Classics

Mythology, written about Edith Hamilton, creates a timeline and family tree of the Greek gods and demigods. The book is based in small sections, so it is essentially a collection of assorted stories. For example, there is a section called "The Great Heroes before the Trojan War", and in that section there are specific synopsizes on Perseus, Theseus, Hercules, and Atlanta. I enjoyed the book because you can read it 5 minutes at a time because it does not take long to read a section. I recommend the book to mythology and history lovers alike.

Incidents in the Life of a Slave Girl, written by Harriet Jacobs, is a memoir of the oppression of slavery that Harriet faced as a slave. The book starts off talking about the pleasantries of childhood, but when her owner dies, ownership of her is shipped over to Dr. Flint, who ends up being a predator and wants to procreate with Harriet. Harriet refuses, but Dr. Flint becomes so demanding that Harriet turns fugitive. Ironically, Harriet hides for seven years at her grandmother's house, just across the street from Dr. Flint's plantation. Eventually, an opportunity arises for her to escape North, and after doubts, she does and is successful. In the North, she works hard to bring her family out of slavery, and one of the ladies that she works for purchases her and sets her free. The tale is brathtaking story of relentless perseverance, grit, and tenacity.

In the Time of the Butterflies by Julia Alvarez is a fictionalized account of resistance to the dictatorial rule in the Dominican Republic inspired by the stories of the three Mirabal sisters who were murdered in 1960. Alvarez expertly captures the terrorized atmosphere of living in a police state and the courage of a few to stand up in resistance. Despite the underlying anguish and dread, the novel is brimming with romance, hope, and faith as Dominicans try to find life under a dictator. Suppose you want a captivating novel enriched with courage, feminism, and intimacy and are willing to read a challenging narrative to stomach. In that case, this anxious page-turner will not disappoint.

Frankenstein, a fictitious novel based Europe, details the account of a genius named Victor Frankenstein who creates a beast out of dead body parts. The beast then goes on to haunt him and kill everyone who Frankenstein loves. Frankenstein tracks the beast into the mountains and eventually speaks to him. The beast pleads Frankenstein to create a female beast, to which Frankenstein, comprehending of the horror that a lineage of beasts would survive, declines. The beast vows to kill every last one of Frankenstein's affections, and he does. Frankenstein is enraged and dedicated the rest of his life to tracking and killing the beast. The chase ends in the Arctic, where Frankenstein eventually dies. The beast sees his death and, with no more hope for a future mate, is overcome with grief.

The Girl in the Locked Room is a ghost story written by Mary Downing Hahn. In a nutshell, this book is based on a strange girl who has been locked in a small room for many years. As the story goes on, many secrets unfold and all questions are answered with shocking twists.
I enjoyed the plot of this story. As simple as the setting is many secrets unfold throughout the book. The character (the girl) is extremely complex even though the setting is small. This isn’t my favorite novel by Mary Downing Hahn, but it is definitely worth reading in my eyes.

I, like most people, got wildly bored reading this book. Even then, it's one of my favorites. Moby Dick is a long and treacherous journey not for the faint of will, but lying at the end of the mud-covered path is a handsome bounty. For me, the ending of Moby Dick justified the means. Sprinkled throughout are interesting and bizarre chapters (and wise quotes on sleeping with drunken cannibals), but I believe the impact of the ending cannot be achieved without Moby Dick's arduous length. The hundreds of pages allow the reader to spend a massive amount of time with the characters (even if it's just Ishmael) and grow to appreciate the ship. Without that, the ending would fall miserably flat. So, despite the time it takes to read Moby Dick, the famous tale of a captain's monomania is one told beautifully.

No Longer Human is a cultural phenomenon, widely known as the second most bestselling novel in the history of Japan. Within, Osamu Dazai explores the life of a man who feels that he has never been a part of humanity, and his desperate strivings to find a piece of happiness in a life full of terror and vice. The timeless, existential themes of the novel will haunt the reader past the last page.
I chose to read this book because I'd seen a lot of people all over the internet praise it as the saddest book they'd ever read. There are about a thousand videos and essays and think pieces about the depressing nature of this book, and how it can devastate and eviscerate emotionally. Weirdly enough, I don't see it. The book is definitely very sad, but to me it didn't extend very far beyond the other grimly written books about very sad people with very sad lives. However, the psychology of the protagonist definitely sets the book apart. Unlike other books of the same nature, this book cuts to the bone by showing the terrifying underbelly of humanity. The protagonist is paralyzed by fear because he comprehends what many of us forget: that we are at all times surrounded by our own apex predators. Each of us has our own deep desires that could stir us to violence at any given time. We lie and cheat and steal to get what we want, effortlessly wearing masks that can obscure our entire character and can last a lifetime. The protagonist isn't like other antiheroes of hardened books about the horribleness of humanity. He doesn't accept it, or rail against it. He is very much afraid of it, and does everything he can to get out of its way. The protagonist's perspective is also interesting in the way it views humanity. The detachment of the central character is clinical, and portrays the characters in an alien light. He is scared of humans, but he also doesn't understand them. He sees all hunger and desire as something strange, and he wonders how people can be so insincere so easily. But despite his abject horror of humanity, the protagonist is slowly transformed into everything he despises and cannot understand. Perhaps the most fascinating part of this tale is how the protagonist is dragged, slowly but steadily, into the grips of humanity's vices and horrors.
Despite the intriguing nature of the protagonist's psychology, I didn't find the rest of the book as interesting as I thought I would. I was likely just disappointed that after all the build up, this amounted to another very well done, very sad bildungsroman in the vein of Catcher in the Rye or Little Friends. There's also issues with the way the writer portrays women, but since everyone in the book is fairly dehumanized it doesn't bother me as much as I thought it would. All in all, No Longer Human is a fascinating journey through the most base natures of humanity, all through the eyes of a man who feels disqualified from being human. I'd recommend this to someone who wants something dark and strangely fascinating. I would not recommend this to anyone who is anywhere close to being in a bad place, or anyone who got annoyed by Holden in Catcher in the Rye. This guy is ten times worse.
Reviewer Grade: 12

As a lover of writing, poetry, and pretentious philosophical tangents on the measurements of good art, I was bound to enjoy Wilde's only novel. The Picture of Dorian Gray is a beautiful tapestry of tragic corruption and its devastating effects. Albeit at times Lord Henry seems to ramble on about entirely uninteresting subjects, the overall experience of the book is short and sweet. The prose is flowery and elegant; the interactions between characters are brief but natural. Major character development occurs off-screen, which was disappointing, but within 160 pages one can only fit so much. Ultimately, I greatly enjoyed the ride, and The Picture of Dorian Gray has cemented itself as one of my favorites.

Murder on the Orient Express is a compelling Christie mystery. The book is steady and methodical: after the initial inciting incident, each of the passengers are questioned in order. Then, the evidence is reviewed and the conclusion comes easily to the detective. This novel was a straightforward, easy read, but I found it was better enjoyed by just sitting back and reading. Formulating theories, from the perspective of the reader, is relatively difficult due to key details being under developed when first introduced in the book. Therefore, the detective is better informed than the reader throughout the mystery, which took away some of the intrigue for me. Ultimately, however, the ending was satisfying, and Murder on the Orient Express is a well-written, captivating read.

Any fan of mysteries should read And Then There Were None because it is such a wonderfully refreshing book. It is understandable why the book continues to have an impact decades after its release. Following And Then There Were None is not that difficult. Yes, it's a mystery, so pay attention (or at least keep track of who's passing and when), but the book doesn't aim to mislead its readers with unusual text. Guilt and justice are two of And Then There Were None's themes. Every visitor taken to the island is charged with an unfounded murder. As the death toll climbs, visitors struggle in various ways with their own personal emotions of guilt. Justice Wargrave's confession clarifies the notion of justice. Those who loved And There Were None like me should read more of Agatha Christie's work or if you want to read a book similar to And Then There Were None I recommend The Guest List by Lucy Foley. Overall, I loved Agatha Christie's novel And Then There Were None because of how it always kept readers on the edge.
Grade: 8th