I don't know, maybe it's because I was reading this out loud to my daughter, but I just don't see what all the hubbub is. It was heavy-handed to me. There were some sweet spots, but overall I was underwhelmed.
The best way I can describe Raymie Nightingale is to say that it is a book you can fall into. Kate DiCamillo is a master of characters and story, and Raymie Nightengale is no exception. This author weaves magic through words. We enter Raymie’s life mid-stream; she is ten years old and floundering a little. Through some new, strong friendships, she discovers strength in numbers – and in herself. The subject matter might be a bit much for some. Raymie’s dad has “run off” with a dental hygienist. But DiCamillo is never heavy-handed with the details and navigates the discomfort with aplomb.
The best way I can describe Raymie Nightingale is to say that it is a book you can fall into. Kate DiCamillo is a master of characters and story, and Raymie Nightengale is no exception. This author weaves magic through words. We enter Raymie’s life mid-stream; she is ten years old and floundering a little. Through some new, strong friendships, she discovers strength in numbers – and in herself. The subject matter might be a bit much for some. Raymie’s dad has “run off” with a dental hygienist. But DiCamillo is never heavy-handed with the details and navigates the discomfort with aplomb.
The best way I can describe Raymie Nightingale is to say that it is a book you can fall into. Kate DiCamillo is a master of characters and story, and Raymie Nightengale is no exception. This author weaves magic through words. We enter Raymie’s life mid-stream; she is ten years old and floundering a little. Through some new, strong friendships, she discovers strength in numbers – and in herself. The subject matter might be a bit much for some. Raymie’s dad has “run off” with a dental hygienist. But DiCamillo is never heavy-handed with the details and navigates the discomfort with aplomb.
This book is about a girl who lives by herself on an island. It's a story of empowerment, as the main character learns to live and thrive alone. She doesn't seem to let her circumstances get the best of her. I'd recommend this novel to young girls in particular as the narrator is a strong and capable girl.
This is a powerful quick read with an engaging story line. Yes, Holocaust books are a dime a dozen, but this one is on top of the heap. The location of the book in Denmark also separates it from the rest. I was struck by the idea that it's easier to be brave when you don't know more than you need to to complete a task. Well done.
This is a powerful quick read with an engaging story line. Yes, Holocaust books are a dime a dozen, but this one is on top of the heap. The location of the book in Denmark also separates it from the rest. I was struck by the idea that it's easier to be brave when you don't know more than you need to to complete a task. Well done.
This is a beautiful book. It won the Caldecott Medal, so that's saying something. The artwork is fantastic. The book tells the story of Jean-Michel Basquiat's life in a free form jazz-inspired style. I'm not familiar with Jean-Michel Basquiat's work and now I want to see it for myself. There's a biography in the back. I only read this book once to my daughter. If I had read it more than once, I'd probably give it 5 stars.
This is a beautiful book. It won the Caldecott Medal, so that's saying something. The artwork is fantastic. The book tells the story of Jean-Michel Basquiat's life in a free form jazz-inspired style. I'm not familiar with Jean-Michel Basquiat's work and now I want to see it for myself. There's a biography in the back. I only read this book once to my daughter. If I had read it more than once, I'd probably give it 5 stars.
There are a crap ton of holocaust books out there. That said, this is a good one. The author interviews a survivor and recounts his horrible tenure in the death camps. The result is riveting. This book is classified as juvenile, but it's best for upper elementary and older, including adults.
A Life in the Wild is an engaging and well-written account of the research and expeditions of the great conservationist, George Schaller. Mr. Schaller's extensive research in some of the most remote areas of the world resulted in upwards of 9 nature reserves and national parks worldwide. Some of the creatures he helped protect are mountain gorillas, snow leopards, pandas, tigers, and many more. I enjoyed hearing about his adventurous expeditions, which the author recounts in a manner that makes you feel like you are really there with him.
This book is a juvenile nonfiction and best suited to higher elementary grade levels, but as an adult, I thoroughly enjoyed it.
I started off in love with this book. However, as it progressed I lost a little bit of interest in it. I guess Miggory Sow and Roscuru didn't appeal to me as much. But it finished strong. Great narrative voice and well paced. Well done overall.
I've yet to read something by Catherynne M. Valente that isn't absolutely gorgeous -- admittedly I may be a little bit biased, as I definitely think folkloric stories are the best, and folkloric stories with lovely playful twists are the BEST best... But when it comes to evocative and clever prose, as far as I'm concerned Valente is on a level all her own. At the moment, I happen to be reading her "Fairyland" series, and so... Behold, the first book -- "The Girl who Circumnavigated Fairyland in a Ship of her Own Making!" It's just as whimsical as it sounds.
So there's this little girl named September, living in a lonely house and washing a bunch of lonely teacups all the time and feeling very trapped. A quirky and talkative Green Wind -- apparently a defiant and spirited sort of wind -- riding a leopard shows up to spirit her away to Fairyland if she likes. This book is very much like "Alice's Adventures in Wonderland" for the modern age: September has loads more authority over herself and her destiny, for one, and she grows dramatically as a human being over the course of the series. Fairyland helps that along of course, despite being a wild and alien place, complete with folkloric and/or mythological figures both eternal and re-imagined, petulant tyrants with very impressive hats, and interesting twists and turns aplenty that I can say I definitely didn't see coming. Valente's world is simultaneously familiar and wonderfully fresh, like she's composed words to go along to the tune of a well-beloved song, shifting its meaning in unexpected ways while still keeping true to the soul of something timeless.
I've yet to read something by Catherynne M. Valente that isn't absolutely gorgeous -- admittedly I may be a little bit biased, as I definitely think folkloric stories are the best, and folkloric stories with lovely playful twists are the BEST best... But when it comes to evocative and clever prose, as far as I'm concerned Valente is on a level all her own. At the moment, I happen to be reading her "Fairyland" series, and so... Behold, the first book -- "The Girl who Circumnavigated Fairyland in a Ship of her Own Making!" It's just as whimsical as it sounds.
So there's this little girl named September, living in a lonely house and washing a bunch of lonely teacups all the time and feeling very trapped. A quirky and talkative Green Wind -- apparently a defiant and spirited sort of wind -- riding a leopard shows up to spirit her away to Fairyland if she likes. This book is very much like "Alice's Adventures in Wonderland" for the modern age: September has loads more authority over herself and her destiny, for one, and she grows dramatically as a human being over the course of the series. Fairyland helps that along of course, despite being a wild and alien place, complete with folkloric and/or mythological figures both eternal and re-imagined, petulant tyrants with very impressive hats, and interesting twists and turns aplenty that I can say I definitely didn't see coming. Valente's world is simultaneously familiar and wonderfully fresh, like she's composed words to go along to the tune of a well-beloved song, shifting its meaning in unexpected ways while still keeping true to the soul of something timeless.
I've yet to read something by Catherynne M. Valente that isn't absolutely gorgeous -- admittedly I may be a little bit biased, as I definitely think folkloric stories are the best, and folkloric stories with lovely playful twists are the BEST best... But when it comes to evocative and clever prose, as far as I'm concerned Valente is on a level all her own. At the moment, I happen to be reading her "Fairyland" series, and so... Behold, the first book -- "The Girl who Circumnavigated Fairyland in a Ship of her Own Making!" It's just as whimsical as it sounds.
So there's this little girl named September, living in a lonely house and washing a bunch of lonely teacups all the time and feeling very trapped. A quirky and talkative Green Wind -- apparently a defiant and spirited sort of wind -- riding a leopard shows up to spirit her away to Fairyland if she likes. This book is very much like "Alice's Adventures in Wonderland" for the modern age: September has loads more authority over herself and her destiny, for one, and she grows dramatically as a human being over the course of the series. Fairyland helps that along of course, despite being a wild and alien place, complete with folkloric and/or mythological figures both eternal and re-imagined, petulant tyrants with very impressive hats, and interesting twists and turns aplenty that I can say I definitely didn't see coming. Valente's world is simultaneously familiar and wonderfully fresh, like she's composed words to go along to the tune of a well-beloved song, shifting its meaning in unexpected ways while still keeping true to the soul of something timeless.
I've yet to read something by Catherynne M. Valente that isn't absolutely gorgeous -- admittedly I may be a little bit biased, as I definitely think folkloric stories are the best, and folkloric stories with lovely playful twists are the BEST best... But when it comes to evocative and clever prose, as far as I'm concerned Valente is on a level all her own. At the moment, I happen to be reading her "Fairyland" series, and so... Behold, the first book -- "The Girl who Circumnavigated Fairyland in a Ship of her Own Making!" It's just as whimsical as it sounds.
So there's this little girl named September, living in a lonely house and washing a bunch of lonely teacups all the time and feeling very trapped. A quirky and talkative Green Wind -- apparently a defiant and spirited sort of wind -- riding a leopard shows up to spirit her away to Fairyland if she likes. This book is very much like "Alice's Adventures in Wonderland" for the modern age: September has loads more authority over herself and her destiny, for one, and she grows dramatically as a human being over the course of the series. Fairyland helps that along of course, despite being a wild and alien place, complete with folkloric and/or mythological figures both eternal and re-imagined, petulant tyrants with very impressive hats, and interesting twists and turns aplenty that I can say I definitely didn't see coming. Valente's world is simultaneously familiar and wonderfully fresh, like she's composed words to go along to the tune of a well-beloved song, shifting its meaning in unexpected ways while still keeping true to the soul of something timeless.
Oh my goodness, Apollo, you strange and beautiful basket case. I was laughing all through this book, marking pages to shove at my friends... You know the drill. The Greek-mythology-centric Percy Jackson series as a whole helped me through some dark times when I was younger, and this first book of Rick Riordan's new "Trials of Apollo" series is delightful, just as I remember "The Lightning Thief" to have been back when I really, really needed it. (It's only missing Mr. D -- I've always especially liked Mr. D. Maybe he'll show up in the next one?)
Anyway. You know how in Greek folklore, Apollo gets stripped of his powers sometimes when he gets his king/dad, Zeus, angry? That's happened again in this series, only now it's all happening in modern day New York... Where the rules to everything are way different than what Apollo's used to... Annnnd he's not used to acne or helplessness, either, both of which he has to deal with as an awkward teen apparently named "Lester." It's the sparkly god of the sun/music/so many things's turn to go on actual quests again instead of waving demigods off on them... And he's very, very sad about it.
Some familiar faces from the Percy Jackson series have appeared so far in "The Hidden Oracle," but I would say it's definitely its own series with unique sources of pathos. Something I always loved about the Percy Jackson books is their empathy, the way people can redeem themselves, the way characters can still be heroic despite/because of their flaws... And that is STILL HERE, operating now through the protagonist, given the centuries worth of mistakes a now-human Apollo has to grapple with. I definitely liked "Magnus Chase and the Gods of Asgard: The Sword of Summer" -- the Riordan book that came out a bit before this one -- but it didn't click with me in nearly the same way as Apollo's shenanigans. "The Hidden Oracle" felt like a fresh and self-aware remix of old ideas and settings from Percy Jackson, all told through a recently fallen god's wonderful, WONDERFUL narration. Yes, if you want something completely different than Percy Jackson this might not be the best place to look. But if you want to see the Percy Jackson universe through refreshingly new and oh-so-Olympus-y eyes, this may be perfect for you!
To sort of sum things up: I think this is a great kids' book, engaging and fast-paced and written with a light and goofy sense of humor, just like those original Percy Jackson books. (Sometimes the humor does get VERY goofy, so go in warned, but other times it's clever and tongue-in-cheek. Funny guy, that Apollo. Versatile.) Beyond that, though, I...a grown adult...am 100% buying the next book for myself just as soon as it comes out. I know that doesn't necessarily mean EVERY mythology-loving adult equipped with a suitably goofy sense of humor would also enjoy this book, but I know for a fact plenty of others have the same plan.
Lovely lovely book. I started off reading this to my 6 year old, but it's kinda scary so we stopped. I just had to finish it on my own. I love how the BFG talks and how whimsical the story is as a whole. It's Roald Dahl, what's not to love?
When I started this book I could not understand why it had been banned. It seemed so innocuous. I only read it because it was in the free pile where I work. I looked it up and it was for violence, language, and an unpatriotic view of the Revolutionary War. Fair enough. It is violent and unpatriotic for sure, which is why I liked it. It's also a very good story and is about as accurate an account of the Revolutionary War era as can be reasonably expected from a work of fiction for young people.
When I started this book I could not understand why it had been banned. It seemed so innocuous. I only read it because it was in the free pile where I work. I looked it up and it was for violence, language, and an unpatriotic view of the Revolutionary War. Fair enough. It is violent and unpatriotic for sure, which is why I liked it. It's also a very good story and is about as accurate an account of the Revolutionary War era as can be reasonably expected from a work of fiction for young people.
