, was first introduced in the preceding book, The Secret Place, and her partner, Steve, started out as a minor character in Broken Harbor. All of French’s books are excellent character portraits, so it’s rewarding to get to see the same individuals first from an outside perspective and then from within their own head, but you won’t miss anything plot-wise by skipping them. The Trespasser centers around the idea of fantasy: the stories we tell ourselves to make ourselves feel better, the stories we tell to other people to make them act the way we want them to, and the devastating effects it can have when those fantasies finally collapse. That applies as much to the detectives as it does to the victim, and so we get a nice mix of personal drama with our protagonists and the more straightforward investigation of the murder. I loved Conway as a character in The Secret Place, so I enjoyed getting to see things from her own perspective in this book. What I like about French’s books is that they have more going on than just the ‘whodunnit’. The mystery is always interesting to me, but what really shines is her portrayal of the characters and the setting: Dublin really comes alive for you in her books, and the characters feel like they could walk off the page.