Elena is not your average teen. As the only human proven to be birthed as a result of parthenogenesis (you might know this as a “virgin birth”), she’s been hearing voices from signs and inanimate objects. But things are about to go to the next level. One day, at work, the Starbucks Siren tells her to heal her crush, Freddie, who looks fine. But then, a kid they know comes out of nowhere and shoots Freddie. Then he disappears into the sky in a flash of light. And Elena DOES heal Freddie. And then, somehow, things get even crazier as the Siren tells Elena she has to keep healing people (which leads to more disappearances) or start the apocalypse.
Personally, I’m a huge fan of unique, quirky books that are more than a little strange (I call them wonderfully weird), and so this one was right up my alley. Elena is an extremely likable character, and we get to listen to most of her thought processes as she thinks about the mundane (her crush, her relationship with her ne’er do well stepfather) and the existential (why she has the powers, and should she use them?). The supporting cast is also pretty great: Freddie, the popular art student who didn’t even know Elena’s name before she got shot, was probably my favorite character. After getting killed, she really doesn’t care so much about what people think of her, and as a result her commentary was extremely snarky, sometimes hurtful and almost always spot on. Fadil, Elena’s best friend, was a good foil as the devout teen, but he also served to demonstrate a powerful male/female friendship. Because of the philosophical nature of the book, the plot takes a backseat to character development and metaphysical conversations. I probably highlighted more in this book than I have in any other in recent memory. The downside to this, though, is that the plot sags a little in the middle and the ending left me wanting a bit more as a lot of plot lines were left dangling.
Another big selling point of the book for me was that the premise immediately made think of this show called Wonderfalls which is a bit of a cult classic from the early aughts. Later on in the book, it’s pretty clear that the author had likely just binged all of Bryan Fuller’s early shows like Dead Like Me, Pushing Daisies, and yes, Wonderfalls as this book contains elements of each of those shows, and there is a straight up name drop of a location that delighted me to no end. If you are a fan of Bryan Fuller’s properties (including recent hits like American Gods), this is a read you should definitely pick up.
If you like to think about the ethics and the big questions – why are we here, what matters, how can you decide the value of one life over another – then you will love this book. It’s a wonderfully weird thought provoking read, and while it’s not perfect, the diverse, likable cast and philosophical quandaries make it something of a rare gem of a book. 4 stars. I really liked it.
Thanks to Edelweiss and Simon Pulse for the eARC, which I received for review consideration.